The Girl on the Train

The plot in this one is a little disjointed and by the end you are wondering what the heck is going on, but it seems to wrap everything up kind of neat. The relationship between Danny and Lexi is confusing and unclear as you are only clued in by his conversation with the detective. Danny and Lexi's conversations are mostly soliloquies, nothing you would hear normal people discuss. Sounds more like they memorized lengthy passages of a thought-provoking novel and repeated them back and forth to one another throughout the movie.

The cinematography and music are very well done. The acting was good, but really not as horrible as some people have reported. I think the relationship between Danny and Lexi could have been fleshed out more. They never even get to a point where they get uncomfortably close to each other, so you wonder why he spent so much energy pursuing her if there is no emotional energy created at some point. It all seems suspiciously platonic, but the why is never clear. Again, the end clears thing up a little in this respect.

Like I said, in the end the confusion is cleared up, but you are left wondering why you were even confused to begin with. You should have enough information to be uncomfortable with what you don't know, not confused wondering what you might have missed, only to find out you didn't miss anything at all.

So see it and make up your own mind. It's a good story regardless.

This story does pull you in initially, but by the end turns into mush, with its pseudo-philosophical outlook, which another reviewer astutely summarized, as " a combination of arty arrogance and teenage angst". The story of a Nazi concentration camp victim, which the protagonist was making a documentary about, was the most interesting part of the film. The film presents love, as the biological relationship between members of the opposite sex. I believed this in my adolescence ( "teenage angst" ), but have mostly managed to get beyond this, thank God. The monologue near the end is delivered in such a solemn, pontificating manner, it initially sounds profound, until you think about it for a couple of minutes. You then realize, it is totally concerned with an adolescent's viewpoint of love/lust. The movie would have been much better, if this speech, was omitted. I did find it represented women as conniving and irresponsible, through the female lead. It gave the pathetic, popular excuse, that if the woman is sexually attractive enough, this is OK.

The acting was quite good, as well as, the cinematography.

Wow, this film is in love with itself. Another reviewer described it as having flatulent dialogue, and quite frankly, I can't think of a better way to describe the film as a whole.

The first hour is literally just 3 or so people pontificating about love and the ideal dream versus reality and slow evolving the plot (if you can call it a plot). Then there's a brief flash of action, and even more pontificating about the inevitable and painfully obvious conclusion. I'm sure its supposed to be intellectual and insightful but ultimately its just a dressed up airport romance novel. The acting is OK; the direction passable; the premise is as tired and unoriginal as it is interesting; the script is big lumbering mammoth that bores you to the point of wanting to rip off your own arm and beat yourself to death with it; and it certainly does't deserve its sense of superiority.

I cannot see anything redeemable about this pretentious pile of crap. Don't bother wasting the hour and 20 minutes; You can get the same amount of blistering insight in to love and perception in a far, far, shorter time - via one episode of the Vampire Diaries... And at least that will give yo a laugh! This is so bad its not even funny.

Had wanted to watch this film to see Nicki Aycox's performance. For those looking for a Maxim femme fetale version.. binged.it/1xencd2 .. be advised she's not lookin at all like that in this role (although it seems to have called for it). As for the film itself.. can understand what many are saying about the dialogue. Sometimes writer-director's are at a disadvantage, here it appears to have gone that way. Don't have any huge issues with the acting.. but the scrip was made more complicated than need be.. that coupled with the scene jumping all over the place.. it just all becomes overload. Maybe a second viewing (and using subtitles) will bring it more into focus.

Henry Ian Cusick plays Danny who is an Englishman making documentaries in the US. One day he sees a girl on a train who has been crying. He is strangely drawn to her and decides to act on his impulses. She is enigmatic and mysterious and he finds himself wanting to see her again.

Then they do meet and she uses her feminine ways to get him to act out of character and take him down a path that once he has set foot on it, there is no turning back.

Now this is a well written, filmed and acted film. There is a lot of clever observations on life and some real chemistry between the main players. The film works by using flash backs to flesh out what has already transpired and it is done rather well. The problem is that it is all a bit too contrived and unbelievable and the dénouement is just a bit too much to be taken seriously so it loses marks big time.