Vive le vol d'hiver

I was shocked how much I enjoyed this. This is not a Hallmark style Christmas rom com. Usually this isn't my thing but I'm a fan of Olivia Holt and of heist films. It's December so I figured why not. It's #1 on Netflix so I'll give it a chance. Didn't even think I would finish but I thought the humor had some moments.

There isn't as much romance as you would expect from one of these films, the main plot is about the heist. That's probably why I liked it as much as I did. The soundtrack and the twist are what raised my rating. I thought how it ended specifically the last 20 minutes went was really great stuff that I didn't see coming.

I would definitely give this a chance and I think you'll find out right away if you'll like it or not.

Jingle Bell Heist is a harmless piece of Netflix content that's designed to be enjoyable in an undemanding fashion. It's got enough festive charm and high stakes heists to sustain a thankfully short 94 minute run time with a satisfying ending to ensure the film is actually worth committing to. It's a simple story of well deserved revenge involving stealing from the rich to give to those who need it.

Olivia Holt and Connor Swindells are a good pairing who have a cute chemistry. They both get an introduction which makes them feel very cynical and deliberately similar in their experiences but there's thankfully more to it that's gradually revealed, making them increasingly empathetic. Peter Serafinowicz makes his one note villain suitably despicable without a lot of screen time.

Acting as both director & cinematographer, Michael Fimognari gets the job done with the standard issue streaming construction where everything is visually flat and overly lit in places. There's the odd bit of life in the camerawork and Jeffrey M. Werner's editing has a few transitions which gives it some extra life. Steve Hackman's playful score sounds the part despite the odd misstep.

Sophia works two jobs to make ends meet, her mother is sick in hospital, and she gets by by pinching. Nick, a former employee at Sterlings department store, has access to the cameras, spots Sophia pinching, and makes her an offer.

It's very likeable - a definite mix of genres: part crime caper, part seasonal romance, part comedy, and there's just enough to tug at the heartstrings too.

It's a British Christmas film, so there's a faint whiff of cynicism. Sometimes you need a festive film that isn't quite Hallmark, and all its syrupy charm. Don't get me wrong, it's goofy, but even the outlandish Sterlings are grounded.

I love the idea of a chic UK department store, where all the glamorous assistants wore neckerchiefs. Sadly, those days ended with Thatcherism, although it is short-staffed, so that rings true. It's like an export version of Britain, with dry martinis and tuxedos - but it works.

Olivia Holt and Connor Swindells were a cracking duo, combining so well. Not your usual Christmas movie hires - two people who don't feel as if they're living inside a snow globe. Lucy Punch knows how to give us a spoilt princess, but this one has a twist.

Heart and humour - this one's a cut above the usual selection of festive flicks.

8/10.

My IMDB threshold score for watching a film is usually 6.5, preferably 7+. So I am a bit conflicted as to how to score Jingle Bell Heist. It is certainly worth much more than the current 5.8, but do I score it higher to try and compensate for the low score?

The first thing to say is is not a rubbish Hallmark standard Christmas film. Having said that, it's no Elf or Miracle 34th Street either.

It does have all the Christmas cliches, for example a completely unrealistic department store which seems to have lots of customers and lots of people serving but no actual products on any shelves. But it also has some realistic pub and hospital scenes that add refreshing credibility, to an obviously incredible (non-credible?) story. The dialogue is refreshingly realistic with people responding and saying things like real people would, as opposed to cardboard cut-outs.

The plot is good. The pace is good. The acting is good. The humour is good. I liked it for what it was. My wife didn't like it at all.

I give it a 7 even though it is really a 6 or 6.5.

My wife and I are retired so we watch movies at home regularly. Not so much looking for some new GREAT movie but just to be entertained between the end of the 6PM nightly news and our 10PM bedtime.

We came upon this one streaming on NFLX, it seemed lightweight and interesting. When it was over we both said "Better than I expected" and that is always a bonus.

American actress Olivia Holt, former gymnast, is Sophia. Her mother is British but after Sophia was born they were forced to move to the US and she grew up there with her grandfather. Her mother now has become very ill so they moved back to London for the free health care. Problem is the waiting list for a suitable physician is long and they need cash to afford a private physician.

She has a chance encounter with Connor Swindells as Nick, looking him up she finds he had served a couple of years jail time for a heist, this is her opportunity. Pair with a thief to steal a large amount of cash from the owner of the department store she works at.

On the surface it would seem the two of them are just petty crooks, how can we root for them? As the story develops we learn that not everything is so simple, and maybe in the end they are actually doing the right thing.

For this type of movie it has a few novel ideas and it is well made. Shot in the London area.