Jonathan Strange & Mr Norrell

This is BBC drama at its very best and a great showcase for why the licence fee is such good value. The quality of acting is superb with brilliant casting, lighting, costumes and direction. Hats off to Peter Harness, Nick Hirschkorn and Toby Haynes for writing, producing and directing respectively such a complex book into television drama of the highest quality. Those who have read the complex and sonorous book will be aware of the feat this adaptation has required. This production oozes class and looks set to grip viewers under its spell.

And all this without a single shirt needing to be torn off. At least, thus far.

Jonathon Strange and Mr Norrell is a slightly glum, complex but ultimately intriguing drama about two magicians attempting to return magic to England. The plot itself is unpredictable with many compelling twists which result in massive impacts on each of the characters. Although, it can be rather confusing for me at times.

Speaking of the characters, they are superbly cast and believable. Bertie Carvel is excellent as the mysterious Jonathon Strange, Eddie Marsan fits the role of the reclusive Mr Norrell perfectly, and Marc Warren is exceptional as the malicious Gentleman. The other actors including Charlotte Riley, Alice Englert and Ariyon Bakare also give commendable performances.

The visuals are stunning and clearly the creators put a lot of money and effort into making them seem as realistic and jaw-dropping as possible. From the swarm of agitated ravens to the voluminous black tornado formed by Mr Strange himself, there is nothing to fault.

Overall, Jonathon Strange and Mr Norrell is an exquisite series which I'm sure admirers of the book will adore. As for those individuals who have not read the book, (such as myself) this is a fresh, thrilling and mesmerising story which will capture the imagination of all ages.

The book won the Hugo and was nominated for the Nebula, which is why I decided to read it. It is an awesome if extremely challenging read. It took me several passes before I was able to get into the meandering story and actually finish it. But, hey, it took the author a decade to write! Who am I to complain? One of the reasons the book is so challenging, if not off-putting, is its style. It is written in the venerable style of the great 19th century British authors, so if you hated reading Jane Austin in high school, you probably won't like this book, and you may not like the show.

For many reasons, I didn't expect the television show to be an easy, far less effortless, thing to watch. And it isn't. I can't quite imagine what it would be like to come into it without the benefit of having read the book. But I'm sure many have. Like the book, I think you need to be in a certain "suspend disbelief and be patient" mindset.

On the other hand, in the last decade since it was published, we've all gotten use to alternative histories, haven't we, with "Merlin" and "Atlantis" and "Dracula" -- the list goes on and on. The Brits do these exceedingly well. From that early and rather silly "Robin Hood" up to the present with "The Musketeers" (the latter sharing an actor with this show) these series are nothing but improving. The genre is getting perfected. We've grown accustomed to the idea of alternative histories.

And a retelling of the Napoleonic wars is basically what the story is about. It is an alternative history about a time that (to be honest) I'm not very interested in. But I am interested in fiction about magic -- from Butcher's Dresden books to the Neal Stephenson mystical masterpieces, and so this is right up my alley. I like the show, having watched the first two episodes. It is gearing up to do what the books do so brilliantly -- which is allow you to get lost in this strange universe where nothing is as you expect it or remember it, and where these two very odd (and very different) men partake in a very strange dance.

I'm impressed, actually, that someone even tried to put the book to film. One might wonder if a story about friendship and insanity would translate well, but with the wonderful actors and the fantastic writing, I am looking forward to see how this all shakes out. The story, if it follows the book, will just keep getting weirder and weirder.

Maybe it is two kinds of magic ... kidding aside, this is a very well written and filmed show about Magicians and how they might have been perceived. While it does name check real life figures/people (like Napoleon), I am not a scholar of the time to tell you what it does get right about the time this is supposed to play in.

Having said that, it does start quite slow (as I reckon almost anyone on here will have stated already too), but becomes quite the beast along the journey. It really ups the ante and it really has some high stakes when it comes to the characters and their fates. Intriguing storytelling mixed with really well thought of characters ... and a mini series too! For those who like to binge watch and all that. Costumes are great and performances are very good too. Special effects are decent as well - which was needed considering the nature of the show.

It is very difficult to sum up of even describe Jonathan Strange and Mr Norrell without it sounding lame, which it most certainly isn't. I was unsure what to expect from the title and few screen shots I had seen. There was no promotion for it at all in Australia, as it has yet to be screened here on terrestrial TV. I wasn't sure whether to expect a comedy, a drama, or fantasy. In the end I got all three in some measure, and more. Set in the early 1800's, magic is known of, but rarely practiced in England, that is until a long time practitioner Mr Norrell arrives on the scene to try and bring credibility to real magic. Jonathan strange emerges around the same time, as a newly fledged Magician, and the two inevitably meet. I'll give away no more of the story, but it is written in such away that makes the occurrence of actual magic in the early 19th century believable, as it is accepted as fact by the general public. The weaving of the story with historical events and excellent acting throughout just sucks in those viewers who are willing to suspend their belief and enjoy the ride. Highly recommended, but you have to accept the premise to fully enjoy.