Police inspector Carl Mørck is put in charge of a department of cold cases, joined only by his assistant Assad. They dig into a case about a missing woman.Police inspector Carl Mørck is put in charge of a department of cold cases, joined only by his assistant Assad. They dig into a case about a missing woman.Police inspector Carl Mørck is put in charge of a department of cold cases, joined only by his assistant Assad. They dig into a case about a missing woman.
- Awards
- 3 wins & 21 nominations total
Anne Bærskog Hauger
- Viggas Rasmussen
- (voice)
- (as Anne Hauger)
Patric Lindström
- Serveur de comptoir
- (as Patric Neves Lindström)
Featured reviews
7OJT
Kvinden i buret has got the English, and much better title, The Keeper of Lost Causes, in stead of what should have been The caged woman. The Danish title is maybe the worst about this film, but still that's due to the Novel by Jussi Adler-Olsen, which have had a good portion of success with the crime novels about detective Carl. The international title I find as very suitable, and promises more to come!
Carl (played by Nikolaj Lie Kaas) is a cop which after a mistake thrown off his normal job as detective, after nearly being shot. His wife has dumped him, his best friend and fellow detective is dead and his ex-partner crippled, both in the same case which nearly cost him life. He is put at a desk to close open old cases. But he has other plans. I'll leave the case here, but the film is so well made, and the actors play so well in a well crafted script by Nicolaj Arcel, which really is an amazing writer, that this is well worth a watch.
The film manages to be interesting all the way through, and even gives us as viewers some really hard scenes to watch, as well as giving some kins of flashbacks which is really fresh. The casting is also very good when it comes to these time flashbacks, which show real quality.
This is the start of a franchise of Adler-Olsen filmed novels, and I hope the next will be just as good. Nicolaj Lie-Kaas has said yes to three more. Surprisingly also well known Swedish comedy film maker Fares Fares function as his sidekick, though his Danish is quite bad. But it works, due to his credibility, and that he is a foreign breaking on Danish.
Check it out.
Carl (played by Nikolaj Lie Kaas) is a cop which after a mistake thrown off his normal job as detective, after nearly being shot. His wife has dumped him, his best friend and fellow detective is dead and his ex-partner crippled, both in the same case which nearly cost him life. He is put at a desk to close open old cases. But he has other plans. I'll leave the case here, but the film is so well made, and the actors play so well in a well crafted script by Nicolaj Arcel, which really is an amazing writer, that this is well worth a watch.
The film manages to be interesting all the way through, and even gives us as viewers some really hard scenes to watch, as well as giving some kins of flashbacks which is really fresh. The casting is also very good when it comes to these time flashbacks, which show real quality.
This is the start of a franchise of Adler-Olsen filmed novels, and I hope the next will be just as good. Nicolaj Lie-Kaas has said yes to three more. Surprisingly also well known Swedish comedy film maker Fares Fares function as his sidekick, though his Danish is quite bad. But it works, due to his credibility, and that he is a foreign breaking on Danish.
Check it out.
Scandinavian detective films is a sign of international quality, especially for those who think that stories can be catchy without constant chases-shootings and without a thin line between law machinery and criminals. Kvinden i buret is a nice and solid example such films, plus talented character actors in leading roles - a Dane Nikolaj Lie Kaas and an Assyrian from Sweden Fares Fares (by the way, speaking tolerable Danish). Multidimensional plot provides additional tensions and you start to ponder who and why, the outcome is logical, although the wrongdoer's person and motives were revealed a bit too early. The film includes several clichés as well (for example, injudicious boss vs. solitary pigheaded detective, bickers between partners), but they are not annoying, enabling to unfold the characters and justify certain deeds.
All in all, a nice film, and first in the line of films (to be) made on the basis of Jussi Adler-Olsen's novels. I am looking forward to see them all.
All in all, a nice film, and first in the line of films (to be) made on the basis of Jussi Adler-Olsen's novels. I am looking forward to see them all.
If you like a cop thriller as much as I do, you are in the right place. I haven't read the book this is based on, but obviously and judging from what I saw in the movie, it must be good. There are more books (and it is obvious from the movie/story), so you might be getting even more from this (at least one other output is coming).
The acting is really good (even if it feels a bit moody and broody at times) and the story is even better. There are more things here to judge than just some bad guys, with even the cop having his flaws (transparent from the beginning). We also get nice touches (the coffee thing) to elevate the watching experience. An all around good take on a criminal story
The acting is really good (even if it feels a bit moody and broody at times) and the story is even better. There are more things here to judge than just some bad guys, with even the cop having his flaws (transparent from the beginning). We also get nice touches (the coffee thing) to elevate the watching experience. An all around good take on a criminal story
Slow moving detective movie but I like it like that.No excessive reading of words in another language because the film speaks for itself. The director has created a very entertaining atmosphere. You develop a feel for the investigation. The editing is tight. Nothing is wasted. The homicide detective gets demoted to cold case files. He picks up one that speaks to him. A suicide that after digging does not come close to a suicide and no body. Going deeper in, nothing is easy or as it seems. As you move along the story unfolds in tidbits and gets darker and darker. Man sinks about as low as a human twisted can go. I don't want to give away any of the ending but with lackluster uncommon in Hollywood style movie making it's riveting. I enjoyed this gem immensely.
Suspenseful thriller that will keep you on the edge of your seat throughout the movie. I read the book a couple of years ago and as far as I can recall it, this movie does a good job in retelling the story.
Did you know
- TriviaFares Fares, who lives in Sweden, had to learn Danish for the role of Assad.
- GoofsThe leader of the sanitarium tells the two main characters that Uffe was 8 years old when he had his brain injury in the car accident. But we are also told that Uffe was born on the 10th of may 1982 and that the accident, that gave Uffe his brain injury, happened on the 23rd of December 1988, making Uffe 6 when he got his brain injury.
- Quotes
Carl Mørck: [to Assad] Let me do the talking... she's only seen your kind on TV
- ConnectionsFeatured in Dansk films bedste: Børneliv og På kant med loven (2022)
- SoundtracksSummer Dresses (featuring Cecilia Stalin)
Written by Jeroen van Olffen (as Jeroen van Olffen)
Performed by DJ Come of Age
(C)+(P) Zentropa Music
- How long is Department Q: The Keeper of Lost Causes?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Department Q: The Keeper of Lost Causes
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €5,000,000 (estimated)
- Gross worldwide
- $13,656,380
- Runtime
- 1h 36m(96 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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