IMDb RATING
5.5/10
5.9K
YOUR RATING
An intimate portrait of a 9-year-old sociopath's growing fascination with death.An intimate portrait of a 9-year-old sociopath's growing fascination with death.An intimate portrait of a 9-year-old sociopath's growing fascination with death.
- Awards
- 1 win & 4 nominations total
Amalia Santa Maria
- Jennifer
- (as Amalia Santamaria)
Featured reviews
Well.. Many people finds this movie piece, boring, slow. To me, it's a gem, wonderful!
I don't really see why anyone should think it's boring. The "slow" phase of the movie is just character development.. In many of the scenes, the boy does unspeakable things that are sitter natural or common. And he pushes the limits more and more.. And makes the film more and more exciting and creepy! And the story is so very creepy, and good, thanks to excellent acting!
I really love this indie film, the cinematography and acting, not to mention the director in this movie is brilliant! Who would have guessed that a comedian from "The office" was this talented and perfect for the creepy-vibe role!? The kid also nails his part! I really love this flick, recommended highly! (Try to get inn the story, and not give up... It's not boring, it's character/story development!
I don't really see why anyone should think it's boring. The "slow" phase of the movie is just character development.. In many of the scenes, the boy does unspeakable things that are sitter natural or common. And he pushes the limits more and more.. And makes the film more and more exciting and creepy! And the story is so very creepy, and good, thanks to excellent acting!
I really love this indie film, the cinematography and acting, not to mention the director in this movie is brilliant! Who would have guessed that a comedian from "The office" was this talented and perfect for the creepy-vibe role!? The kid also nails his part! I really love this flick, recommended highly! (Try to get inn the story, and not give up... It's not boring, it's character/story development!
...And it brings out the worst in people. Take Ted and his dad for example. John (David Morse) is depressed and bit of a drinker, running a run down motel in a middle of nowhere, where guests arrive only by accident. Ted is a cute little blond boy, who caught an acute case of sociopathy, he's fascinated with death and very weird young man.
The running thread in this film is vast, unavoidable loneliness of the place and characters, not a healthy situation for a kid, who's getting bored and his anger for being stuck there builds slowly.
Creepy kids are often quite annoying, that's just how things are, and it's kinda hard to actually root for them but there are certain aspects of his life that can make us feel bad for Ted. At least occasionally, and for a brief moment. Mom's run away with some random guest, so he's left with the father, a decent guy but kind of lethargic and a loner himself. And the dream that he'll one day leave this miserable place and join his mother.
The pace is very slow which of course stresses the atmosphere, the actual misdeeds that we witness break away from the overall melancholy and outbursts of anger provide much needed dynamics. There are moments of tension which get slowly drowned by the tone of the film, building on leisurely drama rather than lifting the horror elements. But the finale is certainly fitting, as all we'd seen before it led to the big resolution.
This film is not particularly original, let me mention brilliant The Good Son, as a reference; but it follows the recent trend in cinema where slow burn drama dominates even straight genre work, making them seem more arty and meditative at the expense of action sequences. Making even US films like this one, seem more...I don't know...European in tone and style.
The film doesn't really dwell on the boy's nature, it doesn't raise obligatory nature vs nurture question as we are aware this boy's life is not happy. On the other hand it deals with father - son relationship a bit, making it very clear mom's absence and isolation has really affected the kid. But has it really, or did he just want to break away from boring routine where nothing happens unless you make it so yourself? "Oh well. We all do what we can not to think about life" I suppose.
The running thread in this film is vast, unavoidable loneliness of the place and characters, not a healthy situation for a kid, who's getting bored and his anger for being stuck there builds slowly.
Creepy kids are often quite annoying, that's just how things are, and it's kinda hard to actually root for them but there are certain aspects of his life that can make us feel bad for Ted. At least occasionally, and for a brief moment. Mom's run away with some random guest, so he's left with the father, a decent guy but kind of lethargic and a loner himself. And the dream that he'll one day leave this miserable place and join his mother.
The pace is very slow which of course stresses the atmosphere, the actual misdeeds that we witness break away from the overall melancholy and outbursts of anger provide much needed dynamics. There are moments of tension which get slowly drowned by the tone of the film, building on leisurely drama rather than lifting the horror elements. But the finale is certainly fitting, as all we'd seen before it led to the big resolution.
This film is not particularly original, let me mention brilliant The Good Son, as a reference; but it follows the recent trend in cinema where slow burn drama dominates even straight genre work, making them seem more arty and meditative at the expense of action sequences. Making even US films like this one, seem more...I don't know...European in tone and style.
The film doesn't really dwell on the boy's nature, it doesn't raise obligatory nature vs nurture question as we are aware this boy's life is not happy. On the other hand it deals with father - son relationship a bit, making it very clear mom's absence and isolation has really affected the kid. But has it really, or did he just want to break away from boring routine where nothing happens unless you make it so yourself? "Oh well. We all do what we can not to think about life" I suppose.
What's with the bad reviews ? For an offbeat kind of slasher film but not really .... yes it's dismal and shabby and possibly only 1 likable character (basically we see the lowest of humanity) and lousy parenting lousy kid lousy life lousy motel lousy infrequent guests most of whom are glad to check out .. but the prom invasion at the end trumps all for ugly and vulgar. A nice combination. So when bad things happen to rotten people with whom we have no emotional investment, it's not as difficult to take. No emotional investment is not to say the acting is bland or the dialogue shallow -to the contrary. The characterization is good - we really get to know these people very well (too well) which means we aren't manipulated into grieving any we lose. I had no idea what this film was about-I found it on SciFi Demand and I love to see an independent film. The cinematography the colors the mountains the dust -it's all fantastic. This is no crappy production. It's creepy and I'm glad it's a little over the top to make the story 'lighter' where I needed it anyway. Exaggerated-that's the right word .. It felt short not sweet. I was moved enough to yell commands at the characters and I watched right to the bitter (and perfect) end . PS No resemblance to Psycho! This one is more believable, less of a farce yet still can be taken lightly. I'd say it must be taken lightly in fact. They're both suspenseful and captivating, If that's a commonality. When I saw a review that mentioned Psycho 'where it was done better' ? No I don't think this movie 'set out to do' anything ... nor to resemble Psycho excerpt superficially. I believe some films stand alone. Yes in that way they are similar in that they are not.
Brilliant acting and a near accurate portrayal of the development of a psychopath
I watched this film by accident (thinking it was another film with the same title) and was drawn into the story from the very first shot.
This is a film that has been crafted - a rarity in US film making nowadays. Each shot carefully considered and in tune with the development of the characters as we get to understand their story and who they are.
I am not a fan of child actors, many of whom fall short of portraying strong characters. This kid in this film (Jared Breeze) is definitely an exception. His portrayal of the boy is natural, believable, and very, very strong.
The other actors are just as strong, which brings us a well rounded interaction between them that is as realistic as it could be without being there.
It is a film you have to watch - and not glance at occasionally. The story and the cinematography do the rest to make this one of the best films I have seen in a long time.
I watched this film by accident (thinking it was another film with the same title) and was drawn into the story from the very first shot.
This is a film that has been crafted - a rarity in US film making nowadays. Each shot carefully considered and in tune with the development of the characters as we get to understand their story and who they are.
I am not a fan of child actors, many of whom fall short of portraying strong characters. This kid in this film (Jared Breeze) is definitely an exception. His portrayal of the boy is natural, believable, and very, very strong.
The other actors are just as strong, which brings us a well rounded interaction between them that is as realistic as it could be without being there.
It is a film you have to watch - and not glance at occasionally. The story and the cinematography do the rest to make this one of the best films I have seen in a long time.
I would advise viewers to ignore most of the critic reviews on this one. I was engrossed from start to finish. There are no car chases and no fancy plot twists, but The Boy is a thoroughly enthralling film about a young boy who not only is dealing with a lot of boredom living at and running a remote motel with his father, but is also experiencing a good deal of anger and angst over the fact that his mother left them.
The actors were outstanding, and I was impressed by the character development. Some have complained that the movie is "too slow," but I think the pace captures the boy's experience quite well, and offers up chilling dinner table fodder. I highly recommend to anyone who enjoys a solid psychological thriller.
The actors were outstanding, and I was impressed by the character development. Some have complained that the movie is "too slow," but I think the pace captures the boy's experience quite well, and offers up chilling dinner table fodder. I highly recommend to anyone who enjoys a solid psychological thriller.
Did you know
- TriviaBased on the chapter "The Henley Road Motel" from the novel "Miss Corpus" by Clay McLeod Chapman.
- GoofsThe movie is set in 1989. When Ted and the other boy explore the sewer tunnel, Ted uses a multi-LED flashlight. LED flashlights were invented in 1998, and were not commercially available before 2001.
- ConnectionsRemake of Henley (2011)
- SoundtracksI Hate Myself for Loving You
Written by Desmond Child (uncredited) and Joan Jett (uncredited)
Performed by Joan Jett & The Blackhearts
- How long is The Boy?Powered by Alexa
Details
- Runtime
- 1h 51m(111 min)
- Color
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content