DTLA

This writer is not so gifted in ideas involving words, relationships, love, other human beings, friendship, loyalty contradictions, denouement, beginnings, etc. But instead tries to teach us that we're all just food for thought, expendable, things to use, ideas to bounce off of, tricks to be played. I could see at certain points where there was some twinkling light of brilliance, a touch of genius had graced this for a minute like silver, a little whisper, a little voice that disappeared. Its sad because there is a trace of someone or something brilliant that shined for a minute. Its confusing. But I do feel this sadness, this hurt not in the actual acting or writing but in the production. This absence of talent that could have been, like a great work that was left on the playground. The acting is bad but not just by that alone. The director has no idea of space, using it to enhance emotion, power, greed, doesn't understand light and how it is used to convey or intensify the scene, the mood, seems to be still learning about film. I get the feeling that a more talented partner was cut out, denied and discredited. Because there is a shadow in this that hints a what could have been, but is lost to time, buried and forgotten.