Mémoires d'un escargot

Memoir of a snail is currently my second favourite movie that I have ever watched and here is why. First of all the animation is beautiful, it is very smooth and it will please your eyes

Secondly it is one of if not the funniest films I have ever seen, the comedy is magnificent.

My third reason is this film is very emotional, if you are going to watch this movie bring some tissues because you will probably cry watching this film.

My fourth reason is it has every single emotion that I can think of, there are sad moments, happy moments, funny moments, Scary moments, disgusting moments and more.

My fifth reason is the story is just amazing, it is a film about life and it's good and bad moments.

Overall go and watch this movie, it is a masterpiece with everything you would want from a film.

Animations were executed with precision, and the voice performances were outstanding; however, what struck me most was the fluency with which the movie navigated profound emotions while incorporating elements of dark comedy.

Typically, these two tonalities exist at opposite ends of the emotional spectrum, and it is common for writers to falter when attempting to blend such contradictory tones. In this instance, however, the outcome was surprising, to say the least.

The makers not only achieved a harmonious balance between humor and sentimentality, but I also found the blend to be neither superficial nor unappealing, instead I appreciated every transition that unfolded throughout the narrative, from the start to the finish!

I was crying as much as I was laughing, having a good time altogether and I also admire how the story serves as an introspective journey that inspires hope and motivates us to live our lives forward because...

"Life can only be understood backwards, but we have to live it forwards"

Awesome story with truly beautiful art and animation. I couldn't stop looking at all the thoughtful details throughout this entire movie. The sets are just mindblowing. Probably the best stop motion I've seen and in such a creative and unique artistic style. I think this movie was so successful in creating a seamless aesthetic while also telling a very thoughtful and emotional story. The creators of this film must feel very proud of what they've created here, and rightfully so. I also really appreciated the small moments of light heartedness and joy throughout this tragic telling. Without a doubt one of the best films of the year.

Wow, it's been a long time since a movie not only struck me straight in the heart but also resonated deeply with my very core.

Set in 1970s Australia, the story follows Grace, whose life is marked by profound misfortune and loss. After their mother tragically dies during childbirth, Grace and her twin brother, Gilbert, are left to be raised by their paraplegic, alcoholic father, Percy, a former juggler. Despite a life filled with love, tragedy strikes again when Percy passes away in his sleep. The siblings are torn apart and placed in separate foster homes, forced to navigate an unforgiving world without each other.

The animation is stunning, and the film handles heavy subjects-loss, physical disabilities, bullying, and alcoholism-with remarkable sensitivity and honesty. What makes it truly special is its balance: the humor woven into the script creates moments of levity that prevent the story from becoming overwhelmingly somber.

This movie will particularly resonate with those who come from broken homes or have experienced childhood trauma. The portrayal of foster parents and the challenges foster kids endure is heartbreakingly accurate. I know because I am a foster kid.

I needed this movie on a deeply personal level. It made me feel seen, understood, and a little less alone in this increasingly complicated world. It's a beautifully balanced and profoundly pure piece of storytelling.

Thank you to everyone involved in bringing this film to life. It truly means so much.

Greetings again from the darkness. If you believe that animated films should be whimsical fairy tales developed for children, Adam Elliot would like a word. Actually, he would like about 90 minutes of your time to introduce you to an entirely different approach with stop-motion animation. Elliot won an Oscar for his animated short HARVIE KRUMPET (2003) and also developed the excellent animated feature MARY AND MAX (2009). Not one to shy away from grown-up topics, Elliot's latest is a gem filled with most every emotion.

Relying heavily on narration, the story is told by Grace Pudel (voiced by Sarah Snook, "Succession"). It's her own life story, but contrary to what the film's title would have you believe, Grace is a person, not a snail (at least not a shelled gastropod). However, she is telling her story to her favorite pet snail, Sylvia. It's OK if that sounds a bit strange, because Grace and her story will draw you in and have you caring very much. The story starts at the beginning ... with Grace's premature birth ahead of her twin brother Gilbert (Kodi Smit-McPhee).

Grace chaperones us through her early years. These were not easy years as mom died early on, and dad was an alcoholic paraplegic with sleep apnea. Mostly we learn about Grace and her collection (hoarding) of snails she kept in a glass jar with Vegemite for their nutrition. She tells us about her beloved brother Gilbert's love of animals, reading, magic, and fire. When their dad dies, Child Services sends Grace and Gilbert to separate foster homes in different parts of Australia. It's not just geography that makes a difference. Grace is fostered by a couple of self-help gurus who are also swingers (it's not a movie for kids). Gilbert is sent to live with a harsh religious cult family demanding work while offering no love.

The twins maintain contact through letter-writing, and Grace fills in some of the details for us. Her story includes a romance with Ken, a neighbor who loves his leaf blower and has a certain fetish that takes Grace a while to uncover. She also forms a special bond with Pinky, and older lady (voiced brilliantly by Jacki Weaver) who teaches Grace to relish life. While Grace often lives inside a shell, much like her pet snails, she does treasure her time with Pinky, whose final letter is touching.

This is an all-too-ordinary life told exquisitely (that's me trying to avoid saying ordinary and extraordinary in the same sentence). The emotions are overflowing and range from grief to sadness to frustration to anger to hope. Elliott includes nods to literature, roller coasters, Parisian street performers, guinea pigs, and nudist camps (possibly a first in the animated world). We also see the dark side of religion and the importance of friends and family. Grace truly lives the circle of life, as she learns that snails have no choice but to live in the shell under which they are born, but she does have a choice. The score from Elena Kats-Chernin is beautiful and fitting, and Elliot leaves us with this thought: "Life can only be understood backwards, but we have to live it forwards." So get busy living!

In theaters on November 8, 2024.