Fiction à l'américaine

American Fiction is a rightfully angry satire that gets a lot of laughs out of showing how the industry isn't as progressive as it thinks it is. What makes it even better is that it's also a surprisingly investing family drama that is exactly the kind of film it's complaining there aren't enough of.

The only thing that doesn't entirely land is the ending. It's still on point with everything the film has been saying for the past 2 hours and it is gloriously meta but it feels like it comes at the cost of an actually satisfying resolution to the character based drama it's been focusing on. Regardless, it's an interesting swing.

Jeffrey Wright is amazing in an all too rare leading role. It's the constant shock at how gullible everyone is, the glee in writing his parody book (which is visualised in a fun way) and the quieter moments of reflection. It offers further proof of his comedic talents and shows he can command the screen, though that was never in doubt.

With tons of charisma and a restrained sadness, Sterling K. Brown is really good, even if this performance doesn't feel Academy Award worthy. However, that's more of a general complaint with watching films after the nominations are announced since it adds a distracting and unfair disadvantage to any performance nominated.

Cord Jefferson makes an impressive debut with both his screenplay and direction. The writing has so much wit and the direction has the visual staging to back it up for some very clever gags. Laura Karpman's score accomplishes the difficult task of being a constant presence without becoming overbearing thanks to its calm and easygoing nature.

This is a very thoughtful and entertaining movie. My wife seldom comments much but even a day later she commented on how good it is.

Jeffrey Wright is professor and novelist Thelonious Ellison. His family and close friends call him 'Monk' in honor of the famous jazz musician and composer Thelonious Monk, who died in 1982 at the age of 64.

This Monk takes his writing novels very seriously but is not achieving much success. Meanwhile he encounters another author, a well-educated and well-spoken black woman. However when she reads a portion of her latest popular book, it is all broken English and black slang. He is taken aback, what is going on here?

At some point he decides to spoof the industry, he writes a novel of black characters who use reprehensible language and ghetto slang. He writes it as a joke with a made-up pen name. To his surprise and shock the publishing company loves it, they offer a big sum to publish it, and another company is jockeying for the movie rights.

Reflecting on the story I am a bit loss on how to explain the last half hour of it, but it is overall a very well-made and entertaining movie. Jeffrey Wright is superb in the role.

My wife and I watched it at home, streaming on Prime.

I was looking forward to this. It's as funny as I anticipated and didn't disappoint. I loved the humor, like the way Issa Rae talked about her book, then proceeding to read it. I remember how much and how often the theatre broke out in laughter.

It's a story of a black writer who is tired of society's tend to stereotypes so he writes a crappy novel with intention of purely just trolling, but people eat it up and it becomes a best seller. I think in a way, the movie itself is like that; it tries to divert away from what you'd typically expect from a black story, that sounds weird... from a story based on black characters lol. It reminded me of "The Photograph (2020)," an okay romance movie (with Issa Rae too) that I liked because of its portrayal of a love story between two Black individuals, where the essence of romance took center stage instead being overly focused on their race or any associated struggles.

Loved how it was directed, the subtle yet not so subtle instances of race even though Thelonious. The social commentary was done really well and did not need to be shoved down your face to be effective. The characters are very easy to get invested in, even the ones that are short lived. I've only seen Jeffery Wright in supporting roles but he really nails his performance as a lead here which was great.

It's a film that balances deep emotions with humor, a difficult feat to achieve. Loved how there's a lot going on without the movie feeling overly crowded. It seamlessly combines satire and social commentary with a compelling family drama, and surprisingly, they harmonize flawlessly. Despite not being fast-paced, the film feels tightly packed, dedicating time to explore both themes thoroughly. Moreover, the quick-witted dialogue adds an extra layer of brilliance. Undoubtedly, this stands out as one of my favorite films of the year. The anticipation I had for it was met, and it truly stands as a unique movie.

I had not heard of this movie before the lead-up to the Oscars, and I thought that it sounded like an intellectual endeavour that would be important to watch. What I didn't expect was that it would be so much fun - hilarious, in fact!

Jeffrey Wright was spot-on in his depiction of a frustrated academic getting in trouble with his liberal white colleagues and students for being blunt when talking about race. Outside of his job, he's generally grumpy with everything and everyone. But in watching what he has to deal with, we really can't blame him: modern America expects everyone to be ambitious and better themselves, but when Monk does this, he feels like a fish out of water and only gains fans when he pretends to be a "poor boy from the hood".

This movie addresses a lot of issues, covering homophobia, infidelity and grief, as well as racism, but it does so with a light touch. By focusing on characters and entertainment, it enlightens viewers without ever feeling like a lecture.

This was really good on so many levels. It was funny and thought-provoking and intelligent. I can see it landing a number of Oscar nominations, and not just so the academy can show off its new found diversity (although that would be fitting given the storyline and themes this movie tackles).

In short, Thelonius Ellison is a struggling author. When his latest book doesn't sell because it's not "black enough" he writes the most cliched black novel he can come up with, full of gang bangers and hoes. His agent submits it under a nom de plume and wouldn't you know, it becomes a best-seller. That's the bones of this story but it's so much more than that, as Ellison deals with an aging mother, an older brother who has just recently come out, and a new girlfriend. There's a twist towards the end of this movie that I won't spoil, but just suffice to say it made a good movie great IMO.