Crossfire Hurricane

gregwetherall (above) has done an excellent and spot-on job so I'll keep this brief -

as a 15-year rock musician (so I actually get "the wobble bit" - though I'm not quite sure I buy all of it) who grew up with the Rolling Stones, while this isn't anywhere near perfect (likely impossible)

"Crossfire Hurricane" is still very entertaining and a must for any Stones fan. Some of the remixed live tracks are astoundingly preserved and sound great, though imo some of the interview comments need to be tweaked up a bit (though my hearing is shot, so maybe that's me)

Some quick cuts from "Cocksucker Blues" interspersed just at the right moments of some of the live tracks; Keith as usual brutally honest in his comments about drugs, Brian, songwriting, etc - and there's some stuff in Crossfire Hurricane I've never seen before. (no spoilers here) - even Charlie speaks up now & then. The best and worst of Brian is brutally portrayed as well.

All in all, a job well done and definitely worth seeing. I've DVR'd it, seen it twice so far, and likely will watch it again. Play it loud through your sound system.

1/15/18. This was a little above average for a rockumentary about the Rolling Stones. They are not my favorite band, but I did like their really early, early hits (Get off of my cloud, Satisfaction, etc.) But, if you are a millennial, then this may be an educational look at why those old men strutting around on stage STILL these days did have their day some 50 years ago. And, they were big. During the British Invasion of the '60s, there were many British rock and roll bands just starting up and looking for fans. And, they starting crossing the Atlantic for a potentially bigger fan base in the U.S. There were so many "boy bands" at the time, but the cream of the crop were The Beatles and the Rolling Stones. It was interesting that The Beatles were originally demonized by the press for their unruly moptops and adults were so afraid that they would be such a bad influence on us kids (at the time). Then for some reason, the Beatles went mainstream and the Rolling Stones took up the mantle of the Bad Boys of Rock and Roll. I am sure that "Sympathy for the Devil" solidified their reputation. So, that's just a little background from a baby boomer who missed those days.

The film's very good in representing the bands early and mid term journey with all it's successes, failures, drugs, drink etc with candid interviews and good musical snippets. The footage is great but my biggest disappointment with the film is that basically very little is mentioned of the bands musical output post Let It Bleed. Sticky Fingers get a brief snippet, Exile on Main Street has a little more but post that almost nothing. A brief interlude of 'Angie' and how great Ronnie Wood has fit into the band - and he sure has if only they'd give him a bit more freedom to work with. But, and it's a big but, nothing - a great big zilch of their musical output through the late 70's and beyond, much of which was/has been critically underwhelming.

It would also have been nice to see the involvement with the band of Ian 'Stu' Stewart and Bobby Keys recognised.

In short, the film's an unpolished diamond, well worth a look to the Stones fan

Crossfire Hurricane (2012)

*** 1/2 (out of 4)

When I heard that director Brett Morgan was going to try and capture fifty-years of The Rolling Stones into a 111-minute running time I thought it would be impossible and I was pretty much right. CROSSFIRE HURRICANE is an impossible attempt at a documentary but I think it's about as good as we could hope for. The documentary features interviews with all the surviving members of the Stones but we never see them. Instead we hear their thoughts while seeing various pieces of footage from throughout their career. This could be TV appearances, movies, concert films, bootleg material and other formats. Again, trying to put fifty-years into such a short running time is impossible and there seems to be a lot missing here. I mean, the 60s and 70s are the main focus here and we really don't get anything from the more recent times. I'm sure some might argue that the bands greatest period was this era and it's a great point but at the same time they do have something that has kept them together all these years. With that said, it's hard to be too disappointed with what's not here because what we do get is great. Being able to see all of this footage and have it together in one place is clearly the best thing here. It also doesn't hurt that it appears all the band members are being honest and open with their feelings. This includes the music they've made, issues like drugs, Brian's death and of course the Altamont concert. Fans of the band will certainly want to check this out.

This documentary really surprised me. From the off I'll admit I'm not really into the Rolling Stones but like everyone else there are a bunch of their tunes I do adore (e.g. Sympathy for the Devil, Gimme Shelter etc). It's been shown again due to the sad recent passing of their drummer Charlie Watts.

What we have is a tour through their careers from year one to present, so quite a lot to condense, but the director does so. A soundtrack already given, it is the monologues from band members providing a commentary over the years, mostly concentrating upto the early 1970s, and it works!

I was surprised, this could have been a hagiography, or just some whitewash, but actually the director provides a fair warts & all overview of the band which is welcome, and you end up intrigued. There's egos but also honesty, and the moments overlooking the finals times with Brian Jones is quite poignant.

You'll be surprised, the general fans are also as great a part of this documentary as the main act, and great to see the old fashions and styles. There's dark moments too (e.g. Hell's Angels etc) but there's a lot of positive to take too.

It's a crazy, very well put together documentary that thankfully veered away from a simple paint-by-numbers outlook.

Informative and entertaining. Give it a view, at least in memory of Charlie Watts (RIP) who for me comes out of that band as the most likeable of the lot. A real treasure of the music world sadly now gone.