When a man accepts an invitation to a dinner party hosted by his ex-wife, the unsettling past reopens old wounds and creates new tensions.When a man accepts an invitation to a dinner party hosted by his ex-wife, the unsettling past reopens old wounds and creates new tensions.When a man accepts an invitation to a dinner party hosted by his ex-wife, the unsettling past reopens old wounds and creates new tensions.
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- 4 wins & 15 nominations total
Trish Gates
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It's very rare lately that a thriller movie has a great ending but this movie has a great 1!! Excellent cast and excellent story it's slow button but interesting and you'll love the ending, a must see thriller!!!,
I couldn't believe my eyes when I saw the score for this film. It doesn't do it any justice, and some of the reviews I've read here don't make valid points in my opinion. So, I felt I owed this film my own review.
First of all, the tension: man this thing has a killer build-up! You could call it slow (if you're a Transformers kind of guy), but it never gets "boring". You're on the edge of your seat from the moment the film starts, partly due to a very subtle but creepy soundtrack, which reminded me of sound effects in some of David Lynch's movies. Adding to that is the fantastic performance of Logan Marshall-Green as the tormented Will. He, and the events that follow, will keep you guessing about his mental health and whether his paranoia is justified or not, almost until the end. Michiel Huisman plays the very smooth and lulling host to great effect, and the rest of the group of friends is also very believable and natural.
THE scene (no spoilers, you'll know which one I'm talking about when you see it!) was so well done I really had the feeling I was there. It all happens so slow, so eerily apropos, and so jaw-droppingly unexpected that you really get the feeling of "oh my, that could be me out there". The little twist in the last couple of minutes is the cherry on the cake, and makes you even more uncomfortable than you already were.
This is a case of an "ignore the scores, just watch it already!" film, and I hope you enjoy it every bit as much as I did!
First of all, the tension: man this thing has a killer build-up! You could call it slow (if you're a Transformers kind of guy), but it never gets "boring". You're on the edge of your seat from the moment the film starts, partly due to a very subtle but creepy soundtrack, which reminded me of sound effects in some of David Lynch's movies. Adding to that is the fantastic performance of Logan Marshall-Green as the tormented Will. He, and the events that follow, will keep you guessing about his mental health and whether his paranoia is justified or not, almost until the end. Michiel Huisman plays the very smooth and lulling host to great effect, and the rest of the group of friends is also very believable and natural.
THE scene (no spoilers, you'll know which one I'm talking about when you see it!) was so well done I really had the feeling I was there. It all happens so slow, so eerily apropos, and so jaw-droppingly unexpected that you really get the feeling of "oh my, that could be me out there". The little twist in the last couple of minutes is the cherry on the cake, and makes you even more uncomfortable than you already were.
This is a case of an "ignore the scores, just watch it already!" film, and I hope you enjoy it every bit as much as I did!
I don´t mind the slow build-up, I think it´s justified, kind of like the calm before the storm. The problem is how much of it is wasted. We focus on the main character´s grief, which in the end isn´t that important, while the other characters are completely ignored. One tiny conversation with each one of them, that´s all we know. The girlfriend Kira literally disappears for an hour. It often feels like Will is all by himself in that house. Suspicion gets bigger but none of the guests seem to care about anything. There are some small comments, of course, but we have 5 or 6 characters devoid of any personality or will. I feel like some events could have been much stronger if those characters weren´t merely filling the space.
There are some fine things, though, I´d never wanted to punch John Carroll Lynch so hard in the face. The same goes for Lindsay Burdge.
There are some fine things, though, I´d never wanted to punch John Carroll Lynch so hard in the face. The same goes for Lindsay Burdge.
A powerful feature film. Despite some reminiscence (group of friends, dinner, the house atmosphere, colors) with "Coherence" is undoubtedly an original movie. A very interesting point made by the director (who had already done Girlfight and Jennifer's Body) over a possible processing of the pain of a loss, in a quite denying way, perhaps cynical, reaching extremes of aggressiveness. A lot of tension, making us doubt who you believe (or even what is real) at every step, until the crux of the matter comes; you may wait a little for that, but it's worth it. Point for the director for not using low blows. Worthwhile if you want to spend a very intense time. With regards to actors' work, "Will" comes out unscathed. "Eden" maybe a little artificial, but I think it is an intentional nuance given by the director. The rest comes off well. The screenplay is pretty good. Although it is not revolutionary, the pace is accurate, keeps the suspense, and plays with ambiguity.
The cast it's arguably good. But the film is paced so slowly that it just becomes too boring to watch and enjoy at the same time.
You are waiting for the big twist of all the build up but the ending just isn't satisfying and doesn't make up for the wasted time of nothing substantial happening.
Rating: D
Rating: D
Did you know
- TriviaThe director and the writers had complete creative control on the film, as it was independently produced without any involvement from major studios.
- GoofsDuring the opening scene, the street address shown in the invitation has the number 3908. However, when they arrive in front of the residence, 8105 can be seen on the curb.
- ConnectionsFeatured in Horror Noire: A History of Black Horror (2019)
- SoundtracksBaby You're Gone
Written by Craig Wedren and Benjamin Newgard (as Benjamin L. Newgard)
Vocals, Harmonica and Percussion Performed by Craig Wedren
Guitar Performed by Benjamin Newgard (as Benjamin L. Newgard)
Published by Modern Works and Benjamin L. Newgard (BMI)
- How long is The Invitation?Powered by Alexa
Details
Box office
- Gross US & Canada
- $231,737
- Opening weekend US & Canada
- $67,877
- Apr 10, 2016
- Gross worldwide
- $354,835
- Runtime
- 1h 40m(100 min)
- Color
- Aspect ratio
- 2.35 : 1
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