Bookworm

Much of what kept me watching this film was seeing Elijah Wood, carrying a backpack, tramping about the glorious scenery of New Zealand once more. It was not so long ago when he played a hobbit... I agree with reviewers that this film falls apart half way through, and the ending feels horribly forced. The acting is competent as are the technical elements, but the characters are caricatures and I found myself not really caring about them. There's a bit of unnecessary dialog at the end that's totally inappropriate for young viewers. Starts off with some good ideas but, like the trek in the film, completely loses its way.

One of those film oddities where, at the halfway point, you get an entirely different second movie. The first movie, which fills the first 50 minutes, is a genuinely interesting father-daughter roadtrip romp, with the daughter (Fisher) gettting the best lines: (dialog) "Am I still dreaming .. or did a 42 year old man really just wake up an 11 year old girl to tell her that he heard a creepy sound in the night?" Wood, late in his career, still has star power and the vibe between the two is solid. Then the tone changes and, much to the chagrin of the N. Z. Dept. Of Tourism, a friendly couple encountered while camping turns out to be anything but. The two halves of the film do not match, and the sour notes of the second half suck all the joy out of the first half. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

I really wanted to like this, but nothing in this movie fits quite right. The child actress tries so hard, but her acting feels forced. The quirkiness of the whole premise doesn't resonate with the audience, unfortunately.

If they had incorporated more elements related to the title-like her being an actual bookworm-it might have created some meaningful connections and depth. Sadly, there's nothing here to tie the title to the story in any real way.

I'm not sure what the budget was, but it seems like most of it went into the panther CGI. Elijah is, well, Elijah-but even his performance doesn't add much value to the production. None of the characters are particularly likable or funny enough to carry the film. Overall, it's a disappointing watch.

Very unusual movie with Elijah Wood (Hobbit) as a very bad magician father hoping to redeem himself to his estranged daughter while her mother is recovering in the hospital from an electrical shock accident. Nell Fisher (Mildred) is obsessed with proving a unique panther is roaming around the jungles and hopes to win 50000 dollars for proof of its existence. So the two of them, father and daughter go out on a journey to get a video of the elusive creature. The dialog is a bit strange, and Strawn Wise the father (Wood) is not to good at anything especially bravery. So it's kind of an offbeat redemption story of sorts. Nothing questionable, no nudity or violence, some rather stupid parts , but all in all it's an "ok" story and film. More for younger kids so don't expect much for adults. Enjoy.

Now, vanity projects can be good in theory, but this is decisively not one of those. Even for a movie about a circus magician, it relies on contrivances beyond any reason - from an implausible accident which sends Mildred's mother into a coma at the start of the narrative to the ludicrous complications introduced in its 2nd half - to be capped off with the similarly contrived ending.

It's hardly worth it to put up with those contrivances for the sake of (fairly flat) humour or characterization either. In particular, the pair of completely transparent villains have no real rational reason to be where they are, and are merely a vehicle for cheap drama and cheap jokes - whichever the script calls for at the time. While the scenes where tricks by Wood's character (Strawn Wise - had to look it up now) repeatedly fail to impress highly skeptical and rationalistic Mildred do get a chuckle, the overall father-daughter drama is fairly cringey.

And it really doesn't help that while Mildred has definite reason to dislike the absentee father, she ALSO never seems to either particularly like her mother, nor care for her well-being after the accident beyond the most cursory manner. Her fate matters so little to the narrative she is eventually forgotten entirely and never brought up again - something which I wish would happen to this film as well.