Cutie and the Boxer

I think the purpose of this film is to provide viewers insight on the life of a married couple. The mental and physical strain each partner experiences throughout the marriage. Also I think it was meant to show the life's of struggling artists. I think personally this couple is lacking affection and there actions show it for sure throughout the film. In the beginning of the film I got the feeling that art is what brought them together and toward the end I felt art is what is keeping them together. Watching this film made me appreciate art more.I really enjoyed the significance of the film which felt was the couple it's self.

It was the perfect title name. Cutie (Noriko) is an illustrator and her husband Bullie (Ushio) is 20 years older than her who is a craft maker live in New York city. Usually documentaries about successful people would consider as inspiration. But this movie features two Japanese born couples who are masterful in art and crafts and their unsuccessful career. A good opportunity for us, a lesson to learn from their mistakes in life. Simultaneously, their relationship inspires about how to share happiness as well to face the worst situations.

This movie won't only tell about the art and crafts, but also the romantic life. Especially it clearly denotes the difference between east and west regarding relationships. Married life is full of ups and downs, taking part in all the situation together is a true commitment. In this movie, it explains very nicely those subplots alongside main theme. When Bullie was in a trouble Cutie gave a solid support, that is what every man asks for. They too had small-small fights sometime big. In the west, that is enough one to get divorced.

This story is set when Bullie celebrates his 80th birthday. It was amazing to know their 40 year relationship stood unbreakable. But what I bothered was their son Alex who was totally discarded in between these two's life's struggles. Too bad that he became alcoholic like his father that led him failure in life. This movie won't tell much about Alex, he appears only for a few minutes. At those times it is clearly understandable about failed parenting.

Success won't only come from the true dedication, sometimes it depends on others too. It requires identifying their talent and give an opportunity to work and right value for their products. This couple's talent was not recognized due to the people of society who are unfamiliar with this kinda art. I believe if they would have lived those 40 years in Japan it would have been different lifestyle they could experienced. Only the time and place they had was wrong.

8.5/10

This is a stunning film for several reasons: Foremost, it is a convincingly honest portrayal of the life of two artists. I cannot recall a film that got the life of an artist right—without an agenda, without false sentiment, without noticeable dishonesty. As a writer I felt I fully understood what Heinzerling managed to convey about the Shinoharas' personal visions without his having to resort to the conventional format of most documentaries. Second, the film is a totally engrossing portrait of a complicated relationship. Unlike most films about famous people, there is no narration here telling us what to think of Ushio and Noriko. They speak for themselves. They reveal themselves, for better and occasionally for worse. I usually resist films that are charming but this one has charm that is utterly irresistible. Third, the film casts light on the kind of work these artists do and have done. Fourth, we get to see the artists when they are not creating; that is, we get to know a little more about their inner lives and their external activities. Fifth, the artists themselves are utterly compelling personalities.

Age is a funny thing. Most days I really feel my age, but from outward appearances, most people guess well below my actual years.

As we age, we tend to think of dying and disease. One of the partners in a marriage is usually suffering more than the other. You have to sometimes forget your troubles to tend to the other.

This film is about a married couple who have reached that point in their lives. We see how they see themselves and their partner. Noriko willingly made sacrifices for Ushio, but now she wants to develop her own interests.

The dance between these two artists is fascinating, tender, and sometimes loud, but never boring.

I was expecting a movie about a brilliant but not really well known artist and the woman behind him. I was expecting the movie to explore their long relationship. This is what I got, but what hit me from left field was how the movie focused on boxing painter Ushio Shinohara's wife Noriko, as she used the film (and her art) to pent her frustration of her life being over shadowed by a semi self destructive genius.

It was an interesting story of a young girl who leap into her ideals without looking and more so fell in love with an ideal that embodied Ushio Shinohara.

Cutie and the Boxer gives off a strange feeling. It's a downer without being depressing. She never gives the impression that you should feel sorry for her. After all, she lived her dreams, it just did not turn out as she thought it would. I'm sure a lot of artist feel the same about their struggle.

It's a brilliant movie about two struggling artist both financially emotionally and in the case of Cutie artistically.

And I love how the filmmaker allows the narrative to tell most of the story with very little voice over or interview. He points the camera at Cutie and The Boxer and lets it tell the tale with inter cuts of home movies archive footage and moving graphics of Cutie's Art. I learned so much about the couple in this matter and it was clear without adding too many traditional documentary device.

Definitely, one of the most interesting subjects I've seen for a documentary.