Gods of Egypt

An entertaining mess that mixes Egyptian Gods and human beings in which the supreme God Ra : Geoffrey Rush has divided Egypt in two parts , the wealthy , prosperous region of River Nile governed by his son Osiris : Bryan Brown and the barren desert run by his another son Set, the relentless God of Darkness : Gerard Butler . But Set wants to take over Egypt's throne plunging the quiet kingdom into destruction , chaos and conflict . As during a spectacular coronation, Set kills his brother Osoris , then Horus : Nikolaj Costner Waldau , son of Osiris and Isis , escapes. Horus who blinded by his uncle is hidden and useless to carry out a merciless vengeance . Then Horus -The Falcon God- is unexpectedly helped by a young human named Bek : Brenton Thwaites who makes a deal with him to save his sweetheart Zaya : Courtney Eaton , who was taken captive, as she encounters in the infraworld to be judged by the death Gods . All of Heaven is at War . All of Creation is at stake . The Journey of a Lifetime begins . The most powerful force on Universe is about to be unleashed . The Battle for Eternity Begins .

A noisy and bombastic adventure with plenty of 3D computer generator special effects , mayhem , and total destruction . It is a cheesy fun in the Saturday Matinee tradition with abundant and overwhelming battles , noisy action and breathtaking fights . A loudy and crowdy epic movie about Egyptian Gods marred by its exccessive FX and lots of scenes with no much sense . Here shows up ordinary contrivances with giant Gods , impressive palaces that are destroyed by violent fights , witchery , bizarre beasts and enormous monsters . Main and support cast are pretty well . Along with newcomers actors as Brenton Thwaites , Courtney Eaton , Elodie Young , the recently deceased Chadwick Boseman , there appears veteran players as Gerard Butler , Geoffrey Rush , Bryan Brown , all of them are frankly well .

It displays a brilliant and sunny cinematography with full of color by Peter Menzies Jr. As well as a moving and rousing musical score by Marco Beltrani . The motion picture was professionally directed by Alex Proyas , though hindered by its overlong runtime and too much visual effects . Alex Proyas is a good filmmaker who has directed successful films such as : The Raven, Dark City, Garage Days , I Robot , Knowing , among others . Rating : 6/10 . Worthwhile seeing .

One of those (perhaps too frequent) oddball Hollywood epics where, the first time you see it, you go "what were they thinking?" But it deserves a second glance. This film is in the grand tradition of the famous 1940s fantasy films like THIEF OF BAGDAD 1940. Flaws and all, it also works as a love story, and you can never have too many of those. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

These films are neither as logical as a STAR TREK saga nor as linear as an Indiana Jones adventure. By nature, they tend to jump around, they tend to be a bit wacky, and they often encourage outlandish performances from their stars.

Which is what we have here. The #1 A-List name star, Gerard Butler has arguably never been more unrestrained in his career. He gives the impression that, after he takes over the world of the living and the world of the dead, his next target is Hollywood itself.

In fact, the lesser known stars give the better textured performances and connect with the audience.

Give it a chance -- as a love story that riffs off some extremely misunderstood Egyptian myths and succeeds in spite of itself, it works a treat.

This was a movie I was really looking forward to as i love Egyptian mythology, the effects are awesome, acting is good, Nikolaj Costar-Waldau and Gerard Butler make exciting opponents, good fighting scenes, fair amount of appearance by many different Egyptian gods. Overall greatly entertaining for anyone who is interested in lore, myths, legends and fantasy movies. Just ignore the negative reviews, sit back and enjoy the show :) Indeed, it may even be one of the best movies which has a plot in ancient Egypt in the last few years. Geoffrey Rush as Ra is the cherry on top. Runtime is over two hours which passes away in a jinx since the action is non stop and there are always new extraordinary god characters on screen with different skill sets, good and evil characters with lots of variety. Have a good time.

Already from the trailer alone, you know that this is going to be a special effects movie. And with that in mind, you might already be setting yourself up for a movie that doesn't really require much thinking from you as an audience.

Well, that is partially true actually. The movie is a spectacular display of visual effects, both in CGI and props. And these dazzling effects do carry the movie a great long way, I will say that much. And the story, while it is simplistic, actually did turn out to be entertaining. Sure, it wasn't a brain challenger, not by a long shot, but you know what you are getting into with "Gods of Egypt".

While we are on the CGI and special effects, then I must admit that it was the selling point for me, because I was blown away how they had managed to bring ancient Egypt and their ancient Pantheon to life with today's CGI and special effects.

As for the cast, well, they could have opted for someone a bit more thespian, considering the talents of both Nikolaj Coaster-Waldau and Gerard Butler. Don't get me wrong, I am not saying that they did it poorly. Actually far from it, but they are more of a physical kind of acting in terms of action, more than they are set in ways of deeper character portraying through acting.

There is a lot of action throughout the entire movie, and you are constantly being bombarded with visual effects, to the point where it brims on being over-used. But it worked for me.

If you enjoy a good fantasy movie with roots in actual ancient history, then "Gods of Egypt" is definitely worth your time and money. I do think, however, that "Gods of Egypt" is the type of movie that you can watch every now and again with some years in between each watching.

I am rating "Gods of Egypt" a well-deserved seven out of ten stars. This was good, wholesome entertainment wrapped up in a visually impressive package.

There's simply no justice in this world. This world where safe, sanitary entertainment is king. This world where audacity is roundly mocked and true vision garners sneers of contempt. Alex Proyas has made something ridiculous with his ancient Egyptian VFX extravaganza, Gods of Egypt. He's also made a visionary piece of summer blockbustasia. Weighed against the sterile ephemera slipping into and out of theaters today, Gods of Egypt proves its worth.

It is not Egypt-the geographic region in Northern Africa-that is represented in Gods of Egypt. Maybe this is an important point to consider for those puritanical air wasters who successfully raised a fuss over this film's racial demographics. It is a mythical Egypt where ten-foot-tall humanoid gods live among their creations. The fuss is moot. One of these gods is Nikolaj Coster-Waldau as Horus, the heir to Egypt. Another is Set (Gerard Butler) the jealous uncle who wants what any jealous movie uncle wants; power over the kingdom. The very basic adventure outline even makes room for a thieving street rat and his puppy dog romance. This story isn't going to surprise, move, or enlighten anybody. But you know what? Neither will Captain America 5.

Coster-Waldau is a serviceable hero; Brenton Thwaites is a serviceable sidekick. But Gerard Butler is the most entertaining of the cast. Butler has softened into one of our most lovable movie rogues in recent years, but we forget that his break out role was as 300's King Leonidas; a hyper-masculine icon. With Set, Butler gets another go at straight savagery, and he's as committed to the character as any he's played. There are other fine actors present; all of whom get a chance to look or sound patently preposterous. To give you an idea, Geoffrey Rush shows up with a white ponytail and a flaming headdress to shoot sun bombs at a cloud with teeth. But who cares about the actors? This ain't 12 Angry Men.

A movie like this, without imagination, is Avengers: Infinity War. Bland, weightless, flat, grey, tepid, digital runoff. It's true that Gods of Egypt is stuffed with computer generated effects, digital backgrounds, lots of action, and wall to wall green screen. But there is a vision behind all the effects, and that is an all-important distinction. Alex Proyas has a passion for image-making. It's a through line in his career. In Gods of Egypt, he uses special effects not to expedite or enhance, but to create. There is a tendency to think of all CGI, all action, as the same. That's not true. Gods of Egypt uses CGI to CGI's best cinematic potential; to create worlds, wonders, images that spring right from the imagination of the filmmaker. You can see in the crowds of thousands, in the surrealist landscapes, and in the striking ancient-Egypt-on-LSD architecture, that there is a real filmmaker at work here. There is creativity on display. Wild unhinged visions of a world that only exists within Gods of Egypt's two hours.

I don't want to be carried away by hyperbole. Just because Gods of Egypt is visionary, doesn't mean it's great. In the end, this is still a modern VFX blockbuster, complete with many of the smaller problems that entails. There is ample room for bathroom breaks when the action stops and the dutiful business of humor, exposition, and "true love" is addressed. But it is hard not to go to the mat for a VFX blockbuster that actually amazed and delighted me. Gods of Egypt debunks the theory that huge CGI summer spectaculars are inherently stale. With a director that doesn't care about looking silly, blockbusters can still be astonishing. Gods of Egypt is a great blockbuster. I had genuine fun. Not a manufactured, conglomerate approved good time, but an actual imagination high you can only get by experiencing a work of passion and artistry.

79/100.