19th Century violinist and composer Niccolò Paganini incurs the wrath of his diabolical manager while preparing for his debut performance in London, and falling for the daughter of an Englis... Read all19th Century violinist and composer Niccolò Paganini incurs the wrath of his diabolical manager while preparing for his debut performance in London, and falling for the daughter of an English impresario.19th Century violinist and composer Niccolò Paganini incurs the wrath of his diabolical manager while preparing for his debut performance in London, and falling for the daughter of an English impresario.
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In fact I spent some time on YouTube enjoying several other performances of Mr. Garrett. So this "pinhead" is now a die hard fan of the movie, Mr. Garrett and his supporting cast. I appreciate all of the hard work and effort that the writers, producers, directors and performers put into this lovely work.
This "pinhead" can appreciate criticism of the movie but the bitter, vitriol and ad hominem attack upon the people who worked hard to create is way overkill. The Devil's Violinist is not perfect but it certainly is "good enough."
The performance of the music was as visually captivating as it was sonically beautiful. The acting was more than passable and the direction was as good as any.
Anyone with slightest knowledge of Paganini, or anyone who bothered to even look up his name on wikipedia, would understand that this movie summarized his life with artistic license. The story itself was a composite of real events, failures and triumphs.
In short, if critics loved Amadeus ( truly pitiful depiction of reality with hyperbolic acting antics throughout) and hate this movie, then I will never fathom their trade.
I appreciate the effort to show real characters like Paganini's son and father but otherwise it is very fictional and there was no real need for it because his life was already a novel.
From unbridled success to accusations of a pact with the devil there was a lot to tell. In a way they tried with the figure of Urbani one of the most successful and enigmatic characters in the film but otherwise I didn't see much.
They recounted one episode of his life (the London concert) while the rest were shown in a few scenes as if they were in a hurry to finish the film.
Did you know
- TriviaFun fact: Paganini never played his caprices in public because he wrote them for himself and were like his most intimate idea of music.
- GoofsLimelight is used in several concert scenes (including showing the actual chunk of lime), but the film is set in 1830 and the first use of limelight for a performance of any kind was 1836 and for theater performance in 1837. Further, Paganini had ended his concert performances in 1834 and his lifestyle and health made it highly unlikely that he would have ever stood in the limelight before his death.
- Quotes
Urbani: How quickly they have turned on you...
Niccolò Paganini: Urbani...
Urbani: I'm willing to forgive your disloyalty...
Niccolò Paganini: I've taken several beatings. I'll never take you back.
Urbani: You did not really love her. You loved the idea of what you thought she was. An innocent. Someone whose purity could redeem you of your many sins. But she's human! She has the same carnality and ambition as you. All that would have happened, is that you would have destroyed her... you would've have corrupted her... with the same seeding and infection that burns within your blood... I am not the Devil. I serve the Devil and you are my master.
- SoundtracksThe Devil's Violinist
Score produced and orchestrated by Franck Van der Heijden
Conducted by Ulf Schirmer
Score performed by Münchner Rundfunkorchester
Historical Orchestra: Orchester 1756 der Salzburger Konzertgesellscaft auf historichem Instrimenatarium'
Paganini Music Arrangements by David Garrett and Franck Van der Heijden
All Songs licensed courtesy of Decca Records, a division of Universal Music Operations Limited.
© & (P) 2013 Decca, a division of Universal Music Operations Limited.
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Details
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- Also known as
- The Devil's Violinist
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Box office
- Gross US & Canada
- $11,294
- Opening weekend US & Canada
- $8,013
- Feb 1, 2015
- Gross worldwide
- $4,069,418
- Runtime
- 2h 2m(122 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1