Worm

The biggest reason to see this film is not for the plot line, but for the unique perspective resulting from the method of filming. It was shot with a GoPro Hero camera mounted to a Snorricam and produced with a seamless edit. This enables the audience to experience the events of the story along with the main character, Worm, in a cool way that I'd never seen before. The second biggest reason to see the movie is Andrew Bowser's portrayal of Worm that wins the audience's sympathy so fully. The story line isn't bad either, with the exception of a couple of plot holes. These were totally overshadowed by the thrill of feeling like I knew exactly what Worm was going through every second. I saw the film at DeadCenter Film Festival, and at the end of the movie, it was obvious from the audience's reaction that they had come to identify with Worm and his plight completely. I can't wait to see what Andrew Bowser comes up with next.

Excellent film, noir type black and white underground...I have watched this 3 times. Difficult to describe...at times sad, wrenching, still uplifting. Well worth the watch. Looking forward to Bowser's new film coming out later this year: onyxthefilm.com

You can hardly believe what this movie and its lead actor pull off logistically, and beyond that it is a great story with great acting. Part drama, part action thriller, there is no comic relief to this hard hitting tale of an underdog in a race for his life. Highly recommended.

Worm is a striking achievement in independent cinema that showcases both raw creativity and technical prowess. Directed, written by, and starring Andrew Bowser, the film immediately grabs your attention with its single-take format-a feat that not only amplifies the tension but fully immerses you in the story. The camera's unbroken gaze pulls you straight into the small-town, morally gray world of Worm, a socially awkward man desperately seeking validation.

Bowser's portrayal of Worm is magnetic, with every awkward tic and nervous utterance bringing to life a character that's as endearing as he is unsettling. The supporting cast shines as well, with Drew Pollock as the overconfident Maverick and Rett Terrell as the elusive Miller, both giving performances that add depth and layers to the narrative. The seamless flow between actors in this continuous shot underscores their chemistry and commitment.

What makes Worm so engrossing is not just its stylistic ambition but the way it maintains an air of unpredictable tension. You're constantly on edge, not knowing if Worm's story will end in redemption or ruin. The film offers a gritty, unfiltered look into a troubled mind, capturing moments of dark humor, quiet despair, and bursts of frenetic energy. It's a film that keeps you riveted from start to finish, as you realize you're not just watching Worm's unraveling-you're living it with him.

For those who appreciate innovative storytelling, Worm is a must-watch, proving that with the right vision, independent cinema can deliver an experience as intense and captivating as any big-budget thriller.

Worm is a ne'er do well petty criminal who finds himself in quite a pickle as the unwitting scapegoat in a grisly double homicide. He gradually comes to realize that nobody close to him can be trusted, and that the life of his young daughter may be in urgent jeopardy.

Audaciously avant-garde low budget neo-noir filmed in two long takes, with the camera focused squarely on the face of the central character. It's a bold stylistic push, but the proceedings are so well supervised that it never feels like a contrived gimmick. The story, which plays out in real-time, is tense and engaging, and the characters, despite being largely unseen, are developed and well dramatized. Andrew Bowser is award worthy in a highly complex and demanding protagonist role, spinning his initially somewhat unappealing loser character into a relatable and valiant hero with a pitiable history.

WORM is far and away one of the gutsiest film experiments to come along in quite a while. Sure, it's flawed. Big deal...the Venus De Milo ain't got no arms. It might not appeal strongly to mainstreamers, but if your tastes run per-contra the dull polish of Hollywood, you won't want to miss it.

7/10.