IMDb RATING
5.5/10
3.2K
YOUR RATING
A fading Hollywood pretty-boy gets taken and brutalized in Louisiana by two local men with his total ruination at heart.A fading Hollywood pretty-boy gets taken and brutalized in Louisiana by two local men with his total ruination at heart.A fading Hollywood pretty-boy gets taken and brutalized in Louisiana by two local men with his total ruination at heart.
- Director
- Writers
- Stars
Stephen Louis Grush
- Junior
- (as Stephen Grush)
Heidi Brook Myers
- Rhonda
- (as Heidi Brook-Myers)
Jamie Normand
- Girl 2
- (as Jamie Normand-Latrance)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Morality tales are always difficult. Going after the whole fame makes one vulnerable thing too. Put "crazy fans" into it and you get something weird like this. And all that with one of the worst plans (if any) in recent memory. Things can go sideways and they will especially if you haven't really thought about them.
Don't get me wrong, there are quite a few scenes that are difficult to watch, because they are brutal and you feel the pain just watching. Nothing that is exciting or fun in any way. Thankfully it doesn't stay on that track too much. Not the kind of movies I like to watch anyway, this lacks a bit of empathy. Ryan Phillipe might feel at "home" (no pun intended) with some of the scenarios (job and fame wise that is), but this won't help him get back on any Hollywood radar any time soon
Don't get me wrong, there are quite a few scenes that are difficult to watch, because they are brutal and you feel the pain just watching. Nothing that is exciting or fun in any way. Thankfully it doesn't stay on that track too much. Not the kind of movies I like to watch anyway, this lacks a bit of empathy. Ryan Phillipe might feel at "home" (no pun intended) with some of the scenarios (job and fame wise that is), but this won't help him get back on any Hollywood radar any time soon
7rbrb
When I viewed this movie it was named "Chained".
It is a drama thriller about a Hollywood actor with a declining career who is kidnapped by thugs and held locked up in a remote cabin....
I thought the lead players all give full throttle performances including the baddies and the film is mostly compelling and well presented.
The very last sequence I found a little bit odd but despite that I was impressed with this picture and Ryan Phillippe is not someone who I had noticed before but he certainly has star quality:
7/10.
It is a drama thriller about a Hollywood actor with a declining career who is kidnapped by thugs and held locked up in a remote cabin....
I thought the lead players all give full throttle performances including the baddies and the film is mostly compelling and well presented.
The very last sequence I found a little bit odd but despite that I was impressed with this picture and Ryan Phillippe is not someone who I had noticed before but he certainly has star quality:
7/10.
Greetings again from the darkness. Ryan Phillippe has hit the big Four-O, so it makes sense that he would want to explore the other side of the camera with writing, directing, and producing. He's had a pretty successful acting career given what could be termed a minimal lack of range and a quiet screen presence. His feature film directorial debut utilizes a script he co-wrote with Joe Gossett, capitalizing on Phillippe's lot in Hollywood right now ... the once promising star looking to recapture the magic with a "game-changer".
The film opens with a dramatic shot of actor Reagan Pearce's (RP ... get it?) stunning mansion. We see him catch a flight to Shreveport, Louisiana and take a meeting with a slightly spastic director and blow-hard producer. He decides to stick with the project in an effort to re-establish his career ... he's just out of rehab (of course). The next morning, things go really badly as Reagan is kidnapped by a couple of Louisiana hillbillies and locked up in a swamp cabin.
Brutal torture scenes follow and we soon enough learn that one of his captors (Ian Barford) is seeking revenge for Reagan's dalliance with his wife on the set of a movie. The plan is to destroy his reputation and then kill him once he is hated by all. The script attempts some Hollywood satire and makes some obvious commentary on the whole tabloid and celebrity world, but mostly it comes off as a bit self-indulgent for Mr. Phillippe.
There are some flashes of interesting moments, mostly involving Stephen Grush as the second hillbilly with homosexual overtures towards Reagan. Unfortunately, the film does not take advantage of the colorful swamp setting and instead takes place almost entirely within the run down cabin. You will note dashes of Deliverance, Black Snake Moan, and Misery, but this one isn't at that level. Instead it comes off like a bucket list item for Phillippe ... director/writer/producer/star of his own film.
The film opens with a dramatic shot of actor Reagan Pearce's (RP ... get it?) stunning mansion. We see him catch a flight to Shreveport, Louisiana and take a meeting with a slightly spastic director and blow-hard producer. He decides to stick with the project in an effort to re-establish his career ... he's just out of rehab (of course). The next morning, things go really badly as Reagan is kidnapped by a couple of Louisiana hillbillies and locked up in a swamp cabin.
Brutal torture scenes follow and we soon enough learn that one of his captors (Ian Barford) is seeking revenge for Reagan's dalliance with his wife on the set of a movie. The plan is to destroy his reputation and then kill him once he is hated by all. The script attempts some Hollywood satire and makes some obvious commentary on the whole tabloid and celebrity world, but mostly it comes off as a bit self-indulgent for Mr. Phillippe.
There are some flashes of interesting moments, mostly involving Stephen Grush as the second hillbilly with homosexual overtures towards Reagan. Unfortunately, the film does not take advantage of the colorful swamp setting and instead takes place almost entirely within the run down cabin. You will note dashes of Deliverance, Black Snake Moan, and Misery, but this one isn't at that level. Instead it comes off like a bucket list item for Phillippe ... director/writer/producer/star of his own film.
Ryan Phillippe directs and stars in Catch Hell the story of a film star on the downward slope of his career getting kidnapped by a pair of rednecks. One of them is Ian Barford who has a psychotic personality and a grudge against Phillippe for having a quickie with his wife. Poor Ryan he just can't remember who it was. Turns out she was a wardrobe girl on the set of one of his films. Barford and his nephew Stephen Louis Grush who's just a follower type drive off with him from his hotel in Shreveport, Louisiana and take him to a secluded cabin in the bayous.
Of course Barford wants to kill him, but he also wants to humiliate him as well so he gets Phillippe to cough up his computer and Twitter passwords and he starts posting all kinds of noxious material, the kind that has ruined the reputations of folks like Charlie Sheen and Mel Gibson.
No doubt Ryan Phillippe was going for a gay audience as well because of Grush's character. Throughout the film he's giving the look of love to Phillippe as he's a most closeted gay man. Life throws Grush a real nasty curve however. It gets good and homoerotic with Phillippe and Grush.
I wish Phillippe had picked some better material for a directorial debut. But the man does show some promise there.
Of course Barford wants to kill him, but he also wants to humiliate him as well so he gets Phillippe to cough up his computer and Twitter passwords and he starts posting all kinds of noxious material, the kind that has ruined the reputations of folks like Charlie Sheen and Mel Gibson.
No doubt Ryan Phillippe was going for a gay audience as well because of Grush's character. Throughout the film he's giving the look of love to Phillippe as he's a most closeted gay man. Life throws Grush a real nasty curve however. It gets good and homoerotic with Phillippe and Grush.
I wish Phillippe had picked some better material for a directorial debut. But the man does show some promise there.
Ryan Phillippe's directorial debut 'Catch Hell' is a strange little movie. It's an interesting story that never really goes anywhere. The plot never really advances. And Phillippe in the lead role is never really given any opportunity to shine. He co-wrote the story as well so this surprised me. Surely when you write a character that you know you're going to play you give yourself every opportunity to be the star of the show, but this was never really the case. The kidnappers had the most interesting characters of the lot.
It's not an overly bad movie, it's just simply pretty forgettable. There's no element to it that separates it from the bunch. Does Phillippe have a future behind the camera? I don't see why not. This film would have been about as straight forward as they come to direct, but I still didn't see any glaring mistakes he made. The choice of the scene over the credits was a bizarre one for me. I'm not sure exactly what he was going for with that and I'd love to hear his explanation. Give it a look if you're short of something to watch but otherwise you're not missing a whole lot.
It's not an overly bad movie, it's just simply pretty forgettable. There's no element to it that separates it from the bunch. Does Phillippe have a future behind the camera? I don't see why not. This film would have been about as straight forward as they come to direct, but I still didn't see any glaring mistakes he made. The choice of the scene over the credits was a bizarre one for me. I'm not sure exactly what he was going for with that and I'd love to hear his explanation. Give it a look if you're short of something to watch but otherwise you're not missing a whole lot.
Did you know
- TriviaRyan Phillippe's directorial debut.
- GoofsWhen Junior pulls down Reagan's underwear, he only pulls them to mid thigh. In the next angle his underwear is completely gone.
- Quotes
Junior: You got a... nice smile.
Reagan Pearce: Thank you, Junior.
Junior: We', you know what I mean. It's... You got them nice... you know, Hollywood teeth.
- ConnectionsReferences 20/20 (1978)
- SoundtracksJohnny Manziel
(uncredited)
Performed by Barak the Rapper
[Rap song played in the car]
- How long is Catch Hell?Powered by Alexa
Details
Box office
- Budget
- $2,500,000 (estimated)
- Gross worldwide
- $37,166
- Runtime1 hour 38 minutes
- Color
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