Kate Parks' flight home experiences a solar flare catastrophe, incapacitating pilots and disabling systems. With her piloting skills tested, she must land the plane safely to reunite with he... Read allKate Parks' flight home experiences a solar flare catastrophe, incapacitating pilots and disabling systems. With her piloting skills tested, she must land the plane safely to reunite with her daughter Samantha.Kate Parks' flight home experiences a solar flare catastrophe, incapacitating pilots and disabling systems. With her piloting skills tested, she must land the plane safely to reunite with her daughter Samantha.
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Janis Valdez
- Samantha
- (as Janis Peebles)
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Featured reviews
They're just happens to be a vicious dog on the airplane in the cargo hold.
Dialogue is awful! Srcipt is junk!
ATC jargon is all wrong.
The plane autopilot is disabled and in a dive at one point and at another point is a plane coming at them and they bank right but the directional gyro shows straight and level all the time!
I can't watch this anymore
Bad acting, bad script, bad special effects, bad.... Everything. Tia must have been desperate for money. Also, her face looks very fat. Not worth your time. Skip this one.
Sometimes you know with 99,9% certitude you'll be watching a dumb and terribly bad movie, but you persevere for personal reasons anyways. Literally everything about "Collision Course" screams out it's an inferior B-movie (not in the least the prominently featuring label of production company SyFy-Channel), but I wanted to see it because I have a fondness for disaster movies set on airplanes or airports, and because Tia Carrere is one the - admittedly many - hot actresses I had a crush on in the 1990s because of her cool roles in "Wayne's World" and "Showdown in Little Tokyo". She still looks gorgeous!
"Collision Course" is mind-numbingly bad, but you have to admit one thing. When director Fred Olen Ray goes over the top, he does it tremendously! Everything goes in the script of this action/disaster flick that simultaneously also wants to be a heartbreaking family drama AND an allegory against racial prejudices. Unannounced solar flare storms destruct all technical equipment in the USA and seriously mess up the airline traffic. Pilots get electrocuted and die, auto-pilot systems break down, radio & radar connections are lost. Luckily, there's a successful female novelist aboard the flight from Chicago to LA, and she can perfectly fly - and spectacularly land - a plane because her deceased husband once showed her how in a flight simulator many years ago. What are the odds! Will she be able to concentrate, though, because she must also face racist redneck passengers and an aggressive dog in the cargo that only listens to commands in German.
It's a horrendous movie, obviously, but it guarantees undemanding entertainment, especially if you watch it with one or several buddies and accompanied with beer. The most astonishing element of the script is how calm and disciplined the vast majority of passengers on this plane are. These people witness how a dead pilot is dragged from the cockpit to the back of the plane, they literally see the co-pilot dying in the arms of an incompetent med-student and find themselves in the middle of a fight between a redneck and a Muslim accused of terrorism! But how do the passengers react? They politely remain in their seats and do not panic at all. That is beautiful. In reality, pure chaos would kill everyone aboard before the plane even has the chance to crash.
"Collision Course" is mind-numbingly bad, but you have to admit one thing. When director Fred Olen Ray goes over the top, he does it tremendously! Everything goes in the script of this action/disaster flick that simultaneously also wants to be a heartbreaking family drama AND an allegory against racial prejudices. Unannounced solar flare storms destruct all technical equipment in the USA and seriously mess up the airline traffic. Pilots get electrocuted and die, auto-pilot systems break down, radio & radar connections are lost. Luckily, there's a successful female novelist aboard the flight from Chicago to LA, and she can perfectly fly - and spectacularly land - a plane because her deceased husband once showed her how in a flight simulator many years ago. What are the odds! Will she be able to concentrate, though, because she must also face racist redneck passengers and an aggressive dog in the cargo that only listens to commands in German.
It's a horrendous movie, obviously, but it guarantees undemanding entertainment, especially if you watch it with one or several buddies and accompanied with beer. The most astonishing element of the script is how calm and disciplined the vast majority of passengers on this plane are. These people witness how a dead pilot is dragged from the cockpit to the back of the plane, they literally see the co-pilot dying in the arms of an incompetent med-student and find themselves in the middle of a fight between a redneck and a Muslim accused of terrorism! But how do the passengers react? They politely remain in their seats and do not panic at all. That is beautiful. In reality, pure chaos would kill everyone aboard before the plane even has the chance to crash.
Collision Course may not quite be bad enough to be on a personal worst movies ever list or the very worst movie to air on the SyFy Channel(any contenders for that title make for a very large number). That is saying next to nothing though, because it still has everything bad about melodrama/disaster movies at their worst. To search for a redeeming quality you'd have to look very hard, but for anything that came across as least bad about Collision Course it was Dee Wallace who does try to give some compassion to material that was beneath her. Generally in regard to the acting Collision Course is a very poorly-acted film, with the actors ranging from overwrought emotion(Tia Carrere applies here) to no emotion or acting skills at all. The acting is not the only bad thing, everything about Collision Course is bad. The drab look of the movie is very unappealing, and further disadvantaged by about 20 years out of date special effects that show no signs texture, shading or proportion and simplistic camera work. The dialogue gives meaning to the term banal and practically insults it too and gets increasingly turgid and predictable. The story shows no tension, fear of characters' predicaments or heart, and instead consists of very questionable science/maths, pedestrian pacing and ham-fisted melodrama. The characters are also the sort that we never care for or know anything about, that they're written in such a cardboard fashion and acted lazily doesn't help. Overall, there's worse out there- you'll agree or disagree here- but Collision Course at the end of the day was very difficult to endure. 1/10 Bethany Cox
So somehow these citizens jake and kate have to land a passenger plane. I think the science is very iffy here but we are not watching it for that really are we. The acting is not great as can be expected. This solar flare comes out of no where and hits a plane which techniqually should fry the autopiolet aswell. The captain dies and his assistant is knocked unconcious.so jake and kate a woman who wrote a book somehow have to take charge. A womans dog is missing in the cargo hold and a racist fella called bill is throwing acusations. The characters are actually alright and I didnt mind them. Overall its an alright film for what it is.
Did you know
- TriviaJanis Valdez's debut.
- GoofsThroughout the scenes in the cockpit you can hear the sound of jet engines accelerating and decelerating even though the plane is doing no such thing.
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- Collision Course
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- 1h 30m(90 min)
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