The Uninvited

When you want to critique Hollywood, you have to do it intimately and not in a gigantic and obscene way like the budgets of summer movies: The Uninvited is a play to keep you close and engaged thanks to a beautifully staged sequence of almost thriller-like setups to surprise you. There are no superheroes, mass murderers, or lovers running through airports, but real people who feel like all of us.

All the characters are charming until real-life problems catch up with them to show that they are vulnerable humans, where there will always be hope. But will everything be too late? That's what each spectator will have to judge.

Rose" (Elizabeth Reaser) is married to talent agent "Sammy" (Walton Goggins) and they are preparing for a make-or-break party at their home one evening when the sound of a repetitious car horn sends her out to investigate. That's when she meets "Helen" (Lois Smith). She's an elderly lady convinced that she lives in their house, and when "Rose" takes her in whilst trying to summon some help her presence seems to galvanise her family and their guests into a series of revealingly uninteresting and cocaine-induced home truths that drags the whole thing into the doldrums of a melodrama populated by some seriously mediocre actors adequately reflected by the presence of Rufus Sewell! Actually, any scene stealing probably just belongs to a toilet doorknob, to Smith and to an enthusiastic effort from Roland Rubio as their son "Wilder". Otherwise it's really just a collection of who cares people that engender very little interest in their self-induced and/or self-serving problems. Stereotypes galore, sorry!

In stylish but pretentiously artsy drama "The Uninvited" Hollywood agent Walton Goggins (always good) & ex-actress wife Elizabeth Reaser (outstanding) host a party for guests including actors Pedro Pascal (Reaser's first love who supposedly oozes charm - tho Pascal doesn't convey that) & Goggins' main client Rufus Sewell (with actress gf Eva Di Dominici). As domestic issues unfold (particularly between Goggins & Reaser) elderly Lois Smith pitches up with her dementia apparently convincing her she lives there. What writer / director Nadia Conners intended with it all in her second film is unclear even after the credits roll. It's quite nice to look at, but ultimately meh.

This film was not what I was expecting. I walked into a comedy and left with my heart in a thousand pieces. Not many films have moved me to tears on that many levels - it was a balanced exchange of wit and woe. Despite being set in the Hollywood Hills, the tensions and conflicts, especially around identify and relationships will resonate deeply with many.

The nuances in the storytelling leave you with a lot to unpack and it's one of those films you could see multiple times and still find something new and revealing about the characters. Elizabeth Reaser (Rose) and Lois Smith (Helen) are brillant in bringing to life two women with shared experiences of loss and of being lost.

It will stay with me for a while this one.

Beautifully written and acted. Every detail is perfect. Truly amazing performances by every actor. Lois Smith gives an Academy award worthy performance and steals the show. Walter Goggins is uncomfortable and anxious and funny and lovable all at the same time. This is one of the best performances I've seen from Pedro Pascal. I love him in everything, but this role felt so natural for him. I felt every moment of Elizabeth Reaser's pain annd moments of joy. All of the characters are complex and intriguing. The story has many surprises in what appears to be a straightforward movie about a party. I cried and laughed and wished it was longer. We are not.