IMDb RATING
5.5/10
5.9K
YOUR RATING
An intimate portrait of a 9-year-old sociopath's growing fascination with death.An intimate portrait of a 9-year-old sociopath's growing fascination with death.An intimate portrait of a 9-year-old sociopath's growing fascination with death.
- Awards
- 1 win & 4 nominations total
Amalia Santa Maria
- Jennifer
- (as Amalia Santamaria)
Featured reviews
What's with the bad reviews ? For an offbeat kind of slasher film but not really .... yes it's dismal and shabby and possibly only 1 likable character (basically we see the lowest of humanity) and lousy parenting lousy kid lousy life lousy motel lousy infrequent guests most of whom are glad to check out .. but the prom invasion at the end trumps all for ugly and vulgar. A nice combination. So when bad things happen to rotten people with whom we have no emotional investment, it's not as difficult to take. No emotional investment is not to say the acting is bland or the dialogue shallow -to the contrary. The characterization is good - we really get to know these people very well (too well) which means we aren't manipulated into grieving any we lose. I had no idea what this film was about-I found it on SciFi Demand and I love to see an independent film. The cinematography the colors the mountains the dust -it's all fantastic. This is no crappy production. It's creepy and I'm glad it's a little over the top to make the story 'lighter' where I needed it anyway. Exaggerated-that's the right word .. It felt short not sweet. I was moved enough to yell commands at the characters and I watched right to the bitter (and perfect) end . PS No resemblance to Psycho! This one is more believable, less of a farce yet still can be taken lightly. I'd say it must be taken lightly in fact. They're both suspenseful and captivating, If that's a commonality. When I saw a review that mentioned Psycho 'where it was done better' ? No I don't think this movie 'set out to do' anything ... nor to resemble Psycho excerpt superficially. I believe some films stand alone. Yes in that way they are similar in that they are not.
I would advise viewers to ignore most of the critic reviews on this one. I was engrossed from start to finish. There are no car chases and no fancy plot twists, but The Boy is a thoroughly enthralling film about a young boy who not only is dealing with a lot of boredom living at and running a remote motel with his father, but is also experiencing a good deal of anger and angst over the fact that his mother left them.
The actors were outstanding, and I was impressed by the character development. Some have complained that the movie is "too slow," but I think the pace captures the boy's experience quite well, and offers up chilling dinner table fodder. I highly recommend to anyone who enjoys a solid psychological thriller.
The actors were outstanding, and I was impressed by the character development. Some have complained that the movie is "too slow," but I think the pace captures the boy's experience quite well, and offers up chilling dinner table fodder. I highly recommend to anyone who enjoys a solid psychological thriller.
Growing up without internet or video game is bad enough, but Ted has to live in a remote motel in the middle of nowhere. The premise of a child gradually becoming more bizarre in his nature is executed fairly well, it gives audience a clear view of how the isolation and what little interaction he has shapes his mind. However, with runtime almost two hours and majority of it is uneventful, this slow burner might not appeal to mainstream audience.
Thriller or horror nowadays is leaning towards faster pace developments. For example, Gone Girl delivers twists and turns frequently. The Boy is more of a slow burner, it portrays Ted and his strange mental process. Much of it is by his body language and others' influences. This keeps the audience guessing on his state of mind as the young boy seemingly perceives things awkwardly different than we would.
The better parts of the movie show that Ted might just be the victim of condition or unlucky encounter with wrong people. From his father and guests, all have inherited flaws which Ted may misguidedly follow. The other angle is he's already disturbed from the beginning and takes advantage of others. He doesn't talk much, and it's probably better that way since the scenes are more effectively when he's silent.
The main concern is the slow pace. Sure, it has good cinematography, but there are many lingering shots. Music is steadily becoming grim, and this is more weird than dreadful since there's barely significant development as the scenes are prolonged more than they need be. It feels as though the movie hypes a dreadful scene only to shift to normal dialogue.
It's eerie at times simply by how isolated and lonely The Boy is portrayed, but it could benefit from faster screenplay, especially in few bland moments that barely contribute to the story.
Thriller or horror nowadays is leaning towards faster pace developments. For example, Gone Girl delivers twists and turns frequently. The Boy is more of a slow burner, it portrays Ted and his strange mental process. Much of it is by his body language and others' influences. This keeps the audience guessing on his state of mind as the young boy seemingly perceives things awkwardly different than we would.
The better parts of the movie show that Ted might just be the victim of condition or unlucky encounter with wrong people. From his father and guests, all have inherited flaws which Ted may misguidedly follow. The other angle is he's already disturbed from the beginning and takes advantage of others. He doesn't talk much, and it's probably better that way since the scenes are more effectively when he's silent.
The main concern is the slow pace. Sure, it has good cinematography, but there are many lingering shots. Music is steadily becoming grim, and this is more weird than dreadful since there's barely significant development as the scenes are prolonged more than they need be. It feels as though the movie hypes a dreadful scene only to shift to normal dialogue.
It's eerie at times simply by how isolated and lonely The Boy is portrayed, but it could benefit from faster screenplay, especially in few bland moments that barely contribute to the story.
Well.. Many people finds this movie piece, boring, slow. To me, it's a gem, wonderful!
I don't really see why anyone should think it's boring. The "slow" phase of the movie is just character development.. In many of the scenes, the boy does unspeakable things that are sitter natural or common. And he pushes the limits more and more.. And makes the film more and more exciting and creepy! And the story is so very creepy, and good, thanks to excellent acting!
I really love this indie film, the cinematography and acting, not to mention the director in this movie is brilliant! Who would have guessed that a comedian from "The office" was this talented and perfect for the creepy-vibe role!? The kid also nails his part! I really love this flick, recommended highly! (Try to get inn the story, and not give up... It's not boring, it's character/story development!
I don't really see why anyone should think it's boring. The "slow" phase of the movie is just character development.. In many of the scenes, the boy does unspeakable things that are sitter natural or common. And he pushes the limits more and more.. And makes the film more and more exciting and creepy! And the story is so very creepy, and good, thanks to excellent acting!
I really love this indie film, the cinematography and acting, not to mention the director in this movie is brilliant! Who would have guessed that a comedian from "The office" was this talented and perfect for the creepy-vibe role!? The kid also nails his part! I really love this flick, recommended highly! (Try to get inn the story, and not give up... It's not boring, it's character/story development!
The Boy follows the evolution - or the beginning of it - of a young boy from troubled son of a failed motel manager, to budding serial killer. Cinematography and music score are simply outstanding, as are the performances by the whole cast, and the film carries a tremendous atmosphere of brooding menace, whilst simultaneously capturing the carefree curiosity - and cruelty - of a lonely child. I am saddened, but not surprised, by the lazy, idiotic reviews given by some people on this site - just so you know guys, this is how stories are supposed to be told, unfolding naturally to a great climax rather than throwing five murders into the first few minutes and then having absolutely nothing else to say for the next ninety... and all shot on "found footage", blah blah blah. True kudos to the director; this is a terrific calling card from a real filmmaker that will hopefully start a great career.
Did you know
- TriviaBased on the chapter "The Henley Road Motel" from the novel "Miss Corpus" by Clay McLeod Chapman.
- GoofsThe movie is set in 1989. When Ted and the other boy explore the sewer tunnel, Ted uses a multi-LED flashlight. LED flashlights were invented in 1998, and were not commercially available before 2001.
- ConnectionsRemake of Henley (2011)
- SoundtracksI Hate Myself for Loving You
Written by Desmond Child (uncredited) and Joan Jett (uncredited)
Performed by Joan Jett & The Blackhearts
- How long is The Boy?Powered by Alexa
Details
- Runtime1 hour 51 minutes
- Color
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content