Bruce Springsteen & I

Watch a documentary on a musician and his music, and what do you expect? A biopic, perhaps? A film about his beginnings, his inspirations, the way his fans have changed him, the crippling (or enabling) effects of fame? A glimpse, perhaps, into the singer as a man – the humanising of someone touched by the supernatural glow of celebrity. Or perhaps it's a concert documentary: a film focused more closely on talent and musicianship. Much as pioneering rock-and-roll icon Bruce Springsteen is deserving of all such cinematic treatment, Springsteen & I, refreshingly, falls into none of those categories. Instead, it's a movie for his fans and made by his fans – and, as a result, one that works very well too as an examination of the modern phenomena of celebrity culture and fandom.

Checking in with Springsteen's fans from all over the world, the documentary is spliced together from their home videos and personal accounts – resulting in stories that range from the hilarious (a mother who has forcibly passed her love for the Boss down to her offspring) to the touching (a British couple get an unexpected surprise when they fly to New York to catch a live concert). Fans talk about the electric moments in which they find themselves unexpectedly sharing Springsteen's spotlight, whether it's onstage or in an impromptu street performance. Of course, there's much ruminating on the way in which Springsteen's music has underscored and even changed the lives of his fans – even if they've never had the chance to see him perform live.

There's a real danger at every point in the film that it might become too mawkish and self-congratulatory. Indeed, if this were a documentary made by any other world-famous celebrity, it would likely come off as self-aggrandising, arrogant pablum. But because Springsteen has somehow managed to maintain a reputation for humility and being, as a fan put its, very much "salt of the earth", despite being one of the biggest stars on the planet, he just about gets away with it. Fans of the man and his music will recognise their own stories in these sweet, affecting tales, which ring with truth and a shared passion.

On the other hand, non-fans and neophytes might find the general air of breathless reverence somewhat off-putting – although there are certainly elements in the film which they can probably appreciate too. Director Baillie Walsh puts the story together with a light touch, taking care to inject humour into the proceedings. Specifically, she presents the point of view of, for want of a better term, a "fan-in-law" – a man who dutifully but reluctantly accompanies his Springsteen-obsessed wife to concerts all over Europe. It's moments like these that expand the film beyond a mere homage to a celebrity. Look a little deeper, and the vignettes in Springsteen & I reveal a great deal about passion and fandom: the need for human connection, the power of music and poetry, the community and camaraderie that can form from shared interests.

Another undeniable huge draw of Springsteen & I is the live footage that runs throughout the film, as well as the exclusive concert highlights that unspool after the credits. The sense where the former is concerned is of Springsteen sharing the limelight with his fans: his performances, including some rare, purportedly never-before-seen live footage, are tied into their stories. He riffs charmingly on the hidden subtext in Red-Headed Woman, for instance, or sings Born To Run across years and generations to close out the film. The concert reel after the credits, taken from his Hard Rock Calling performance in London last year and featuring Sir Paul McCartney, includes six rousing, wonderfully-performed rock anthems that are alone worth the price of admission.

For anyone who's ever loved something or someone in an indescribable, soul-deep way, even if it isn't Springsteen (but especially if it is), Springsteen & I is a movie that will resonate. It acknowledges the huge, enormous place celebrity, music, culture and art can occupy in someone's life, without the derogatory allusions that usually come with being classified a nerd, a geek or obsessive. For those unacquainted with the cult of Springsteen, be warned: this could prove both annoying and cloying, though there's also a chance he and his fans could charm you with the strength of their love and devotion.

1/15/18. If you love Bruce Springsteen, then this rockumentary is for you! A nice mix of fan love and concert footage meant to please fans of all stripes and sizes.

Producer Ridley Scott and his company Scott Free productions made the crowd-sourced documentary 'Life in a Day' which comprised of video clips submitted by people around the world.

Springsteen & I follows a similar route as we see a selection of clips sent by Springsteen fans mixed with some concert footage of Bruce.

Of all the performers out there, Springsteen is a sensible choice. He is not the latest fad who will disappear after a few albums, or an old dinosaur living off past hits for years on end but someone still releasing new material, touring with new material. He has a worldwide fan base spanning a few decades.

Obviously Springsteen fans would appreciate this the most. The documentary stands and fall by the contributors and here some of it is lacking and rather dull. A bit too much of we love Bruce but little of any real substance.

Some of the best stories were for example the Philly Elvis who managed to get on stage and sing Elvis songs with Bruce or the guy who got dumped and managed to talk to Bruce and have his request played as well as a street busker who managed to get Bruce to sing with him. (Although rather a few famous singers end up singing with buskers these days as YouTube is full of those clips.)

There is one British contributor who states Bruce means love for his partner, because for her he endures listening to his music and going to his concerts which are by the way too long as far as he is concerned.

Another contributor also from Britain tells the story how he went to New York to see him in concert only to find he had tickets where the seats were right at the back of the stadium (I know how he feels as it's happened to me a few times) and then a mysterious man upgraded him to the best seats in the house (which has never happened to me.)

These stories were few and far between and you gather that some of the contributions were probably not that good.

Yes I'm from NJ but no I was not a Springsteen fan until a friend dragged me to a concert at the Boston Garden during winter finals my first year of college. And that night was life- changing. I've seen him maybe 75 times since then, but never overseas. Only one show failed to amaze. I also have a life, I like other things, and I know that Bruce Springsteen like any other public figure is still just a guy. I don't think he's a god, or my God. But there is nothing like a Springsteen concert. It is transforming.

So I was really looking forward to this documentary. The first 20-30 minutes were excruciating and all I could think was, wait it out because it's cool to see London Calling on a huge screen. The shaky cell phone videos were headache and nausea inducing and I kept thinking, where was Ridley Scott when they were putting this together?

Then it got really good. I LOOOOOVED the couple where the guy doesn't like the music, he got funnier every time he opened his mouth. I loved the woman in Copenhagen. She was very real, she seemed like someone I'd like to know. And that's kind of the point of this film, I think -- how strangers can share an experience through music or art or any common interest. The guy who works at the stadium was really compelling. So articulate. When he said he was walking home after a concert and his girlfriend said, "At a certain point I felt like I was the only one there, that he was talking and singing directly to me," THAT is the magic of a Springsteen concert and his unique talent. The guy in Poland was profound, even though he said very little.

On the other hand, some of the people made me sad in their extremism.

Bruce himself wasn't really important to this film. It was nice that he met the people at the end but it didn't make or break the experience for me.

Overall it was like a really really good Kickstarter project on steroids. Clever, interesting, thought-provoking, very funny. And there's still magic in all the memories of all those Jersey summer nights caring only about the music for the moment.

Well this is my very first IMDb review so here goes.. I have to say I'm somewhat of a latecomer when it comes to Springsteen and his music. My uncle has always been a huge fan and I never truly understood why until recently. I went to one of his concerts for the first time and it was something truly special, something I had never experienced before. I was there for intrigued about this film\documentary about the boss so thought I would go see it. What can I say it was a great tribute, funny at times but also very emotional. From the Elvis impersonator to the boss playing and singing in the street with a busker I thoroughly enjoyed this from start to finish. Springsteen's passion and energy on stage is truly captivating. The London concert at the end was a great finish, I was tapping away like a teenager at a 1D concert. Go see it, I am now a true convert!!!!!