IMDb RATING
5.9/10
1.5K
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An ex-convict is trying to make a new life for himself in a new city. But his new life is challenged when his foreboding and charismatic former cell mate arrives in town.An ex-convict is trying to make a new life for himself in a new city. But his new life is challenged when his foreboding and charismatic former cell mate arrives in town.An ex-convict is trying to make a new life for himself in a new city. But his new life is challenged when his foreboding and charismatic former cell mate arrives in town.
- Awards
- 13 nominations total
Art Simone
- Nightclub Drag Artist
- (as Jack Daye)
- Director
- Writer
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Featured reviews
"Good day, Paula. I'm Jim, but you can call me Pommie."
My expectations are pretty high strung whenever I encounter an Australian movie again. I was pleasantly surprised already a few times after discovering a film from Down Under. Even though "Cut Snake" put me on the wrong track at a certain moment, the film in general wasn't really surprising. The denouement was even extremely predictable. The two main characters Jim "Pommie" Stewart (Sullivan Stapleton) and Mervyn "Sparra" Farrell (Alex Rusell) shared a grim past. That was kind of obvious. I didn't expect those two former prisoners to have a connection on a whole different level. At first it seemed Pommie had traced his partner in crime just to convince him to pick up the thread on a criminal level. As it becomes clear that Sparra has chosen to walk the right path, this throws a spanner in the works. Sparra has resolutely opted for the ordinary life with his fiancée Paula (Jessica De Gouw). Even a poorly paid job can't convince him to go back to a world of crime. What follows is a complex and tumultuous love triangle.
It's safe to say that "Cut Snake" is a melodramatic thriller. What certainly stands above the rest in this film is the acting of Sullivan Stapleton. Pommie is the type of figure who makes you feel a little uneasy instantly. A burly, heavily tattooed and intimidating appearance whose uncontrollable rage suddenly breaks out and then quickly disappears. Unerringly if unwittingly, Sparra is sucked into a destructive spiral of aggression and violence. And he himself will end up in an inner conflict. Even though it appears from the outset it's heading for a typical crime film, the movie makes an unexpected twist, changing it into a very different mood. In contrast to the terrifying face of Stapleton, Alex Rusell has an angelic face. An ordinary guy who appeared out of nowhere in Paula's life and whose dark past remained hidden until Pommie appeared on the scene.
The film is set in the 70s and situated in an Australian town near Melbourne. The whole film is made in the outspoken style from the 70's. Clothing, vehicles and used soundtrack fit perfectly. My compliments to the decor department. And if you're wondering what the film title exactly means, then I suggest you look up the Australian statement "mad as a cut snake". "Cut Snake" is an indie with a two-faced character. On the one hand it's a simple crime film. On the other hand it's a rather bold melodramatic love story. The twist incorporated in the film is not without a risk. An experiment where some of the viewers will have second thoughts about. I appreciated the subtlety with regard to how everything was imaged. No overly explicit scenes were being used. Not even during the violent scenes. The highlight for me was the moment the tough and resolute Pommie emotionally crashed and briefly showed how fragile and helpless he was. A strong and persuasive piece. Are you an adventurous movie lover? Then this film is really something for you.
More reviews here : http://bit.ly/1KIdQMT
My expectations are pretty high strung whenever I encounter an Australian movie again. I was pleasantly surprised already a few times after discovering a film from Down Under. Even though "Cut Snake" put me on the wrong track at a certain moment, the film in general wasn't really surprising. The denouement was even extremely predictable. The two main characters Jim "Pommie" Stewart (Sullivan Stapleton) and Mervyn "Sparra" Farrell (Alex Rusell) shared a grim past. That was kind of obvious. I didn't expect those two former prisoners to have a connection on a whole different level. At first it seemed Pommie had traced his partner in crime just to convince him to pick up the thread on a criminal level. As it becomes clear that Sparra has chosen to walk the right path, this throws a spanner in the works. Sparra has resolutely opted for the ordinary life with his fiancée Paula (Jessica De Gouw). Even a poorly paid job can't convince him to go back to a world of crime. What follows is a complex and tumultuous love triangle.
It's safe to say that "Cut Snake" is a melodramatic thriller. What certainly stands above the rest in this film is the acting of Sullivan Stapleton. Pommie is the type of figure who makes you feel a little uneasy instantly. A burly, heavily tattooed and intimidating appearance whose uncontrollable rage suddenly breaks out and then quickly disappears. Unerringly if unwittingly, Sparra is sucked into a destructive spiral of aggression and violence. And he himself will end up in an inner conflict. Even though it appears from the outset it's heading for a typical crime film, the movie makes an unexpected twist, changing it into a very different mood. In contrast to the terrifying face of Stapleton, Alex Rusell has an angelic face. An ordinary guy who appeared out of nowhere in Paula's life and whose dark past remained hidden until Pommie appeared on the scene.
The film is set in the 70s and situated in an Australian town near Melbourne. The whole film is made in the outspoken style from the 70's. Clothing, vehicles and used soundtrack fit perfectly. My compliments to the decor department. And if you're wondering what the film title exactly means, then I suggest you look up the Australian statement "mad as a cut snake". "Cut Snake" is an indie with a two-faced character. On the one hand it's a simple crime film. On the other hand it's a rather bold melodramatic love story. The twist incorporated in the film is not without a risk. An experiment where some of the viewers will have second thoughts about. I appreciated the subtlety with regard to how everything was imaged. No overly explicit scenes were being used. Not even during the violent scenes. The highlight for me was the moment the tough and resolute Pommie emotionally crashed and briefly showed how fragile and helpless he was. A strong and persuasive piece. Are you an adventurous movie lover? Then this film is really something for you.
More reviews here : http://bit.ly/1KIdQMT
I saw this premier last night and their was discussion on not revealing the twist and I wont for the sake of this review but I think its a bad idea not to reveal the twist. I think it'll make more money by revealing it. If its left as surprise it comes across more as a reflection on the actors ability to quickly change character as opposed to steeping in from the beginning that these characters can and do exist in the way they are despite their difference. It also seems clunky then and without integrity to appear suddenly different to the point that after that twist is established the movie is finished and resolved. The cinematography was very good and it really did have great features. Once scene in the Chinese restaurant didn't quote cut it for me though. Still overall collaboratively it presented round and beautiful to watch.
This is a very dark, tense peak into post prison trauma in 70s Australia. Solid acting and good direction.
Uncomfortable yet riveting.
A good watch.
Uncomfortable yet riveting.
A good watch.
Cut Snake is the latest feature from Australian director Tony Ayers. I enjoyed his 2002 feature 'Walking on Water', and thought he was one to watch. Weaving between single dramas, mini series and feature films, Tony's latest Cut Snake is of interest for his name, and secondly for that of leading man Sullivan Stapleton. An actor on the rise, Sullivan has also been carving out a name for himself across different mediums, and he makes the most of his leading status, piercing the lens with his brooding frame and affect. It is at times a bold and shocking performance; one that elevates him, rightfully to leading status in this country. Alex Russell and Jessica De Gouw were both discoveries for me, and the former emerges with the more fleshed out and compelling character. It is beautifully designed and directed and an interesting interplay of genres and characterizations.
The overall rating for this movie is quite bad, so I didn't have much expectations.
I was pleasantly surprised because I think it's a movie that opens the door for many conversations like toxic masculinity and the way we think we "possess" those we love.
I think that it's true what other user said that this movie's biggest flaw is relying on many cliches - the cops being the worst of them all, but I also think it's the acting on secundary characters, the editing and the music choices that make you roll your eyes the most.
It's sad because I think it could really have gone places.
Did you know
- TriviaLoosely based on the fire-bombing of Brisbane's Whisky Au Go Go nightclub in 1973.
- ConnectionsFeatured in Celebrating Australian Screen Culture (2020)
- SoundtracksUna Furtiva Lagrima
Written by Gaetano Donizetti (as Donizetti)
Performed by Tito Beltrán, Robin Stapleton and Royal Philharmonic Orchestra
- How long is Cut Snake?Powered by Alexa
Details
Box office
- Gross US & Canada
- $1,625
- Gross worldwide
- $1,625
- Runtime
- 1h 34m(94 min)
- Color
- Aspect ratio
- 2.35 : 1
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