The Uninvited

Beautifully written and acted. Every detail is perfect. Truly amazing performances by every actor. Lois Smith gives an Academy award worthy performance and steals the show. Walter Goggins is uncomfortable and anxious and funny and lovable all at the same time. This is one of the best performances I've seen from Pedro Pascal. I love him in everything, but this role felt so natural for him. I felt every moment of Elizabeth Reaser's pain annd moments of joy. All of the characters are complex and intriguing. The story has many surprises in what appears to be a straightforward movie about a party. I cried and laughed and wished it was longer. We are not.

I'm conflicted about how to rate the Uninvited. The movie looks great and the central hook of the elderly, confused woman arriving just as an important party begins is compelling. I enjoyed all the actors. Being a woman in my 40s myself, I appreciate a story about juggling relationships, children, aging and career and there should be more of these movies out there. There are some funny lines and moments. But there were also some moments which just did not make sense in the world of the story, and dialogue that does not sound like words that real people would ever utter. When she was laying out the eggs - was it Easter? I might have missed it. I found the story about the fish and the star a bit labourous. And the ending - how those people reacted feels so far from anything naturalistic. I could see if it was on stage, where it could be read more as a parable, it could have been far more successful.

Rose" (Elizabeth Reaser) is married to talent agent "Sammy" (Walton Goggins) and they are preparing for a make-or-break party at their home one evening when the sound of a repetitious car horn sends her out to investigate. That's when she meets "Helen" (Lois Smith). She's an elderly lady convinced that she lives in their house, and when "Rose" takes her in whilst trying to summon some help her presence seems to galvanise her family and their guests into a series of revealingly uninteresting and cocaine-induced home truths that drags the whole thing into the doldrums of a melodrama populated by some seriously mediocre actors adequately reflected by the presence of Rufus Sewell! Actually, any scene stealing probably just belongs to a toilet doorknob, to Smith and to an enthusiastic effort from Roland Rubio as their son "Wilder". Otherwise it's really just a collection of who cares people that engender very little interest in their self-induced and/or self-serving problems. Stereotypes galore, sorry!

I watched The Uninvited. At the Odeon last night and was genuinely moved by it. The film had the emotional depth and intimacy of a stage play - relatable, at times uncomfortably so, yet also beautiful, thought-provoking, funny and emotionally rich .

The performances were strong across the board, pulling me into the story completely. I laughed, I cried - it was one of those rare films that stays with you long after the credits roll.

I especially appreciated the visual effect and setting of the scenes with the orange tree - beautifully done, both symbolically and cinematically. They added a sense of quiet magic to the film that balanced its heavier themes.

A good production and a truly moving piece. I'd absolutely recommend it - and would gladly watch it again.

When you want to critique Hollywood, you have to do it intimately and not in a gigantic and obscene way like the budgets of summer movies: The Uninvited is a play to keep you close and engaged thanks to a beautifully staged sequence of almost thriller-like setups to surprise you. There are no superheroes, mass murderers, or lovers running through airports, but real people who feel like all of us.

All the characters are charming until real-life problems catch up with them to show that they are vulnerable humans, where there will always be hope. But will everything be too late? That's what each spectator will have to judge.