Noël comme si de rien n'était

Funny view on culture crash between Norway and the outside world.

Remember that there are only 5 million Norwegians, and Jul and May 17 are days where we are focused on our traditions. Our ways are a bit strange.

Jashan is representing the outside world. Nothing to do with his nationality specifically.

As a Norwegian I felt this made me think of how hung up we are on our traditions.

25% of our population migrated to USA in the late 1800s. For those left it was a crisis and the national romanticism started in Norway. Bunad, Jul tradition and more were important when rebuilding our nation's self esteem.

I watched the movie with very high hopes but ended up being highly disappointed. It is a lost opportunity and I feel it would probably offend people from both the countries. I am Indian and no, we don't behave like Jashan. His character was downright rude and obnoxious. I felt the Secondhand embarassment throughout. Thea's family was equally hostile towards Jashan. Eventually it was a mess where no-one could evoke any sympathy! I think the only likeable characters were the child and her mother. The last 5 minutes of the movie were good. Rest of the movie is completely directionless in my opinion.

Jashan is over the top obnoxious as is most of this cast. Everyone is so flat, or uninteresting, or just mean. Jashan is like a bull in a china shop, he is wholly self unaware, doesn't bring much to the table. Nothing likable about his overbearing character. I was rooting for the girl to dump him. The Norwegian family is wholly inflexible and just not likable at all from the start. There is no chemistry between the two main characters. This may be technically a Christmas movie, but there is no warmth or real affection, especially at the end of the movie where they try to wrap it into a nice little funny love fest package, but it fails miserably. They could have called this Skunk, because-yes it's a stinker. Could have been better, writing was awful.

"Så var det jul igjen" is an outstanding film that demands to be seen in its original language. This Norwegian movie brilliantly navigates the complexities of Christmas traditions, presenting them in a light that is both humorous and insightful. The film introduces a cultural shock that, contrary to initial expectations, is remarkably believable and well-executed. I was pleasantly surprised by how much I laughed, having braced myself for a cliché and uninspiring holiday movie. Instead, what I found was a delightful blend of wit and charm that breathes new life into the often predictable genre of Christmas films. This movie is a hidden gem that deserves a wider audience.

Thea was the only moderately redeemable character of the lot (and I guess the kid). I actually kind of hoped she would just run away from this circus of clowns, each of whom brought the fine viewers a rich palette of personality characteristics, ranging from the mildly disagreeable to the stupidly obnoxious.

Her finance Jashan... you ask someone off-hand to marry you and don't get an enthusiastic "yes;" then you show up at her family's doorstep during the holidays and start judging their traditions and imposing your own? I mean, I may not be up on all the latest trends, but am I meant to be told that a little self-awareness has gone out of style? What a pathetic rube, sorry!

Now, the mom. What kind of a bizarre household does she lead here? Am I missing something, or should you be way more understanding of a stranger not eating your bizarre delicacies, and way less accepting of someone using your kitchen or getting in a brawl? I mean, he's from another country not another planet. Just use some common sense!

As for the family and the ex - let me think... vapid, dim-witted, petty. These are a few words that come to mind. Okay, I did laugh at a couple of Simen's one-liners.

Overall, I get that they were trying to play on the culture clash thread (a genius ploy, as I don't recall this ever having been tried before). Unfortunately, everything else - from the interest level of the plot to the elemental reasonableness of the characters - was subjugated to these awkward tropes and cheap laughs. Of course, I'm sure this was always intended as a light comedy, and it was at least successful at not being a total bore.

I guess the part that saddens me is that it felt like maybe the filmmakers saw themselves as in on the joke - like "let's at least all agree that all these antiquated cultural norms are kind of a laugh." Cultural traditions can get stale, yes, but they are vectors for common values, belonging, depth, meaning, unity, and relationships. If these Netflix producers think they are mostly a punchline, then, I guess I pity them even more than their bumbling characters.