Meurtres à Åre

This was a very watchable series. It's a much darker scenario than many others of Viveca Sten's novels or screenplays but still frothy enough not to be depressing.

Yes, there are cliches such as the maverick, suspended, female detective, a male cop whose home life is breaking down and a closeted gay guy but these are woven into the fabric of the story to make a coherent and easy-to-watch narrative.

The plots were fantastical at times with characters doing unexpected or downright dangerous things. A little too much intuition was used in the solving of the cases too. However, in the main, this was worth watching. I saw the lot over a couple of days and it filled in some time very enjoyably. I'd recommend it but don't expect "The Bridge" or "Forbrydelsen".

There are times when you come across a show that feels like a hidden gem-a real gold mine. Unfortunately, The Åre Murders isn't one of them.

While the series boasts a fine cast, strong direction, and breathtaking cinematography that enhances the overall experience, it somehow lacks the warmth of your typical Netflix and chill session. And I don't blame the visuals-the real issue lies with the story itself, which never feels truly resolute.

Viveca Sten is undoubtedly a fantastic crime thriller writer, with nearly 20 books to her credit and an international bestseller reputation. However, The Åre Murders leaves gaps that can't easily be ignored. At times, it feels like just another stretched-out episode of CSI-a simple story where characters are grieving, and that's about it. Nothing more, nothing less.

I am going to with a decent 6/10 for this one, you can skip this if you want to.

Cinematography and scenery is beautiful and lifts the crime series. We want to see more of this, maybe some episodes from the Norwegian border ? I live in Trondheim, Norway, and Åre is close to this city. Åre is the major alpine sports ski resort in Sweden and also popular place to visit by Norwegians. Åre is close to Norwegian border.

Now, about the series.

It is a more like a Crime Drama. The swedes are good at making "Dark Crime" TV series. The "Beck" crime series should serve as a benchmark for quality in the genre of crime series from Sweden. Despite financial backing from Netflix to create the series, it comes a bit short. Maybe I would expect it to be more scary and exciting. Instead, it feels a bit boring and drama oriented. Don't expect that much excitement in the series. There are some car chasing, but the overall script for possible future episodes of the series should focus more on less drama and more action.

Not that the series truly deserves a "7" but it has elements of good Scandi Noir quality just in a diluted version. First of all, the detectives / officers are not bright, a little unlikable and bland. Second of all, the storyline plots are better than the acting, but never get the attention they deserve. The plots are a little hastily wrapped up and the good acting of the supporting cast don't save the episodes.

Series like that need to have more than 10-12 episodes for the viewers to get accustomed to the flow, to the more number of crimes and a grasp in quality.

2010s Nordic crime series were much better aside the one and only stellar 2007 'Forbrydelsen'.

• Screenplay/storyline/plots: 6.5
• Production value/impact: 7
• Development: 7.5
• Realism: 7
• Entertainment: 6.5
• Acting: 7.5
• Filming/photography/cinematography: 7.5
• VFX: 7.5
• Music/score/sound: 7
• Depth: 6.5
• Logic: 5.5
• Flow: 6
• Police procedural/suspense mystery/thriller/crime/drama: 6.5
• Ending: 6.

Abusive husband busting through a hotel door with an axe to assault his wife and child? Sounds familiar. But it's just a throwaway scene in this rather odd procedural/Scandinoirish series. It's supposed to be a 5-episode season but it's more like two seasons of 3 and 2 episodes respectively, as they pertain to the investigations of unrelated cases. Brevity is the soul of wit or something, and kudos to the show for being efficient and economical. I admit I'm the first to gripe when shows pad the runtime with extraneous twists and goofy red-herrings. Here, however, the show goes to the inverse extreme since the investigations are so truncated and straightforward that their resolutions are banal; plus the characters don't get quite enough development to make an impression.