IMDb RATING
8.1/10
3.7K
YOUR RATING
Two different students - a successful but aloof academic and a rebellious but kindhearted delinquent - form a friendship through their love for music.Two different students - a successful but aloof academic and a rebellious but kindhearted delinquent - form a friendship through their love for music.Two different students - a successful but aloof academic and a rebellious but kindhearted delinquent - form a friendship through their love for music.
- Awards
- 1 win & 2 nominations total
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A perfect coming of age story and love letter to Jazz and friendship. I loved the characters. The drama was realistic and believable. None of the 12 episodes was wasted and each one led the characters through growth and challenges. Growth and challenges aside, the characters themselves are compelling with interesting backstories and motivations. The soundtrack is amazing and the animators nailed the characters playing their instruments - extremely impressive. I would recommend giving this show a watch - it touched me and I have rewatched it since my initial viewing.
Much more emotional and earthly than Shinichirō Watanabe's previous works... why, yes there are several reasons for that....first ,the characters are high school students ,more like makato sinkai's characters...second ,they show a deeper level of love and friendship among them which is very naive ... third, the music and the soundtracks used in the whole series...
Yoko Kanno joined Watanabe for the third time and together they created a magical musical journey... direction is not edgier as that of cowboy bebop or samurai champloo but still its great... highly recommendable... my ratings-9/10
Yoko Kanno joined Watanabe for the third time and together they created a magical musical journey... direction is not edgier as that of cowboy bebop or samurai champloo but still its great... highly recommendable... my ratings-9/10
Shinichiro Watanabe is as close to a cult anime director as you get and with Kids on the Slope he addresses directly the stylistic thread that runs through everything he does, music.
Kaoru Nishimi is the buttoned down, classically trained protagonist, carrying his emotions bundled up in his suitcase through an endless carousel of schools and communities. Never having time for friends or even acquaintances, and drawing his only pleasure from the structured performance of classical piano. The series begins with the door to his sheltered existence creaked open by the self-styled drummer Sentaro Kawabuchi. In a cacophony of fists, romance, and blaring jazz, Sentaro awakens Kaoru to the wonders of expression.
Shinichiro Watanabe, along with composer Yoko Kanno, has sketched a nostalgic portrait of 60s Japan, and in what i'm sure are touches of autobiography shown an adrift young man find a home in the beautifully flawed world of jazz. Watanabe draws his characters with a loving hand, appreciating nuance and weakness as part and parcel, however this adoration can sometimes come across as sentimentally watery. But the show is made with a joy that leaps out from every vivid image and roaring musical number, that would suppress any criticism in sheer enthusiasm.
Drawing from the American Beatniks and his own experience Watanabe produces a delicate character play enriched by one of the finer soundtracks i've heard.
Kaoru Nishimi is the buttoned down, classically trained protagonist, carrying his emotions bundled up in his suitcase through an endless carousel of schools and communities. Never having time for friends or even acquaintances, and drawing his only pleasure from the structured performance of classical piano. The series begins with the door to his sheltered existence creaked open by the self-styled drummer Sentaro Kawabuchi. In a cacophony of fists, romance, and blaring jazz, Sentaro awakens Kaoru to the wonders of expression.
Shinichiro Watanabe, along with composer Yoko Kanno, has sketched a nostalgic portrait of 60s Japan, and in what i'm sure are touches of autobiography shown an adrift young man find a home in the beautifully flawed world of jazz. Watanabe draws his characters with a loving hand, appreciating nuance and weakness as part and parcel, however this adoration can sometimes come across as sentimentally watery. But the show is made with a joy that leaps out from every vivid image and roaring musical number, that would suppress any criticism in sheer enthusiasm.
Drawing from the American Beatniks and his own experience Watanabe produces a delicate character play enriched by one of the finer soundtracks i've heard.
Its seriously an amazing anime. its one of my favorites! but sadly it is very overlooked and underrated. The reason i tried this in the first place is because i was watching all the generic anime like Naruto, Attack on Titan, Soul Eater, and the like and i just wanted to try something different, specifically dramas. But the thing is i hate the kind where people get dramatic over little things like "You stole my hair brush!Jason's hair was in that brush! You're going down!!!" god! i don't know why anyone would like that. This on the other hand is a really down to earth, feel good, coming of age drama with likable characters. Just give it a try!
As an older person who isn't into anime I have nevertheless watched all of Watanabe's works and find this one to be my absolute favourite. Don't be put off by the fact that Cowboy Beebop or Samurai Champloo are more popular and highly rated than Kids on the Slope. This has probably got more to do with the fact that you are more likely to appreciate Kids on the slope if you have a passion for music and know how it can bring people together. It also helps if there is some distance between your school days and now, as older people have a much warmer place for that period in their life and know to place a higher value on it.
This show works wonderfully well as a 4 hour movie and manages to capture the naivety, innocence and passion of youth in all it's charming glory. Personally, having changed schools and countries throughout my childhood, as well as loving music, and having experienced the way music always made new friends for me, some which still last to this day, I can say that this series is overwhelmingly powerful and true in every sense. To laugh and cry with a smile on your face and remember the first time you heard Bill Evans, Miles Davis, or the rhythm section on Coltrane's My Favourite Things and be shocked by beauty once again.
If any of this sounds familiar to you, buy it, watch it. And then watch it again every year or so.
This show works wonderfully well as a 4 hour movie and manages to capture the naivety, innocence and passion of youth in all it's charming glory. Personally, having changed schools and countries throughout my childhood, as well as loving music, and having experienced the way music always made new friends for me, some which still last to this day, I can say that this series is overwhelmingly powerful and true in every sense. To laugh and cry with a smile on your face and remember the first time you heard Bill Evans, Miles Davis, or the rhythm section on Coltrane's My Favourite Things and be shocked by beauty once again.
If any of this sounds familiar to you, buy it, watch it. And then watch it again every year or so.
Did you know
- TriviaThe series title "Sakamichi no Apollon", means "Apollo of the Slope". Apollo is the Greek god of music.
- Crazy creditsEach episode is named after a jazz song.
- ConnectionsFeatured in WatchMojo: Top 10 Slice of Life Anime (2018)
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Аполлон зі схилу
- Production companies
- See more company credits at IMDbPro
- Runtime
- 24m
- Color
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