Television

I went to the cinema on the very first show with enormous positive anticipation about this film as it has got the highest media hype in our country. The film entertained me on various angles but I was not mesmerized or something like that. I was convinced that it was a good film because of the intriguing content, standout performance by one of the main actors - Mosharraf Karim, and the twist in the later part of the movie. The cinematography could have been much better. The director used the "handheld camera" technique in random sequences and it didn't serve the point. As we all know that this technique is mainly used to create intensity in an intense sequence. Misunderstanding this concept, can create viewing disturbance. I would have talked about some more aspects but unfortunately I won't. Because this film does not deserve the actual criticism. Let me tell you why.

The main shocking fact about the film is, this film is a total conceptual copy of another Turkish film "Vizontele". The main concept in both films is, bringing a television to a remote village and creating the story of how the people and the society react to it. The design of the script in both movies are aimed to entertain the audience by the situational humor and the shocking ending. I would say that in case of disturbing ending, the Turkish film was light years ahead. It slaps you hard out of nowhere. In "Television", the same scripting design was followed by the writer and it might move you if you didn't see the Turkish one. But as a Director like Sarwar Farooki, I am deeply disappointed by this silly attempt of deceiving the audience. After finding all these, I totally lost all the charm about this movie and I think the director should answer this grand theft.

Mostafa Farooki is a very popular director and a creative one. But if he starts thinking that he can watch the less known movies of world cinema (in fact, "Vizontele" is not so less known) and make movies out of those, he should just join the mainstream Bangla Cinema and do the Bollywood rip offs. It would be easier, isn't it?

I'd waited well over a year to see this much hyped film and Mostofa Sarwar Farooki yet again doesn't disappoint; in my opinion this is probably his best work and a much more polished effort than 'Third Person Singular Number'. The fact the narrative is set in a village in Bangladesh is irrelevant because the story of its people is a universal one and the message transcends cultures. This is the story of how close mindedness and the winds of change clash in a rapidly changing world. Bangladesh's official submission to 2014's Oscars, in what was a very strong 12 months for world cinema, didn't make the final list of nominees but it doesn't really matter because this is an accomplished film that has been praised both in its home country and at the select film festivals its played at. With the exception of 'Monpura', this is the best piece of cinema to come out of Dhaka's growing film industry in the last 10 years. If I could bet on one filmmaker from Bangladesh really cracking the international film festival circuit in a big way in the future, my money's definitely on Farooki. A recommended film.

This move was very fantastic beside it was educational.

Even before we have met the main characters of the story: Amin, his son Solaiman (Chanchal Chowdhury), his girlfriend Kohinoor (Nusrat Imrose Tisha), and Mojnu (Mosharraf Karim), who works under Solaiman as a help and is also in love with Kohinoor, director Mostofa Sarwar Farooki has established the main theme of his film, which won the Jury Grand Prize at the Asia Pacific Screen Award, closed the Busan International Film Festival and was Bangladesh's Oscar entry in 2013. It is now streaming on Bengali digital platform Hoichoi with subtitles.

This movie shows a strange village where no one can watch television and young people cannot use mobile phones.

I like the writing of the movie. Mostafa Sarwar Farooqi always makes such good movies. The cinematography and the screenplay was good.

Mojnu was interesting as a character and the actor made it even better. The story of Solaiman and Kohinoor's relationship was amazing. You will love it,

The acting of Chanchal Chowdhury and Mosharraf Karim was fantastic. Nusrat Imroz Tisha was a good actress in the movie.

I would suggest you to watch this movie.

The subject of the film is both a literal and a metaphorical one at the same time. I was lucky to see the very 1st show of 'TELEVISION'. Farooki Mostofa Sarwar and his team has taken Bengali cinema to a new level. He has dealt with a bold subject, seldom explored in world cinema and has hit it quite hard! This cinema deserves world-wide exposure. Mark the day fellow film-lovers, this is a proud moment. Watch it and spread the word. 'Television' is the only movie in the history of Bangladesh that just had a houseful first day first show. A must see for locals, and for foreigners if you want to taste a Bengali film- this could be your appetizer and main dish!