IMDb RATING
6.2/10
7.4K
YOUR RATING
A wild teenage girl orchestrates a romance between her nanny and her father, who is a recovering addict.A wild teenage girl orchestrates a romance between her nanny and her father, who is a recovering addict.A wild teenage girl orchestrates a romance between her nanny and her father, who is a recovering addict.
Joel K. Berger
- Stevie
- (as Joel Berger)
Peggy Walton-Walker
- Michelle's Clerk
- (as Peggy Walton Walker)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This movie was based on the short story 'Hateship, Friensdhip, Courtship, Loveship, Marriage' which won the Noble prize in literature a decade ago. A pure drama about a middle aged single woman whose life was dedicated to her profession. Just like similar to the 'Finding Vivian Maier', except there was no photographies involved. Frankly, I was not predicted that this film would impress me a lot. Picked it to watch without an interest, but while a watch surprised and glued to my seat to the rest of the film.
Even though there were fine actors in the movie like Guy Pearce and latest sensation Hailee Steinfield, it was a Kristen Wiig show. Apart from voice-over for the animations and other supporting roles, she was not seen in a top form recently. Her commitment to the character she played as Johanna Perry the live-in caretaker in the movie was inevitable to appreciate. Feels very real who fall for a teenagers prank that actually influence her life to turn it around. So how and what are the things to be done against the odds are displayed well.
''The only thing worse than friendship is hateship.''
Kind of 'second chance' theme, if you get one you must seize it. Though, it was not that simple in the movie, but developed at a fair dosage of obstacles between 'the desperate' and 'the hope' to form balanced account. Don't consider it an inspirational, it was just pieces of common event that's happening everywhere, but creatively put into the texts and then cinematic. Commercializable title that did not suit for a realistic narration. Especially not in todays world, might have been a perfect title 20-25 years ago. Once you watch it the perspective will change that still movie like this are made for the silver screen, not direct-to-television, but what? Sadly commercially fails.
If you observe closely the end scene, it was very practical to the real life. Whether we accept our fate as it happened or we created it, the flaws always remain, especially in a relationship. That's what the entire movie unfolds, how people cope with each other despite what they were before. A very well told simple story. Of course it was a slow narration, not because of the stretched from a short story, but to give the depth in the portrayal. This movie is for ardent drama fans like me, for a change others as well should try this little sweet movie.
8/10
Even though there were fine actors in the movie like Guy Pearce and latest sensation Hailee Steinfield, it was a Kristen Wiig show. Apart from voice-over for the animations and other supporting roles, she was not seen in a top form recently. Her commitment to the character she played as Johanna Perry the live-in caretaker in the movie was inevitable to appreciate. Feels very real who fall for a teenagers prank that actually influence her life to turn it around. So how and what are the things to be done against the odds are displayed well.
''The only thing worse than friendship is hateship.''
Kind of 'second chance' theme, if you get one you must seize it. Though, it was not that simple in the movie, but developed at a fair dosage of obstacles between 'the desperate' and 'the hope' to form balanced account. Don't consider it an inspirational, it was just pieces of common event that's happening everywhere, but creatively put into the texts and then cinematic. Commercializable title that did not suit for a realistic narration. Especially not in todays world, might have been a perfect title 20-25 years ago. Once you watch it the perspective will change that still movie like this are made for the silver screen, not direct-to-television, but what? Sadly commercially fails.
If you observe closely the end scene, it was very practical to the real life. Whether we accept our fate as it happened or we created it, the flaws always remain, especially in a relationship. That's what the entire movie unfolds, how people cope with each other despite what they were before. A very well told simple story. Of course it was a slow narration, not because of the stretched from a short story, but to give the depth in the portrayal. This movie is for ardent drama fans like me, for a change others as well should try this little sweet movie.
8/10
This is a very well-done, gentle romantic movie, with excellent acting, especially from Kristen Wiig. Family members and I had not heard of Ms. Wiig before seeing this movie recently on a movie channel. We understand now that she is mainly a comedic actor, so it was good to see this movie without knowing that in advance.
This movie seems geared more toward an audience from the South or Midwest. Members of my family have hired young female caregivers like Johanna Parry (Ms. Wiig's character, who is the movie's main character) to take care of our parents before their death. So we can probably better relate to Ms. Parry than many folks who might consider her a little odd.
This movie does something that Hollywood rarely does: it shines a light (and a sympathetic one at that) on working-class American white people. We know of working-class white women like Ms. Parry, who are not "ambitious" (in the traditional sense of the word), and thus seem content not having many impressive possessions, work titles, social status, etc. So to us, the movie is quite realistic in this sense.
Our only criticisms of the movie: the ending seems a bit rushed (is there a director's cut?); and, knowing some working-class men with drug problems, we felt that actor Guy Pearce was too handsome, polished, well-built, and well-spoken to play Ken, the movie's principal male character. Actors like Edward Norton would have been more believable in the role.
But, on the whole, we highly recommend this movie, and hope it draws a large viewer-ship via cable TV.
This movie seems geared more toward an audience from the South or Midwest. Members of my family have hired young female caregivers like Johanna Parry (Ms. Wiig's character, who is the movie's main character) to take care of our parents before their death. So we can probably better relate to Ms. Parry than many folks who might consider her a little odd.
This movie does something that Hollywood rarely does: it shines a light (and a sympathetic one at that) on working-class American white people. We know of working-class white women like Ms. Parry, who are not "ambitious" (in the traditional sense of the word), and thus seem content not having many impressive possessions, work titles, social status, etc. So to us, the movie is quite realistic in this sense.
Our only criticisms of the movie: the ending seems a bit rushed (is there a director's cut?); and, knowing some working-class men with drug problems, we felt that actor Guy Pearce was too handsome, polished, well-built, and well-spoken to play Ken, the movie's principal male character. Actors like Edward Norton would have been more believable in the role.
But, on the whole, we highly recommend this movie, and hope it draws a large viewer-ship via cable TV.
Being funny on the screen seems effortless to Kristen Wiig. Her comedic clowning skills are on a par with Lucille Ball and Shelly Long. Sincerity, however, doesn't come as easily — especially when her character is plain and charmless.
HATESHIP LOVESHIP sat on the Thriftway DVD rental shelf for several weeks. I took note of its great cast: Wiig, supported by Guy Pierce, Nick Nolte, Hailee Steinfeld, Christine Lahti, and Jennifer Jason Leigh. What could go wrong there? My memories of GIRL MOST LIKELY (which was supposed to be a comedy, but whiffed miserably) prevented me from taking the chance. Wiig's performance as said GIRL lacked any charm whatsoever; she was drab, homely, and totally unappealing. So, what was she going to do with this, her first dramatic role? It didn't look promising at all.
Finally, I took HATESHIP LOVESHIP home. And, I'm so very glad I did. What a splendid collaboration between star, cast, screenwriter, director and crew in this adaptation of Alice Munro's short story. Ain't no heroes here. These are real, extremely flawed human beings. They might live next door to anyone. They might be anyone.
Wiig's Johanna is a caretaker. That's what makes her life make sense. And, that's her odd beauty. She also finds herself attracted to bad boy Ken (Pierce) a drug-addicted user with delusions of accomplishing something that will finally give him independence.
But no one in this story seems to feel entitled to anything. They've all been wounded. So they protect themselves.
No one is hanging from a cliff. No clock is ticking. No fuse is burning down. Yet, somehow watching Johanna scrub a long-neglected bathtub filled me with worry, hoping she wasn't setting herself up for disaster.
The sex scenes, while not showing any nudity, are luscious and beautiful. I hope to see more of Liza Johnson. She is one gifted and inspired director.
Yeah, maybe Ken will never change. But it won't be for Johanna's lack of patience, and devotion. The story leaves us rootin' for the dude — and loving her. The doormat has won his respect and admiration. And ours. She deserves it.
HATESHIP LOVESHIP sat on the Thriftway DVD rental shelf for several weeks. I took note of its great cast: Wiig, supported by Guy Pierce, Nick Nolte, Hailee Steinfeld, Christine Lahti, and Jennifer Jason Leigh. What could go wrong there? My memories of GIRL MOST LIKELY (which was supposed to be a comedy, but whiffed miserably) prevented me from taking the chance. Wiig's performance as said GIRL lacked any charm whatsoever; she was drab, homely, and totally unappealing. So, what was she going to do with this, her first dramatic role? It didn't look promising at all.
Finally, I took HATESHIP LOVESHIP home. And, I'm so very glad I did. What a splendid collaboration between star, cast, screenwriter, director and crew in this adaptation of Alice Munro's short story. Ain't no heroes here. These are real, extremely flawed human beings. They might live next door to anyone. They might be anyone.
Wiig's Johanna is a caretaker. That's what makes her life make sense. And, that's her odd beauty. She also finds herself attracted to bad boy Ken (Pierce) a drug-addicted user with delusions of accomplishing something that will finally give him independence.
But no one in this story seems to feel entitled to anything. They've all been wounded. So they protect themselves.
No one is hanging from a cliff. No clock is ticking. No fuse is burning down. Yet, somehow watching Johanna scrub a long-neglected bathtub filled me with worry, hoping she wasn't setting herself up for disaster.
The sex scenes, while not showing any nudity, are luscious and beautiful. I hope to see more of Liza Johnson. She is one gifted and inspired director.
Yeah, maybe Ken will never change. But it won't be for Johanna's lack of patience, and devotion. The story leaves us rootin' for the dude — and loving her. The doormat has won his respect and admiration. And ours. She deserves it.
This film, even though it is a slow burn art-house film, really has a lot going for it. The casting is perfect! I never expected to see Guy Pierce as an Americana low life, but he totally pulls it off. Kristen Wiig was perfectly cast in the completely understated role. Sometimes she is drawn inward so much, that you almost wish she had a moment of warmth that was more than just nuance. I wanted her to have a little outward joy on film to help ease some of the difficulty in watching the character trying to cope with herself in the world.
But I really loved some of the sweet moments of warmth in the film, however, reserved they happened to be. I was touched by several moments, especially the moments between Hailee Steinfeld and Kristen Wiig.
Over all, this movie was my cup of tea, I just wish it had a little more range for Kristen's character to help swing the needle up and down a bit.
But I really loved some of the sweet moments of warmth in the film, however, reserved they happened to be. I was touched by several moments, especially the moments between Hailee Steinfeld and Kristen Wiig.
Over all, this movie was my cup of tea, I just wish it had a little more range for Kristen's character to help swing the needle up and down a bit.
This film tells the story of a lonely woman who works as a live in carer for elderly people. She falls in love with a man after a cruel trick player on her.
"Hateship Loveship" borders on being a romantic comedy, but it's more bitter than sweet. Johanna is a caring and loving woman, and yet she is at the receiving end of a very cruel joke. She gets much of my sympathy, even though she hangs on to the man despite the man's numerous shortcomings. The way she is treated by the man is truly despicable and shocking, yet she hangs on for the wrong reason. It's quite a tragedy that makes me heart heavy. I think Johanna's robotic appearance is due to her working as a carer since teenage, and as she says, it's the only world she knows. She doesn't know what love and affection is, which makes me even more angry at the way she got exploited.
It's a sad romantic film, which is not a usual combination. I enjoyed watching it.
"Hateship Loveship" borders on being a romantic comedy, but it's more bitter than sweet. Johanna is a caring and loving woman, and yet she is at the receiving end of a very cruel joke. She gets much of my sympathy, even though she hangs on to the man despite the man's numerous shortcomings. The way she is treated by the man is truly despicable and shocking, yet she hangs on for the wrong reason. It's quite a tragedy that makes me heart heavy. I think Johanna's robotic appearance is due to her working as a carer since teenage, and as she says, it's the only world she knows. She doesn't know what love and affection is, which makes me even more angry at the way she got exploited.
It's a sad romantic film, which is not a usual combination. I enjoyed watching it.
Did you know
- TriviaBased on the 2001 short story "Hateship, Friendship, Courtship, Loveship, Marriage" by Nobel Prize winning author Alice Munro.
- GoofsWhen Johanna sees the old furniture for the first time, it was shown to be covered in dust but it was clearly freshly spread sand.
- Quotes
Edith: [Glaring at Johanna who has distracted her from revealing her cookie cutter plans for the future, asks rudely] "What do you want?"
Johanna Parry: [knowing it will be going over Edith's head, says] "I have what I want."
- SoundtracksIll Harmonic-Let's Get Drunk
Written by Gordon Forest Nance
Performed by Gordon Nance
Published by AudioSparx
Courtesy of AudioSparx
- How long is Hateship Loveship?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Hateship, Friendship, Courtship, Loveship, Marriage
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $54,030
- Opening weekend US & Canada
- $6,015
- Apr 13, 2014
- Gross worldwide
- $83,008
- Runtime
- 1h 44m(104 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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