IMDb RATING
4.9/10
8.8K
YOUR RATING
A 1970s version of the future, where personalities and asteroids collide.A 1970s version of the future, where personalities and asteroids collide.A 1970s version of the future, where personalities and asteroids collide.
- Awards
- 2 nominations total
Michael Stoyanov
- Dr. Bot
- (voice)
Featured reviews
The idea of spoofing 70s sci-fi TV shows is great, even if it's been done before. (And better, as in "Galaxy Quest.") This has all the right trappings in terms of sets, costumes and soundtrack track choices, as well as a game-enough cast. But where is the script? There are a few half-baked comic ideas here, but few if any of them are developed beyond the level of the verrrrrry mildly amusing, at best. There's less than a SNL skit's worth of actual laughs here. Worse, the characters are mostly irritating, with ideas that are potentially funny (Wilson's Captain being a closet case) and those that really aren't (two sets of bad, oblivious parents) both simply repeating themselves without building toward any big payoff. In fact, what they build toward is a weirdly serious scene at a Christmas party where everyone reveals how much they hate each other, something that might actually be cathartic in a movie that WASN'T aiming to be a comedy. I just don't know what the filmmakers were thinking. It's very strange to go to all this trouble and expense to mount a sci-fi fantasy satire, and seemingly forget to include much in the way of actual humor. No, the humor wasn't too "subtle" for me--deadpan is one thing, but this was just flat and lacking wit. A pity.
When I first heard about this movie, I was quite interested in it. I grew up watching those sci-fi movies and TV shows from the 70s, all those leisure suits and haircuts and the wonderfully cheap special effects. Retro is my thing, and anything with punk in it – steampunk, dieselpunk, atompunk – so I was looking forward to seeing Space Station 76.
Now, for the positives: it was well made, well acted (especially from Liv Tyler, Patrick Wilson and young Kylie Rogers), well directed. In addition, it looked like something that could have been made in the Seventies, which was obviously the intention: the computer graphics, the smoking, the Valium, the beige, the videocassettes, the robot therapist (although the exterior space shots and interior zero- gravity scenes looked a little too good – no strings to be seen!).
Where it fell for me was the story. This is *not* a science fiction movie. It may be set in space and the future, with all the expected trappings, but it could just as easily had been set in a suburban street in the Seventies, or in a groovy apartment complex. The plot lines are all very human and Earthbound (and certainly not anything that would have been part of any movie or show from the era): the alcoholic, closeted gay Captain, the lonely little girl who can't keep her pets alive, the bitter couples in the broken, empty relationships where even affairs are just masturbation by proxy, and the infertile Assistant Captain who arrives onboard the station (although everyone keeps calling it a ship) unwittingly brings all the tensions to the surface. There's an asteroid headed for the station, an obvious metaphor for the proverbial lid that's about to blow among them, but it doesn't really play a part in all of this.
I had read the other reviews that warned not to expect Galaxy Quest, Spaceballs, Red Dwarf or other laugh out space comedies, and I'm not some neophyte cinephile unfamiliar with black comedy, but I had expected *some* laughs. I laughed once. More often than not, I was sad, which was more a testament to the performances. Billing this as a comedy, even a black comedy, is misleading.
To be honest, I'm not sure who this might be for: the sci-fi fans will be mostly disappointed, as will the comedy fans, and those looking some adult psychodrama might be confused by the retro-future setting.
Now, for the positives: it was well made, well acted (especially from Liv Tyler, Patrick Wilson and young Kylie Rogers), well directed. In addition, it looked like something that could have been made in the Seventies, which was obviously the intention: the computer graphics, the smoking, the Valium, the beige, the videocassettes, the robot therapist (although the exterior space shots and interior zero- gravity scenes looked a little too good – no strings to be seen!).
Where it fell for me was the story. This is *not* a science fiction movie. It may be set in space and the future, with all the expected trappings, but it could just as easily had been set in a suburban street in the Seventies, or in a groovy apartment complex. The plot lines are all very human and Earthbound (and certainly not anything that would have been part of any movie or show from the era): the alcoholic, closeted gay Captain, the lonely little girl who can't keep her pets alive, the bitter couples in the broken, empty relationships where even affairs are just masturbation by proxy, and the infertile Assistant Captain who arrives onboard the station (although everyone keeps calling it a ship) unwittingly brings all the tensions to the surface. There's an asteroid headed for the station, an obvious metaphor for the proverbial lid that's about to blow among them, but it doesn't really play a part in all of this.
I had read the other reviews that warned not to expect Galaxy Quest, Spaceballs, Red Dwarf or other laugh out space comedies, and I'm not some neophyte cinephile unfamiliar with black comedy, but I had expected *some* laughs. I laughed once. More often than not, I was sad, which was more a testament to the performances. Billing this as a comedy, even a black comedy, is misleading.
To be honest, I'm not sure who this might be for: the sci-fi fans will be mostly disappointed, as will the comedy fans, and those looking some adult psychodrama might be confused by the retro-future setting.
This is probably one of the stranger movies I have ever seen but I liked it. It is not, however, in any way a comedy and the trailer is hugely misleading.
Basically, and bizarrely, this story, about unhappy and lonely people, is staged in a 70s style space station. The acting is fantastic (absolutely everyone is good) and the sound track is delicious, but there is absolutely no comedy, apart from strangeness linked to the setting and a few gimmicks, (all done in the first 5 minutes).
The film is even a bit depressing. But, as I mentioned before, I liked it. It's almost like a strange hallucinogenic trip.
Basically, and bizarrely, this story, about unhappy and lonely people, is staged in a 70s style space station. The acting is fantastic (absolutely everyone is good) and the sound track is delicious, but there is absolutely no comedy, apart from strangeness linked to the setting and a few gimmicks, (all done in the first 5 minutes).
The film is even a bit depressing. But, as I mentioned before, I liked it. It's almost like a strange hallucinogenic trip.
I went into this not wanting to watch it - and was left a little perplexed by the dislike for this film; as was my other half. I think part of it could be cultural and us Brits having a different sense of humour to Americans/Canadians (which is where this film has thus far been released).
Frankly, I found this a lot more entertaining than comedies like 'Bad Neighbors', 'This is the End', 'Pineapple Express', 'Hangover'... or basically anything with Seth Rogen, Jonah Hill or Michael Cera - these sort of films generally seem to unimpress me and make the rare list of things I end up turning off. I'm not saying they are terrible films... I'm just saying that *I* think they are terrible utter rubbish 'movies' (or rather, polished turds) that should have never been made. Again; probably my different sense of humour, contrastive to a lot of reviewers here who have echoed similar thoughts about Space Station 76.
Now, Space Station 76 isn't paced to have you laughing at every second - and it is deliberately slow as a film; rather, it's a window into daily life in space coupled with awkward discourse and events amongst the small community on the ship. It's evident this is going to end up as more of a cult movie: it deserves to be.
The sets are wonderfully put together and create a consistent sense of galactic immersion, the acting is brilliant, the cast is filled with a lot of familiar faces from great films and the comedy delivers well. Yes, it might not all be inoffensive - but it's pretty brilliant.
This is a great movie the way it is. Things do get a little dry at either end of the film but it's forgivable.
Frankly, I found this a lot more entertaining than comedies like 'Bad Neighbors', 'This is the End', 'Pineapple Express', 'Hangover'... or basically anything with Seth Rogen, Jonah Hill or Michael Cera - these sort of films generally seem to unimpress me and make the rare list of things I end up turning off. I'm not saying they are terrible films... I'm just saying that *I* think they are terrible utter rubbish 'movies' (or rather, polished turds) that should have never been made. Again; probably my different sense of humour, contrastive to a lot of reviewers here who have echoed similar thoughts about Space Station 76.
Now, Space Station 76 isn't paced to have you laughing at every second - and it is deliberately slow as a film; rather, it's a window into daily life in space coupled with awkward discourse and events amongst the small community on the ship. It's evident this is going to end up as more of a cult movie: it deserves to be.
The sets are wonderfully put together and create a consistent sense of galactic immersion, the acting is brilliant, the cast is filled with a lot of familiar faces from great films and the comedy delivers well. Yes, it might not all be inoffensive - but it's pretty brilliant.
This is a great movie the way it is. Things do get a little dry at either end of the film but it's forgivable.
Reading the comments and ratings, this movie does not seem to be watched by the right people. I think the problem seems to be in the expectations and the movie being something different than what we are used to these days when you read the plot of the movie.
If you expect a normal sci-fi, where the sci-fi part is important for the story, it's not, it's just the setting. The cheap 70's sci-fi look is humor for me.
If you expect a comedy, with clear, loud jokes, or people being funny, it's not. I found the humor more in the irony and in the annoyingness and painfulness of the characters.
If you expect a spectacular blockbuster, it's not, it's almost more an art-house movie.
If you expect a serious drama, it's not, although it is about loneliness and emptiness in people.
So yes, I actually did enjoy it, because it was different and well made.
If you expect a normal sci-fi, where the sci-fi part is important for the story, it's not, it's just the setting. The cheap 70's sci-fi look is humor for me.
If you expect a comedy, with clear, loud jokes, or people being funny, it's not. I found the humor more in the irony and in the annoyingness and painfulness of the characters.
If you expect a spectacular blockbuster, it's not, it's almost more an art-house movie.
If you expect a serious drama, it's not, although it is about loneliness and emptiness in people.
So yes, I actually did enjoy it, because it was different and well made.
Did you know
- TriviaThe opening scene music is "Utopia" by Todd Rundgren, who is Liv Tyler's step-father. She was born "Liv Rundgren". In fact, there are no less than four Todd Rundgren tracks on the soundtrack, and receives a thanks in the credits.
- GoofsThe foam in Captain Glenn's bathtub changes from a lot, to none at all, to a lot again.
- ConnectionsFeatured in Zero Gravity: Making Space Station 76 (2014)
- SoundtracksInternational Feel
Written and Performed by Todd Rundgren
- How long is Space Station 76?Powered by Alexa
Details
- Runtime
- 1h 33m(93 min)
- Color
- Aspect ratio
- 2.39 : 1
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