The Lunchbox
- 2013
- Tous publics
- 1h 44m
A mistaken delivery in Mumbai's famously efficient lunchbox delivery system connects a young housewife to an older man in the dusk of his life as they build a fantasy world together through ... Read allA mistaken delivery in Mumbai's famously efficient lunchbox delivery system connects a young housewife to an older man in the dusk of his life as they build a fantasy world together through notes in the lunchbox.A mistaken delivery in Mumbai's famously efficient lunchbox delivery system connects a young housewife to an older man in the dusk of his life as they build a fantasy world together through notes in the lunchbox.
- Nominated for 1 BAFTA Award
- 30 wins & 46 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
An old saying repeated in Ritesh Batra's charming The Lunchbox is that sometimes the wrong train will bring you to the right station. In this case, however, the train turns out to be a dabba (lunchbox), wrongly delivered by a dabbawala to a middle-aged government claims adjuster on the brink of retirement. It works out well even though, in reality, with about 5,000 dabbawalas in the city of Mumbai who deliver more than 130,000 lunch boxes each day, they rarely make a mistake. Written by Stefan Tomke in the mode of You Got Mail, Ila (Nimrat Kaur), a young housewife dutifully prepares a lunch for her emotionally distant husband every day and has it sent to him via the courier.
On the advice of her upstairs Auntie, Mrs. Deshpande (Bharati Achreka), Ila tries to have her husband notice her by putting more spice in the food. When it is wrongly delivered to Saajan (Irrfan Khan, Life of Pi), however, a series of unintended consequences unfold. What begins with a short note from Sajaan to Ila that "the food was salty today" develops into a series of exchanges passed back and forth in the lunchbox everyday in which the two open up to each other about their lives, memories, and their hopes and dreams for the future. A subplot involving Aslam Shaikh (Nawazuddin Siddiqui), an aggressively upbeat successor to Sajaan, adds a touch of humor to the proceedings but also serves to draw a contrast between himself and the grumpy Saajan.
Both Aslam and Sajaan become more endearing, however, as the film progresses. While the ending may thwart expectations if you are used to having all the pieces neatly fit together, The Lunchbox mixes food and romance in a very appealing combination, removing any doubt that Ila and Sajaan have moved to a new level. Impeccably acted and beautifully realized, the film provides an honest appreciation of what it is like to live in Mumbai without exploiting its poverty for Western audiences. Though the wrong train may indeed bring you to the right station, ultimately there is no wrong train and no right station. As The Lunchbox demonstrates, there is just the train and the journey, and it's all perfect.
On the advice of her upstairs Auntie, Mrs. Deshpande (Bharati Achreka), Ila tries to have her husband notice her by putting more spice in the food. When it is wrongly delivered to Saajan (Irrfan Khan, Life of Pi), however, a series of unintended consequences unfold. What begins with a short note from Sajaan to Ila that "the food was salty today" develops into a series of exchanges passed back and forth in the lunchbox everyday in which the two open up to each other about their lives, memories, and their hopes and dreams for the future. A subplot involving Aslam Shaikh (Nawazuddin Siddiqui), an aggressively upbeat successor to Sajaan, adds a touch of humor to the proceedings but also serves to draw a contrast between himself and the grumpy Saajan.
Both Aslam and Sajaan become more endearing, however, as the film progresses. While the ending may thwart expectations if you are used to having all the pieces neatly fit together, The Lunchbox mixes food and romance in a very appealing combination, removing any doubt that Ila and Sajaan have moved to a new level. Impeccably acted and beautifully realized, the film provides an honest appreciation of what it is like to live in Mumbai without exploiting its poverty for Western audiences. Though the wrong train may indeed bring you to the right station, ultimately there is no wrong train and no right station. As The Lunchbox demonstrates, there is just the train and the journey, and it's all perfect.
In an age when instant messaging, email, and various social media have made communication easier and quicker, debutant writer-director Ritesh Batra relies on scribbled notes tucked in tiffin boxes to deliver a charming, old-fashioned love story in The Lunchbox. There's a simple line in this sumptuous film that captures its essence beautifully: "Sometimes even the wrong train can take you to the right destination." It's a line that might help interpret the film's open ending, but one that also nicely sums up its unique premise.
I'm going with ten ratings for The Lunchbox. The greatest love stories are the ones that make you root for the protagonists to come together, despite their destinies. This film illustrates how love transforms the unlikeliest of people; it breaks down Saajan's walls and gives Ila the courage to fly. Treat yourself to The Lunchbox – it'll leave you with a craving to seek your own little happiness. Best film I've seen in a long time. Acting of Irfan 10/10 Film Rating - 10/10
I believe that this time LunchBox will surely make history in Oscars .
I'm going with ten ratings for The Lunchbox. The greatest love stories are the ones that make you root for the protagonists to come together, despite their destinies. This film illustrates how love transforms the unlikeliest of people; it breaks down Saajan's walls and gives Ila the courage to fly. Treat yourself to The Lunchbox – it'll leave you with a craving to seek your own little happiness. Best film I've seen in a long time. Acting of Irfan 10/10 Film Rating - 10/10
I believe that this time LunchBox will surely make history in Oscars .
The first glimpse of the movie , promises you that it is't a 'just another regular bollywood movie', its refreshingly Fresh and New.
The beauty of the entire film lies in the subtlety, whether be it the story, the the actors, characters their mannerisms(when their lips quiver on getting excited, their long and deep searching eyes, the half smiles on the edges, when Ila first time presumes her husband to have an extra-marital affair). Again all of these things are very much there without they saying it explicitly so.
Very rarely you come across a movie that moves at a comfortable pace, not trying to either rush or stagnate itself at any point. The TG for this movie is definitely not people across all age groups as the producers claim, but it's specially for those who are happy or contented without searching for that something extra in their everyday lives. It doesn't talk about any extra ordinary accomplishments of individuals, nor does it talk about destiny, life or happiness. It just talks about very simple human behavior, when it comes to falling in love.
The end may or may not disappoint you...its very subjective(personally I was a lil), but yea you can tailor your apt end based on whether you are a optimist or a pessimist.
The beauty of the entire film lies in the subtlety, whether be it the story, the the actors, characters their mannerisms(when their lips quiver on getting excited, their long and deep searching eyes, the half smiles on the edges, when Ila first time presumes her husband to have an extra-marital affair). Again all of these things are very much there without they saying it explicitly so.
Very rarely you come across a movie that moves at a comfortable pace, not trying to either rush or stagnate itself at any point. The TG for this movie is definitely not people across all age groups as the producers claim, but it's specially for those who are happy or contented without searching for that something extra in their everyday lives. It doesn't talk about any extra ordinary accomplishments of individuals, nor does it talk about destiny, life or happiness. It just talks about very simple human behavior, when it comes to falling in love.
The end may or may not disappoint you...its very subjective(personally I was a lil), but yea you can tailor your apt end based on whether you are a optimist or a pessimist.
To be able to write an involving story on something considered impossible is the hallmark of a good writer. 'The Lunchbox' is based on such a story surrounding the dabbawalas of Mumbai.
One mistake that brews a terrific relationship between two strangers, so delicately portrayed through the exchange of letters. There are only three actors in this film and each has delivered a stellar performance. None of them have many dialogues, but their expressions and motions depict their character in such an excellent manner, you wished there were even fewer lines! Irrfan proves with every new film that he in fact is the best 'Khan' of Bollywood and Nawazuddin can just not disappoint. He's used his GoW success to break into films such as this one and done justice to each role. Nimrat Kaur's simplicity throughout the film looks so effortless and yet so unbelievable for the Bollywood of today, which is ever so increasingly synonymous of excessive glamour and fashion.
Cinematography is average, but again, this isn't a 'visual' movie, it's more of a story. Direction looks great as Ritesh has been able to get the best out of his cast. Well, you'd have to try real hard to have Irrfan and Nawaz amidst your cast and yet churn a flop, but the director does deserve some credit.
In my opinion, this is the second best film of the year after Madras Cafe. I haven't seen Bhaag Milkha Bhaag though, so that might change things for me. Either way, this is in no way a bore or a drag as the film keeps you hooked onto the amazing story line and individual performances.
Enjoy!
One mistake that brews a terrific relationship between two strangers, so delicately portrayed through the exchange of letters. There are only three actors in this film and each has delivered a stellar performance. None of them have many dialogues, but their expressions and motions depict their character in such an excellent manner, you wished there were even fewer lines! Irrfan proves with every new film that he in fact is the best 'Khan' of Bollywood and Nawazuddin can just not disappoint. He's used his GoW success to break into films such as this one and done justice to each role. Nimrat Kaur's simplicity throughout the film looks so effortless and yet so unbelievable for the Bollywood of today, which is ever so increasingly synonymous of excessive glamour and fashion.
Cinematography is average, but again, this isn't a 'visual' movie, it's more of a story. Direction looks great as Ritesh has been able to get the best out of his cast. Well, you'd have to try real hard to have Irrfan and Nawaz amidst your cast and yet churn a flop, but the director does deserve some credit.
In my opinion, this is the second best film of the year after Madras Cafe. I haven't seen Bhaag Milkha Bhaag though, so that might change things for me. Either way, this is in no way a bore or a drag as the film keeps you hooked onto the amazing story line and individual performances.
Enjoy!
Lunchbox review: Note: Don't open this Dabba if you don't like slow paced movies!!
After a long time i have watched a Bollywood movie where in the movie makes you think about your life and how it can buzz past you before you realize it and that if you don't start to enjoy the small things like the bendi ki sabji, you will be made to eat Aloo Gobi every day (Just kidding) As they say in the movie "Sometimes the wrong train takes you to the right destination" ie Every cloud has a silver lining!!
The story revolves around a misplaced dabba (Trivia: Dabbawala's supposedly have a low error ratio, i.e "one mistake in 8 million deliveries."!!) Irrfan Khan has done a tremendous job both in acting and narrating the story. Nimrat Kaur(the Dairy Milk Silk girl!! ) and Nawazuddin Siddiqui fit their characters perfectly and have done a wonderful job portraying their roles. The only downside is that the pace of the movie is bit slow. But if they had edited it further it would have been a 1hr episode!
The Gujarati film "The Good Road" must have been really good to beat this to be the India's entry into the Oscars.
Rating: I will go with ☆ ☆ ☆ ☆ /★★★★★ for this wonderful film.
After a long time i have watched a Bollywood movie where in the movie makes you think about your life and how it can buzz past you before you realize it and that if you don't start to enjoy the small things like the bendi ki sabji, you will be made to eat Aloo Gobi every day (Just kidding) As they say in the movie "Sometimes the wrong train takes you to the right destination" ie Every cloud has a silver lining!!
The story revolves around a misplaced dabba (Trivia: Dabbawala's supposedly have a low error ratio, i.e "one mistake in 8 million deliveries."!!) Irrfan Khan has done a tremendous job both in acting and narrating the story. Nimrat Kaur(the Dairy Milk Silk girl!! ) and Nawazuddin Siddiqui fit their characters perfectly and have done a wonderful job portraying their roles. The only downside is that the pace of the movie is bit slow. But if they had edited it further it would have been a 1hr episode!
The Gujarati film "The Good Road" must have been really good to beat this to be the India's entry into the Oscars.
Rating: I will go with ☆ ☆ ☆ ☆ /★★★★★ for this wonderful film.
Did you know
- TriviaAged 46 at the time of the movie's release, Irrfan Khan (Saajan) was only seven years older than Nawazuddin Siddiqui, whose character (Shaikh) is the eager young office junior Saajan is training to replace him.
- GoofsAfter his marriage, Shaikh tells Saajan that on their first train ride together he got into the first class compartment without a ticket. However, during their first ride the train seat seen is that of the second class.
- Quotes
Saajan Fernandes: I think we forget things if there is nobody to tell them.
- ConnectionsFeatured in 59th Idea Filmfare Awards (2014)
- How long is The Lunchbox?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Chiếc Hộp Lạ Kì
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,000,000 (estimated)
- Gross US & Canada
- $4,235,151
- Opening weekend US & Canada
- $44,542
- Mar 2, 2014
- Gross worldwide
- $11,621,785
- Runtime
- 1h 44m(104 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content