Thanh Soi: Cuc Dai Trong Dem

There have been many action flicks with kick-ass females at the center. On the wholesome glitzy side, Charlie's Angels. Andy Sedaris cluttered the 80s landscape with a slew of soft-core pornish outings for Dona Speir and a bevy of hunks and silicone-enhanced babes as super government agents. (James Bondage, anyone?) Others from here and abroad - especially several East Asian countries - have ranged from the serious to moderately sexy to outright spoofs. This one lands at the grittiest end of the spectrum, and does so with an above-average plot and cast.

A Saigon woman rescues three young women and trains them to take down Saigon's biggest psycho gang leader, who deals drugs, runs casinos and clubs, and - worst of all - abuses and traffics young women. The trio have their own traumas and find both sisterhood and purpose in their mission.

The three are quite attractive and often shown in skimpy, yet still PG-13ish, outfits. But they're at their peak in the training and fighting sequences. No idea if any of them are real martial artists, but they look very convincing in combat.

Nothing gets soft-pedaled here. There's no nudity, and most of the sex is forced, not romantic. It's also as gory as any contemporary male-dominated productions.

Veronica Ngo stars, directs and co-wrote. Her real co-star is fight choreographer Kefi Abrikh. He'd done the same with Ngo as the star of 2019's Furie, for which this is a prequel. No need to have seen that to enjoy this one. When you're looking for this type of guilty-pleasure flick, Furies delivers on all counts.

I really enjoyed this film a lot, even from the smaller details like cinematography of the bold colours throughout the film, and the 90s music. The main character is the quiet type, but I loved how the voice over of her inner thoughts got some of the plot and her emotions across.

The story is really cool, I did love the female empowerment of girls bonding, and literally fighting the patriarchy because of the men who are putting girls like them through awful situations. There are forced sex scenes in this film, but they actually are plot relevant, because there's a lot of revenge in this film.

The action is very good, everyone looked comfortable with the martial arts, and fighting. The pacing seemed good, and the balance between action and plot seemed nice. Overall very enjoyable film.

Well, its above the average netflix production. Does not say that much tho.. Acting is ok, story is fairly intresting, you do care for the characters. Action scenes are lackning sadly enough, could have gotten one or two stars more if they were good. Only one of the main characters that really pulls it of. But I absolutly love the dirty 90's neon city center, full of the fumes from cars, industry and cigaretts (Yeah, smoking is bad, but it adds to the atmosphere). Really well made that.

Mixed feelings about the strong women approach, I do very much approve of it, and some elements are very good (wont elaborate that one because of spoilers). But you cant really shake the feeling that somone in the production has a thing for young skinny girls.

Worth two hours of your time, but you probaly wont remember it in a few days.

Furies deals with three vigilante killers put together as a team by Jacqueline to bring down a crime syndicate. As the story is set in the past, the narrative resorts to a grim tone right from the beginning painting the town run by brutal, women trafficking, drug peddling crime syndicate. The three girls too are wronged by men and humiliated by the society making it easier to train them as a team to achieve the goal of Jacqueline. Will they achieve it forms rest of the story.

The problem with Furies is it sticks to one tone, a grim one and tries harder to narrate a messy screenplay. The three characters despite all the pain they went through in the past hardly leave an impression neither any of the villains stand out. The action set pieces remain the sole saving grace considering when the action stops, the drama gets tedious. As there is no attempt to break the monotony, the motorcycle action scene goes down due to poor vfx.

The third act blows up with a lengthy action scene and a surprising twist. On paper this might sound better but what happens on screen, loses it's impact. Even the final reveal doesn't really explain how or why this character could simply turn out to be the very person she dreaded. The ambition to turn this into a credible franchise is visible but with hardly any memorable characters, the film suffers a lot.

Veronica Ngo, star of Furie, plays Jacqueline, who rescues three young women from a tough life on the streets, training the girls to defend themselves against nasty, sex-mad men. When ready, Jacqueline sends the trio -- Thanh (Toc Tien), Hong (Rima Thanh Vy) and Bi (Dong Anh Quynh) -- on a mission to wipe out a gang of human traffickers, who are led by the despicable 'Mad Dog' Hai (Thuan Nguyen). After risking their lives doing so, Bi becomes suspicious of Jacqueline's real motives...

I felt that the Vietnamese action film Furie (2019) suffered from serious pacing issues: the finale was great, but the fight scenes leading up to it were sporadic and not handled very well. This sequel-in-name-only, directed by its star Ngo, remedies that issue, with regular bouts of adrenaline-pumping action, each set-piece wilder than the one before. Ngo is perhaps a little too ambitious at times, such as with the motorbike/moped chase that suffers from some noticeably weak visual effects, but that still doesn't prevent it from being fun -- in some ways, the rather cartoonish look of that particular sequence suits the outrageousness of the action unfolding before our eyes.

Ngo certainly handles the film's martial arts scenes like a seasoned pro, the complex choreography and kinetic camerawork combining to deliver plenty of excitement; the director has clearly been studying the great action movies of recent years, with close-quarter combat scenes reminiscent of The Raid 2 and Oldboy. Ngo also gives the whole affair a wonderfully gaudy, comic-book aesthetic, befitting the rather trashy storyline: the entire film is drenched in neon lighting and there is some nice use of De Palma-style split-screen.

7.5/10, rounded up to 8 for IMDb. A marked improvement over Furie -- I would definitely welcome another Furies film with Ngo at the helm.