On Christmas Eve, a family gathers for what could be the last holiday in their ancestral home. As the night wears on and generational tensions arise, one of the teenagers sneaks out with her... Read allOn Christmas Eve, a family gathers for what could be the last holiday in their ancestral home. As the night wears on and generational tensions arise, one of the teenagers sneaks out with her friends to claim the wintry suburb for her own.On Christmas Eve, a family gathers for what could be the last holiday in their ancestral home. As the night wears on and generational tensions arise, one of the teenagers sneaks out with her friends to claim the wintry suburb for her own.
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This is certainly no vehicle for movie stars to make an easy buck. In fact, most of the faces won't be familiar, and that works to the film's advantage ... a shrewd casting move. Based in the 1970's, a large family Christmas gathering is happening on Long Island, and the little bits of story are captured through the blips of snippets of conversations we catch. This includes discussions about the family matriarch needing to be moved to an assisted living facility and whether or not the family home should be sold. There are secrets and grudges and familiar jokes, along with teenagers trying to look cool ... in other words, the same things that happen at most family gatherings plus the added stress of Christmas.
Some of the jigsaw pieces are in the form of a player piano, a pet iguana, an electric train, video games, and a dozing grandma. A few of the men escape to the garage for a cold beer, while one uncle plays the piano and sings a Christmas carol. Another uncle is obsessed with cooking his portion of the family feast and explaining each step to anyone who will listen. Of course, the feast is enough to feed three times the number of people in attendance, and yes, one adult gets stuck at the kids' table. There are presents opened and home movies that bring back memories - some good, some tear-inducing. Yet another uncle has his book draft read aloud, providing quite the surprise. Those "cool" teenagers do manage to sneak out, and this along with the goofy cops (Michael Cera, Greg Turkington), seem like bits that don't really fit. The exception is one red-wrapped gift that must be fished out of a dumpster, ultimately providing a touching moment.
Again, most of the cast will not be recognizable, but they handle their characters beautifully. The cast includes Maria Dizzia, Matilda Fleming, Steve Alleva, JoJo Cincinnati, Ben Shenkman, Chris Lazzaro, Tony Savino, Elsie Fisher, as well as a couple of well-known offspring in Sawyer Spielberg and Francesca Scorsese. Cinematographer Carson Lund provides the retro look and feel, with a dose of nostalgia that avoids the customary overdose of sentimentality. The film is more complex than it appears on the surface, and the offbeat flow allows for emotions, love, and chaos - even as Santa rides by on the firetruck. An unconventional soundtrack is filled with 1960's music rather than Christmas tunes, and that works just fine. The best compliment I can offer is that this feels as much like we are at the party as it does we are watching the party. And that's impressive.
Showing in select theaters.
However, some found its structure and tonal shifts uneven. Scenes outside the family home, particularly involving teenagers wandering town, feel less grounded and overly constructed compared to the richer, more nuanced moments within the house. While the film avoids becoming overly cliché, its meandering plot-more a collection of small moments than a cohesive narrative-may leave some viewers wanting more direction.
Overall, Christmas Eve in Miller's Point offers a unique, slightly offbeat holiday experience, appealing to those who enjoy indie films with emotional depth, even if it occasionally feels uneven. If you're looking for something less conventional this holiday season, it's worth considering.
Christmas Eve in Miller's Point is just an average film. Director Tyler Taormina has given us a movie with a meandering story that doesn't really go anywhere, even when the credits roll. The scenes with the adults are pointless & are incredibly boring. The scenes with the teenagers are fun & are the saving grace of the film. Matilda Fleming is fantastic as Emily. Maria Dizzia is awesome as Kathleen. Francesca Scorsese is great as Michelle. Elsie Fisher is brilliant as Lynn. Michael Cera & Greg Turkington are hilarious as Officer Gibson & Sergeant Brooks, respectively. The supporting cast is effective. Christmas Eve in Miller's Point is not a must watch. Watch it if you're having a Christmas movie marathon & don't mind having an average movie in the mix.
The strange videography added to the confusion, with awkward close-ups on irrelevant details and unnecessarily long shots of background decor that served no purpose. It felt entirely random and odd, leaving me wondering how this ever became a movie in the first place.
Overall, it was a waste of time that left me frustrated and regretting the experience. This is not a film I would recommend to anyone.
Did you know
- TriviaSawyer Spielberg is Steven Spielberg's son while Francesca Scorsese is Martin Scorsese's youngest daughter.
- GoofsIn the 37th minute, when the people are waiting for the parade to come down the street, an enormous mic is visible in the low right corner of the screen. It's not even subtle, but fully visible.
- Quotes
Uncle Ronald: This could be important. This could be handy. Look, everything's gonna be remote control one day, right? So it might be a good idea to have one of our own behind the wheel.
- ConnectionsFeatured in The 7PM Project: Episode dated 22 November 2024 (2024)
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- Release date
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- Also known as
- Christmas Eve in Miller's Point
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Box office
- Gross US & Canada
- $157,305
- Opening weekend US & Canada
- $83,960
- Nov 10, 2024
- Gross worldwide
- $226,182
- Runtime1 hour 46 minutes
- Color
- Aspect ratio
- 1.85 : 1