Daglicht

When my brother suggested this movie to me, I actually didn't think I would enjoy it as much as I expected, since it was a movie my brother suggested and it was a Dutch movie. Those are two facts that cause me to doubt the quality of a film. But 'Daglicht' really amazed me.

From the beginning until the end of the movie I was completely sucked into it. The story was interesting at all times. Like every movie in this genre or every single episode of CSI, you think you have an idea what the clue will be. In this movie the direction is very clear, you know who was involved, but the finale was beyond my imagination and left me with my mouth wide open.

There were also some negative aspects of the movie, but I don't want to give any spoilers in this review because I want to give people the opportunity to judge the movie beforehand before they spend two hours of their lives watching it. For that reason, I will keep it vague by telling that there were some aspects and characters in the movie that really annoyed me and that there were still some questions unanswered at the end.

To close this review I want to mention the most positive thing of the movie; the cast. The children playing in the movie, the main character and (most of all) Ray were played magnificently. Usually I never judge the acting since it is always sufficient to me, but this is the first movie where I really noticed the difference between 'acting and acting'.

I give this movie an 8/10 because it is definitely better than the average Hollywood film I have seen in 2013!

This is a TV-level or TV-like "drama in family" movie about Iris Boelens, a young single mother and lawyer, contending with an autistic child and the discovery that she has a brother who is locked up for a double murder --and who has autism also. Not much action (violence) or action related suspense in this movie. It is mainly psychological drama and suspense (thriller, I guess) that originates from this lawyer's dogged search for the truth about her brother and family and the people who want to stop her when she decides to investigate his crime and get him new representation.

Whether or not you warm to this movie depends on whether or not you care about the central character in it and/or the subject matter. Therefore, whether or not you are sympathetic to Iris Boelens and the problems and mystery of her family. Iris is a busy woman, juggling a demanding job and problem child who has been suspended from school. Her mother has a cool, no-nonsense facade but one has a sense that deep down she perhaps cares. She is taciturn; doesn't want to give Iris any info about her newly discovered brother. This leaves Iris no choice but to turn to her trusty computer and perhaps the Dutch version of Google. The movie grows on you if you're patient and has an interesting ending that actually made me say "Sh!t, I didn't see that coming". Love, Boloxxxi.

Funny how someone described it as a "TV like" movie (what ever that means). Many European, actually all non-American, films do not rely strongly on aimless action sequences and special effects and zoom in on the story. Therefore they keep a steady pace, convincing real life characters and the story is mainly told through image appose to spoon fed by dialogue. They're less "loud" This story is well thought through, original with twisting plots. Superb acting by the international known cast (yes people there was a time when Monique and Derek were killin' it out there) and throat grabbing drama and suspense. See it if you can.

It's about when love turns evil. An attorney inadvertently finds out she has an autistic brother. Her mother has kept him under wraps for decades. He's serving time for murder. When she visits him she decides he's innocent. After some investigation into the matter she decides to spring him. She talks her boss at the law firm into taking the pro bono case and she's off! It's got some cliches that get a little tired, like everybody telling her to not investigate the matter any further, to what end people? Some of them, yes, they are heavily invested but only about half the people who try to thwart her investigation are. Other than that it's a great story using the device that the inmate can't speak for himself.

Screenwriters in all countries can learn a lesson from this remarkable thriller. Plot, characters, suspense and an indefinable quality, humanity.

Watching this film not only kept me guessing, even though you have a vague idea of where it is going, in a way that keeps you on edge until the very end. Sure, some of the "thriller" aspects are not up to the budgets of the best of Hollywood, but they work to the extent needed here.

The actors are top notch (though I doubt there are may hunks like Bo as hospital orderlies) and Fedja van Huêt, as Ray, in particular, does an excellent turn in his role.

If you want a thriller with something more, see this movie.