Bring Him to Me

Trailer looked like a lean and mean noir and right up my alley.

I guess the trailer showed me too much or the script was AI generated (I kid?). Let's start with cinematography. It does pay homage to Mann's style but when the scriptwriting is weak, and when you're looking at the cinematography for a redemptive need or want to finish the film, then well, I can see why some would just shut this off and go outside for a walk for the last hour.

It's a formulaic crime "thriller" shrouded in finger pointing with the weight of the red herring in the room (and every scene) as you can feel the familiar twist just waiting to divulge itself. It finally does and it really has lost most of its own steam when it does, as it was more of an "ah" moment versus an enthusiastic "AHA!"

It's not a terrible film, it's just a straight line operation, no one to route for, no single character stands out, the crusty ole veteran criminal, the young prodigy trying to earn a living the wrong way, and a garage full of criminality lead by a strangely accented woman...is that a comedic take on a Boston accent from a film made in Australia?

Yikes.

Boring, derivative, and just suffers a serious case of low energy.

This movie about criminals, a heist gone a bit awry, money missing, and someone has to pay for that, the motivations, the tempers - has a bit of a timing and editing problem, and the story starts generic enough, then turns into a road movie drawn out, and takes a few unexpected turns down that road.

It is not really deep, but worked to make me care for the two mains. And some of the other characters are fun.

Some cookie-cutter bad guys, some chase scenes, and a successful underlying tension of what will happen when / if they get there.

This film is about seeing it through, but what and why gets twisted.

It was good acting, and it has a nice ending.

As in the saying that tells us that if one does not go to the other ... well you have heard of it I assume, so let's skip it, not forgetting to remind you that no pun(s) is intended ... and we (me) are on the safe side after all.

Good actors assemble though I reckon most will especially know Barry Pepper - he really relishes in his role, even when the story (well if you can call it that, there is not much there of course) is really challenging ... and not really giving the viewer a lot of satisfying conclusions ... it does give you some action scenes and there is tension (and thrill(er) moments) of course. A b-movie ... you should be aware what this offers and it does mostly deliver on it ..

This movie races into the cinematic scene with a relentless plot as a getaway driver faces a moral dilemma dictated by a ruthless crime boss. The film, while far from a laid-back watch, offers an engaging experience without taxing your brain. Its concise duration distinguishes it from today's lengthy blockbusters, making it a convenient choice for a casual Friday night. The narrative, though straightforward, weaves in enough surprises to maintain audience interest. This action-packed film is a quintessential guy's movie, encompassing intense shootouts and heart-pounding driving sequences. A quick, thrilling story with the right blend of elements makes it a solid recommendation, especially for those seeking a high-octane escape.

Terrible script. Awful accents. Nice lighting though!

Clearly an Australian-shot film trying to be American, but failing badly. Why do this? Australian crime dramas are perfectly fine, no need to USA-it at all?

So funny to see them drive on the right-hand side of the road, but then to see other cars parked on the left.

Rachel Griffiths' accent was the worst - she'd be embarrassed. Was she from Boston or Queensland? Maybe born in one but raised in the other?

It tried so hard to be moody, but the random insertion of 'deep' dialogue made it comical.

The worst movie I've seen in a long, long time.