All About Albert

The unusual thing about this story is that it is about a woman between two people; not two lovers as one might expect but her boyfriend and his ex wife with whom they are friends and this ex wife cannot stop dishing the former husband her current friend is dating.

Another dilemma this woman is facing is the fact that her current boyfriend whom she has come to really like, is 'flabby' as she refers to him and on this matter I am pleased that Hollywood is raising this issue. Do overweight people deserve to be loved? This woman clearly was very hesitant due to the fact that he is overweight and could not fully express her affection becoming torn in the process between the poison spouted by his ex wife as well as expecting her circle to approve of him.

Interesting, intelligent and heart warming would perhaps be a fitting finale to the great James Gandolfini.

When I see a film and are still thinking about the characters the next day, I know I liked it."Enough Said" is one of those films..

A quality script that the all star cast brings to the highest level. The dialogue is so subtle, intimate and at times evasive that I could easily see the work on a stage. It has a modern day Pinteresque quality to it! The bitter sweet note is that as James Gandolfinos' last role, before his untimely death, it is his best. It seems like he was just starting to feel his potential as a diverse actor and "Albert" is a character we have never seen him in. Julia Louis- Dreyfus continues to amaze us with her portrayal of "Eva", a California single mom masseuse. I have always enjoyed her work especially in "Veep" but I think we will be delightfully surprised in the future with the range of characters she creates. Catherine Keener and Toni Collette who I would watch and listen to read a phone book, round out the cast. Go see it if you are in the mood for a "grown-up" film. Enjoy!

Considering that James Gandolfini is dead now and we'll never get any more from him I would have seen this movie if it was a $300 million bankbuster about a drunk Indian with a dead bird on his head. Thankfully it wasn't.

You never really know how good an actor is until you see him (or her) do something completely different than what you're used to. Gandolfini was incredible in this role, making you forget Tony Soprano or anything else he's done. He completely loses himself in the role.

Julia Louis-Dreyfus, I haven't seen since Seinfeld so I'm not as familiar with all her talents but this character definitely wasn't Elaine Bennis.

If you're tired of all the schlock Hollywood has been pumping out the past couple years and would just like some good old fashioned entertainment then this is the movie to see.

My wife and I (in our 50s) went to see this with my parents (75 and 80). Mom was sorry to see it end. Yes, this is a movie that will appeal to an older crowd, especially if you have children or are divorced, and it's unfortunate that the younger sect will likely ignore it. It presents a very accurate perspective on parenting, especially as a divorced couple, and relationships at an older age. The dialog and portrayals of events/situations was very realistic and interesting enough to hold my attention.

It would benefit each generation to see movies that realistically address a different generation, to give us all a better perspective of life in general. I personally think I'd have enjoyed this movie even in my 20s, but in my 50s, I loved it. So did those in attendance with me. Makes you a little sad to know James G. won't be around to do more work of this quality.

ENOUGH SAID is quite simply wonderful. Its plot is straightforward: a middle-aged woman (Julia-Louis Dreyfus) falls in love with a divorced middle-aged man (James Gandolfini). However the course of true love never runs smoothly, as the woman also becomes friends with the man's ex-wife. This ultimately leads to trouble. Within that straightforward plot, director Nicole Holofcener obtains two absolutely wonderful central performances. Dreyfus doesn't want to fall in love, yet finds herself inexorably drawn towards Gandolfini's shy yet bear-like personality. Physically imposing, he has a basic insecurity both about himself and his relationship with the two women in his life, his ex-wife and his daughter (Eve Hewson). Photographed amid the suburban sprawl of California, Holofcener explores the cracks underlying life behind the closed doors and immaculately manicured gardens. While the plot might seem familiar, the performances redeem the film, which is truly bitter- sweet and spell-binding. This was Gandolfini's last film before his untimely death; it stands as a fitting epitaph to a wonderful actor.