Criminel

Another one of the recent spat of Australian films that have failed to find an audience at home despite good reviews, Joel Edgerton scripted and Matthew Saville directed Felony is a frustrating experience due to it being a film that constantly threatens to become something powerful, yet is consistently bought down back to a level that makes it easy to see why people failed to fork out the cash to see a tale that isn't overly original or as effective as it wants to be.

Starting out in a hugely promising fashion, Felony looks likely to be one of those searing Australian dramas in the vein of Animal Kingdom or even Saville's own under-seen gem Noise, yet quickly descends into a procession of seen before events that culminate in a fairly unimpressive ending. The central scenario that Edgerton and Saville create is an intriguing one and a ripe potential idea and it's clear that the idea was developed first and the strands that follow afterwards and the film just can't keep up its beginning pace that sees some smart scripting and direction take place. You'll be undoubtedly hooked as these detectives look to cover up a shocking accident and thanks to some fine acting the film remains viable despite it's failures.

Edgerton remains a solid if unspectacular core to the film but the continued emergence of Jai Courtney and the ever good work of Tom Wilkinson (here called in to ad gravitas to a film that needed the weight) really brings the film to life. Courtney does some fine work as young detective Jim, even though he is saddled to the films horrid and awkward love story but it really is Wilkinson that steals this show. Wilkinson is both sympathetic, calculated and snarling as old time detective Summer. Wilkinson bites into the script and comes out on fire, it's a joy to see such a veteran of the industry come to our fair shores and show us how it's done and he clearly had a blast with this character. Director Saville also comes up trumps here despite some narrative flaws in the story and his direction honed in film and quality TV like The Slap has clearly set him up well.

While many bemoan local audiences failing to support home grown films, if the films are like Felony there's no reason why we should be forking out hard earned money on films like this. There not bad films but there films that aren't likely to cause people much excitement as truth be told, it's nothing we haven't been witness to before and Felony just doesn't do enough to leap from the pack even though it has some nice moments.

3 side view mirrors out of 5

After a few drinks celebrating not being killed during a bust, a police detective clips a cyclist with his car, rendering the young rider into a coma. Covering up the facts of the accident, with help from a superior, his conscience starts to attack both his state of mind, and that of his life at home. Something which is noticed by an up-coming young detective...

Ooh, the agony, the moral conundrum. It's pretty much a morality play, one that is very well mounted by the makers. Written and starring Joel Edgerton, it also stars Tom Wilkinson, Jai Courtney and Melissa George. After a quick-fire opening the pic settles into a brooding sense of emotional torture, a slow burn approach that casts caustic eyes over police cover ups and the folly of the human condition. A potential romantic thread feels unnecessary, while some of the dialogue leaves a lot to be desired, but with Wilkinson shining, Mark Wareham's photography the same, it's a better than average morally tinged drama. Though the ending will infuriate some... 6/10

You may not have too many turns and twists in this, so you'll be able to fairly see the direction this is going. But it's still a nice watch. Especially because of the moral decisions people have to take. Or are willing to take to protect or rather are trying to hide truths from others because they deem its the way to go.

The acting is pretty solid here and there are a couple of good action scenes, considering this is more a thriller. While you may not agree with everything going on and the ending might not be what you wanted to see (I actually liked where they went there and it might be the one thing that's not straight as arrow), this is worth a watch

THE STORY:

The duplicity of right and wrong is highlighted in this moody psychological police drama when an accident evokes conflicting responses from each of the people concerned.

TOP THREE PERFORMANCES:

1. Tom Wilkinson. His old-school senior detective is charismatic, convincing, and always endearing despite his questionable ethics.

2. Joel Edgerton. His confused and arrogant cop is compelling in his failing efforts to do what he knows is right.

3. Melissa George. Her empathetic and emotional mother shines in her primary motivation to protect her family.

THREE THINGS WE LIKED:

The intriguing plot that transformed all the players - The intense and lengthy stillness of the close ups - The simple and muted palette of Grey, blue & black

THREE WORDS: A Human Story

With so much high-octane expensive Hollywood dreck crowding out our cinemas, real gems such as Felony, Animal Kingdom (which also has the very excellent Joel Edgerton) and Mystery Road seem to get sadly bypassed or even forgotten. That isn't to say that Hollywood can't make good films (or that Australia can't make clunkers), but they seem to be few and far between and distributors who are obviously and understandably in it for the money seem to take the easy way out. Oh, and I really haven't seen enough Australian films to list any clunkers, but what I have seen is of an enviably high standard. Some reviewers here have bemoaned the lack of 'action'. Well, boo-hoo for them. I far prefer the subtlety of writing, direction and acting we get in Felony. Three different kind of cops, all in their way a little flawed, though not in a clichéd way, get caught up in a sad situation, an unfortunate incident which simply spirals out of control.

Edgerton, basically a decent man is persuaded by Tom Wilkinson's old-school cop to tell a lie after he accidentally knocks a young lad off his bike at night while less than sober. Add to these to Jai Courtney's young cop who feels he must do the right thing - though his motives are a tad murky - and you get a complex psychological drama which satisfies at every level. None of the characters is 'bad' or 'good', and each works in a pressured environment.

Edgerton scores double because he also wrote the script. I shall now be off to see what else he has written. If you manage to catch this and like great filmmaking, watch it.