Your Color

The friendship depicted in Yamada Naoko's works always shines with purity and beauty. With its fresh and healing visual style, expressive cinematography, and spiritually resonant premise, Your Colors locks in its position as an extraordinarily unique creation that stands shoulder-to-shoulder with her previous masterpieces. The three songs performed by the "Shironekodo" band during the film's climax poignantly correspond to "the radiant moments shared by the trio," "the melancholy of adolescence," and "the vibrant hues of Sakunaga Kimi that Higure Shiyo yearns for." Ultimately, every deception transforms into heartfelt confessions, every conflict resolves into reconciliation, leaving audiences bathed in sunlight and tenderness.

The subtle narrative thread involving teacher Hiyoshiko-sensei, who secretly supports the three protagonists, emerges as the story's most moving undercurrent. Though she couldn't pursue her own rock band dreams, she becomes an umbrella sheltering the youths' musical aspirations. Her nun-like costume design poignantly hints at both her constrained nature and life circumstances beyond her control.

The film unfolds with deliberate pacing, employing artful use of negative space that invites viewers to wander through imaginative possibilities. Certain sequences demand patient contemplation to fully absorb and comprehend. While it serves as a cerebral spa treatment in our fast-paced world, audiences should adjust expectations accordingly-this isn't a plot-driven anime feature with dramatic character arcs, but rather a meditative canvas where emotions flow like watercolors.

I'll believe that anyone who watches this film will leave happy, maybe even crying at the beauty of it.

This film although without much external conflict is able to capture what makes people people. It does this with beautiful music and incredible characters. I don't see why anyone wouldn't like this.

The inner conflict is what drives the story, each character having their own conflict within themselves related to the stress of approaching adulthood, and not meeting the expectations of those around us, it is a story that is about people finding their own path in life, about choosing their own story.

This film is a masterpiece. Everybody should see this.

The Colors Within is tender, mostly adorable, and quite modest compared to other Anime films I've seen over the past several years; even compared to other coming of age stories tinged with longing and/or lots of vibes, what's striking about Yamada's direction is how she isn't forcing you into feeling a certain way through an abundance of style. The colors that Totsuko sees are fantastical but lightly so, and once it's established as a sort of "quirk" you can sink into the story of these three sorta-outsider-ish teens that form a band and who either don't fit in (for Totsuko because of her color sights and also because she can't stay on a bus without getting carsick) or just don't like school so they drop out.

It's a movie based more around vibes than a really propulsive narrative, like the major conflict comes about that Totsuko and Kimi hang out overnight in the dorm and have (checks notes) lots of snacks and listen to that one song from the Trainspotting soundtrack (which becomes the basis of one of their three songs they work on and perform in the climax). But these are vibes that are vulnerable, or it's about how young people have so much vulnerability and social awkwardness until opening up, and there's no one here who stands out even as a threat or close to an antagonist.

And sometimes that's... fine, especially if it's a squishy sort of coming of age story that (a semi running theme for this director after A Silent Voice) is about the effort in apologizing; in this case there's also the fact that it's about the art that can come out of that emotional register, and that's kind of cool. Some of it is so pleasant feeling that it may be easy to nod off (or it was for me), and yet that isn't a problem for me either because you click back in to it once Totsuko dances and that big performance climax comes and it all fits.

So, even as this isn't quite a romance, it is about the love that comes with friendship in a sincere way, and I appreciate the total lack of irony and sweetness at its core.

I loved this movie. It had a certain warmth to it-the warmth that Totsuko brought through her honest appreciations, the warmth that rests in newfound friendships, the warmth of forgiveness and acceptance, the warmth of spending time with the ones you love away from the disturbances of life, and the warmth of creating art.

I think about the prayer Totsuko recited: "God, grant me the serenity to accept the things I cannot change, courage to change the things I can, and wisdom to know the difference."

Life is hard, and perhaps it is for the best that, just like the color-viewing free spirit of Totsuko, we too somehow find within us the serenity, courage, and wisdom to go through it.

I went to see this after I watched silent voice and wow! I saw this with my friend and I think the music, the animation, everything was perfect. This is a catholic movie such I am a Christian and I thought it was fine I wasn't much on the religion stuff but overall it was a very pretty and relaxing show to watch with your family. I like Kensuke Ushio, I think his music is just a good time if you know or see him going to be in a movie. I would rate it a 9 since it was good it just wasn't long enough... 1.42 is not long for me, I wish there was more better of a ending. But I think we need the English version of the space song on Spotify.