Five Fingers for Marseilles

The visuals are great, the story watchable. An interesting study on how early childhood trauma can affects an individual psyche later in life, and how it affects different people in different ways/

The lead actor delivers a powerful convincing performance, as do most of the cast, even when the story lags as it does in parts. It would have been interesting to see a little more intra and interpersonal conflict, and I feel if this had been scripted, the story would have been riveting.

The landscape as a character is breathtaking, and supports the mood of the story beautifully. I wonder, will a sequel follow? I would certainly watch a sequel expecting this creative team to deliver an even better story!

The story is a strong commentary on social and economic disparage plaguing this world. In this case a world of post-modern, rural life set in South Africa. It is a full-bodied, complex character study with heart and a hefty dose of classic spaghetti western attitude. The protagonist is a compelling, emotional character that shows all the scares and tribulations of a hard life. Scares he wears effectively on his sleeve. A very convincing performance. The antagonists and varied townsfolk are all equally convincing personals and framed nicely in the story.

The effects are standard, well-done elements one expects in a somewhat violent tome of expressionist folderol which plays out as perfect as any 70's experimental American western. The real effects are the musical score, atmosphere and cinematography. All are exceptional. The film isn't excessively exploitative with the bloodshed or violence, so when it happens it becomes very affectational moments.Overall "Five Fingers For Marseilles" is above average for indie film making. It does move a bit slow but the pace becomes almost hypnotic in its ability to capture your attention and be entertaining.

This glossy South African feature exhibits stunning cinematography and locations. The concept as well is ingenious, and most of the performances appropriately portrayed. The idea f a western style movie with all the trimmings, but set in South Africa was most interesting.

The dialogue I felt did not quite support the standard of the rest of the production value and the script lagged at times. Possibly the performances of this talented cast could have been more riveting if the dialogue was tighter. However generally the story was good enough to retain interest to the conclusion, which seems to be the general concensus of viewer reviews.

All in all an enjoyable feature, with a powerful portrayal of the protagonist Tau who portrayed the character authentically, and one a viewer would root for. That was portrayed with the appropriate menace, an actor who similarly excelled in the SA feature Vaya.

Definitely one to watch, particularly if you are a fan of Westerns with a difference, and a director to keep your eye on in the future.

Films coming out of South Africa are getting better & better. Last week i watched Catching Feelings and it was good. Yesterday i had to watch this one, who wouldn't after seeing the trailer and poster ? This film reminded me of Bruce Willis' 1996 cowboy movie Last Man Standing because they are alike. Difference is Fiver Fingers for Marseilles is not as straight forward and at 2 hours long it seems like 3 because the pacing is slow. The setting up of characters in this case epilogue is around 20 minutes. Then everything seem puzzling and you will ask yourself why, how, when. The biggest flaw is the script. It was written by a certain Sean Drummond who i presume is an English speaker and then given to a translator who did direct translation resulting in some dialogue/sayings/phrases being lost in the process. I don't even speak South African languages but i picked some of it. The other flaw is the casting. The younger Lerato of about 14 years old is light skinned (popularly known as yellow bones) as an adult woman she is now darker skinned which never happens thereby not making sense. It is mistakes like these that turn local audiences off because we feel we are being taken for granted. The bright side is the main cast is just brilliant. I had doubts about Vuyo Dabula's acting chops in Generations because he is one dimensional but now i am convinced he has talent. Hamilton Dhlamini who plays the villain is just magnificent that you would think he came out of a Hollywood horror movie. Veteran Kenneth Nkosi and newbie Zethu don't disappoint.

Keep it up guys.

Five Fingers for Marseilles is Michael Matthew's modern take on the classic western genre. He pays homage to those films that came before his, especially to classic spaghetti westerns such as The Dollars Trilogy, known for their standoff scenes. The movie uses the stand-off to parallel itself, beginning with harmless slingshots and ending with guns. Sean Drummond, the writer, created characters I really enjoyed. This vibrant cast was made up of actors I had never seen before, and I was quickly pulled into the story. The director clearly understood the characters and what they needed for me to get lost in their portrayals of these hometown heroes turned villains. Vuyo Dabula, who plays the main character, did a great job portraying the anti-hero and I found myself both routing for and intimidated of him by the end of the film. Each character had their own past to deal with and I was captivated by how they all chose to deal with their mistakes. I thoroughly enjoyed this movie and would recommend it.