Live by Night

Ben Affleck's new movie could best be described as "sprawling". In both directing and writing the screenplay (based on a novel by Dennis Lehane), Affleck has aimed for a "Godfather" style gangster epic and missed: not missed by a country mile, but missed nonetheless.

Morally bankrupted by his experiences in the trenches, Joe Coughlin (Affleck) returns to Boston to pick and choose which social rules he wants to follow. Not sociopathic per se, as he has a strong personal code of conduct, but Coughlin turns to robbery walking a delicate path between the warring mob factions of the Irish community, led by Albert White (the excellent Robert Glenister from TV's "Hustle"), and the Italian community, led by Maso Pescatore (Remo Girone). Trying to keep him out of jail is his father ("Harry Potter"'s Brendan Gleeson) who – usefully – is the Deputy Police Chief. Life gets complicated when he falls in love with White's moll, Emma Gould (Sienna Miller). The scene is set for a drama stretching from Boston to the hot and steamy Everglades over a period of the next twenty years.

Although a watchable popcorn film, the choppy episodic nature of the movie is hugely frustrating, with no compelling story arc to glue all of the disparate parts together. The (often very violent) action scenes are very well done and exciting but as a viewer you don't feel invested in a 'journey' from the beginning of the film to the (unsatisfactory) ending. In my experience it's never a good sign when the writer considers it necessary to add a voice-over to the soundtrack, and here Affleck mutters truisms about his thoughts and motives that irritate more than illuminate.

The sheer volume of players in the piece (there are about three film's worth in here) and the resulting minimal screen time given to each allows no time for character development. Unfortunately the result is that you really care very little about whether people live or die and big plot developments land as rather an "oh" than an "OH!".

Affleck puts in a great turn as the autistic central character whose condition results in a cold, calculating demeanor and a complete lack of emotion reflecting on his face. Oh, hang on… no, wait a minute… sorry… I've got the wrong film…. I'm thinking about "The Accountant". I don't know whether he filmed these films in parallel. I generally enjoy Ben Affleck's work (he was excellent in "The Town") but for 95% of this film his part could have been completed by a burly extra with an Affleck mask on. In terms of acting range, his facial muscles barely get to a "2" on the scale. Given the double problem that he is barely credible as the "young man" returning mentally wounded from the trenches, then in my opinion he would have been better to have focused on the writing and directing and found a lead of the likes of an Andrew Garfield to fill Coughlin's shoes.

That's not to say there is not some good acting present in their all but brief supporting roles. Elle Fanning ("Trumbo", "Maleficent") in particular shines as the Southern belle Loretta Figgis: a religious zealot driving her police chief father (Chris Cooper, "The Bourne Identity") to distraction. Cooper also delivers a star turn as the moral but pragmatic law-man.

Sienna Miller ("Foxcatcher") delivers a passable Cork accent and does her best to develop some believable chemistry with the rock-like Affleck. Zoe Saldana ("Star Trek") is equally effective as a Cuban humanitarian.

In summary, it's sprawlingly watchable… but overall a disappointment, with Affleck over-reaching. One day we surely will get a gangster film the likes of another "Godfather", "Goodfellas" or "Untouchables". Although this has its moments, unfortunately it's more towards the "Public Enemies" end of the genre spectrum.

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I went to the theater to watch a Gangster/Mafia movie, and I got one. Mafia movies are by far my favorite type of movie. Live by Night delivered that 1920's gangster look. Ben Affleck does an amazing Irish Mafia member persona. The story was very moving and the characters were likable. There was just enough action in the movie. The tommy gun fight scenes felt like a real 1920's gang shoot out. Live by Night shows a true gangster movie look. Most Mafia movies rely on the story to make their movie good. Live by Night uses action and an amazing story. I had a little trouble with keeping up with the names of the characters but later on I started memorizing their names. Defiantly go see this movie if your a gangster/mafia movie fan. Live by Night will not disappoint you.

Producer, director, writer and lead actor: Ben Affleck.

Let's look at those contributions one by one.

Producer. The film looks good. There's an expert team on both sides of the camera. But there's a problem with length. Also, it feels as though the adaptation from Dennis Lehane's novel has not sufficiently transformed what was on the page into cinematic story-telling.

Director. There are excellent action sequences, such as an exciting car-chase and a final shoot-out. As a director of actors Mr Affleck is strong: he elicits particularly striking work from Chris Messina, Elle Fanning, Remo Girone and Sienna Miller. Within scenes there's a reassuring sense of control of pace. But overall, there is a sense of the director being in thrall to the screenplay.

Writer. This is the weakest link. It feels in awe of its source material. I read that an entire strand of the book was removed for the purposes of the film, but this was not enough. The producer and/or the director needed to tell the writer to put it through another draft. Or put it in its current form on Netflix as a two-part drama.

Lead actor. A matter of taste, I guess. Mr Affleck's persona is always of a handsome man who knows he's handsome, and who is very pleased with himself about it. I find this insufferable in large doses. And there is a very large dose of it here. Mr Affleck's performances lack depth -- compare and contrast those of this amazing brother Casey. As far as I'm concerned, Mr B. Affleck is more a male model than an actor: in James Bond terms, he's a George Lazenby rather than a Daniel Craig. His best film performance is his self-parodying turn in 'SHAKESPEARE IN LOVE'. In LIVE BY NIGHT he is serviceable, nothing more. His director clearly couldn't get anything else out of him.

It's instructive to compare Ben Affleck to Clint Eastwood, who also has a limited -- maybe even more limited -- range as an actor. But Eastwood the director usually casts Eastwood the actor brilliantly. DIRTY HARRY, UNFORGIVEN,GRAN TORINO etc: who could be better? By contrast, there are many young actors who could have played the lead in LIVE BY NIGHT, and many writers who could have delivered a better screenplay, especially when guided by a strong producer and director. Time will tell whether Ben Affleck is as good in those last two departments as ARGO suggested he might be. The promise he showed in those areas in that film is not in evidence here.

I've been a fan of Ben Affleck's directional efforts ever since I saw Gone Baby Gone way back in 2007 in theaters. I also loved The Town and think its his best film to date. Live by Night sort of came out of nowhere but I'm always down for Prohibition era crime films. The film seemed to get lukewarm reviews but there was no way I wasn't going to see this for myself. Overall, I'd say I enjoyed it and its better than what other critics are saying.

The film is set in Boston (and then Tampa) and is the story of the son of a police captain, who becomes a bootlegger and gangster. Be forewarned that there isn't much that separates this from gangster films we've seen before, however Affleck knows what he's doing and I think he does it well. The thing that pops out to me is the dialogue. Its quite clever and witty. There's funny moments and the film isn't always super serious, which is refreshing. Not everything in the script has to be explained as the viewers are expected to follow the message. The suits, cars, glamour, of the 20s and 30s is captured quite well (not that I lived in that era to really know if it was accurate). Some of the dialogue was hard to hear in theaters (the accents probably contributed to this). I think this film will one day warrant a second view anyways.

While I really enjoyed the film, it isn't without faults. It really depends on whether you can forgive the film for that or really see it as a detriment. Some of the characters felt loose and suddenly disappear. This includes Siena Miller, Elle Fanning and Brendan Gleeson. Fates of characters are explained and such but they feel unfulfilled. I thought Fanning's character was just becoming great, but as I said unfulfilled. Miller's character arc was just so odd as well (maybe rushed to fit the story). Well, at least my boy Miguel was in this. The film seems to want to tackle a few foes/events in different parts of the film and doesn't always do it seamlessly, which makes the film seem unfocused. The events of the third act felt rushed together just to come to a resolution. Without going into spoiling there's a head scratching moment near the end that seemed out of left field. I didn't have too many problems with all this and maybe its because I'm partial to Affleck and gangster films.

I enjoyed the car chase and gun battles. I think the comic element of the film kind of swept into the action scenes which made it enjoyable. I liked that the film takes place in Tampa and mixes with the Black and Cuban community as well. Its nice to see a sort of different locality in a gangster film. I'm sure there's much more I want to ramble about but nothings coming to me. Overall, this probably won't be something that'll be a the top of year end lists but its thoroughly enjoyable even through its flaws. Its not Affleck's best but I applaud him for directing and writing films in a time where he's busy being in blockbusters.

8/10

Actor/writer/director Ben Affleck tries his hand at a period piece in this ambitious crime saga beginning in the 1920s Prohibition era. Joe Coughlin--the son of a renowned Boston police officer--is a small-time crook looking to make a name for himself in the ruthless underworld of organized crime. After some tragic circumstances, he relocates to the South to become the frontman/muscle for an Italian mafia bootlegging operation, but quickly gets plunged into the seedy, seductive world of money, power, greed, and corruption. Intriguing at first, with tense action scenes and character interactions, but follows too many unrelated story threads, has ineffective casting in key roles, too many familiar elements, and concludes in pat, sanctimonious fashion. Despite flavorful ingredients, Affleck's attempt to create a potent, moralizing amalgam of The Town and The Godfather doesn't quite succeed. **½