Why Don't You Play in Hell?

Nutty yakuza comedy from Sion Sono. It's overlong, particularly with an interminable set-up, but once we get to the big action set piece you'll find it well worth the wait. A group of amateur filmmakers calling themselves the F Bombers (led by Hiroki Hasegawa) has spent a decade looking for the opportunity to make a real movie. Fortunately (or unfortunately) for them, a yakuza gang is looking for someone to make a feature starring the boss's daughter (Jun Kunimura is the boss, Fumi Nikaido the daughter). Hasegawa proposes that they film the real-life gang war that is bound to happen with the rival gang (led by Shin'ichi Tsutsumi). Sono really could have shortened the film considerably had he realized the character played by Gen Hoshino, the love interest of Nikaido, was worthless and jettisoned him. Or, more obviously, he should have been combined with Hasegawa's character. As it is, Hoshino plays a shy, ineffectual character and he pretty much gets shoved to the background anytime the more lively Hasegawa is on screen. I can't imagine anyone caring about his burgeoning relationship with the drop-dead gorgeous Nikaido. None of this really matters once we get to the blood-soaked finale, which is about as fun as any movie I've seen in recent memory.

This film is an absolute riot. It's ridiculous, hilarious, brutally violent, and unapologetically strange. While this film will certainly not be for everyone, it was right up my alley. It's a film you can't take seriously, but you can have a lot of fun with. I absolutely recommend this film, particularly to fans of the films of Takashi Miike ("Audition", "As the Gods Will") or other Japanese cult directors. I will probably work my way through Sono's filmography until I make it to his four-hour epic, "Love Exposure".

Tokyo gore with a hit of influence from Guy Richie.

It was the perfect midnight movie with such an over the top cartoonish violence about an Amateur filmmaker who stumbles upon the opportunity of a life time (or as he sees it, a gift from the film God) when a young man needs his help in making a movie after getting caught up with a Yakuza boss' daughter.

A series of events with a large ensemble cast that wove together perfectly.

This movie was strange but so entertaining I did not stop smiling throughout the whole thing

Beneath all my suffocating inhibitions, my inability to share my true feelings, my fear of doing what it is that I really want to do - there is a character somewhat akin to 'Hirata', in Sion Sono's 'Why Don't You Play in Hell?'. Here is a ridiculous and frankly insane character - a wannabe film director (and leader of the 'F**k Bombers' cinema club) who'll go to literally any length to realize his dreams and is not remotely discouraged by his complete lack of accomplishments over the past ten years. He's nuts, and yet my soul is frankly screaming for me to live my life with the same liberated, unashamed, energetic, joie d'vivre, that Hirata maintains in the face of it all... The spirit of the F**k Bombers!

Before Sion Sono was a filmmaker, he was part of a poetry collective called 'Tokyo GAGAGA', that took their poetry screaming into the streets. 'GAGAGA', Sono's explained, is the 'sound of the soul'. By that same token, I've often felt that Sion Sono's characters are the soul, personified: their actions are crazy, over-the-top, and usually comically violent - they're not realistic, normal characters - and yet I see my own soul realistically reflected in his characters, more strongly than anyone else's.

Like Kurosawa's 'Dreams', 'Why Don't You Play in Hell?' is autobiographical in the most uniquely and completely outlandish way. Hirata is Sono, from his early amateur filmmaking days, when he really did go round with his gang, calling themselves the F**k Bombers, playing Bruce Lee in the park, and being called an idiot by young children. That just about everything else in this movie is heavily fictionalized is pretty obvious, but just as Sono's characters don't reflect normal people, but capture their spirits, his story, if you consider it autobiographical, captures the spirit of his experience becoming a professional filmmaker. It's a movie about the spirit of movies, the spirit of filmmaking, and as Sono says, the 'love of 35mm'.

It's also about a yakuza turf war. And there's some romance as well: a meek boy falls in love with a girl after seeing her shove a piece of broken glass through another guy's cheek with her tongue, and shortly gets over his own shyness. The movie is a crazily-ridiculous breathlessly-paced action-comedy, capturing the same punk rock energy as Sono's Love Exposure, and it's his most polished-looking film yet. It's a lighter affair than most of the movies he made before - the psycho-horrors and the Fukushima-dramas - but it's no less good; it's thoroughly entertaining from start to finish, and especially, everything after the F**k Bombers finally cross paths with the yakuza is pure genius.

It's a movie that had me laughing, had me tapping my feet to the music (all written and composed by Sono himself), and had me grinning cheek-to-cheek the whole way through. And, like Sono's very best movies (Hazard, Love Exposure), it might have even inspired me, to loosen my inhibitions a little bit.

The more movies of Sion Sono's that I see, the more I realize that he is one of the greatest artists working today. It's a big claim and I don't like to kiss ass, but the man is one of the few people working in entertainment and art that sees through the current state of the world and instead of criticizing it, he creates a stylish farce that inspires, entertains, and breaks our balls for believing in what we do, in the way we do. He challenges us in a playful way, that I believe is more compelling than the other artists that attempt to do the same thing through relating trauma in films that Hollywood seems to like concerning war, disease, rags to riches to rags, etc...

The world is absurd because of the people in it. The characters. Of course this life is a saga, a tragedy, an adventure, a romance, but above all it is a chaotic mess filled with jokes and gore. Filled with weirdos that are completely out of place on this planet and weirdos that are even more in place.

I love Sion Sono's films and this one in particular lives up to what I love about them. This film gives me hope in the world. I won't spoil it for you. It's about yakuzas clashing with a film crew. It's about me and you. It's about you and me. Yakuzas and a film crew.