10 years after a global economic collapse, a hardened loner pursues the men who stole his only possession, his car. Along the way, he captures one of the thieves' brother, and the duo form a... Read all10 years after a global economic collapse, a hardened loner pursues the men who stole his only possession, his car. Along the way, he captures one of the thieves' brother, and the duo form an uneasy bond during the dangerous journey.10 years after a global economic collapse, a hardened loner pursues the men who stole his only possession, his car. Along the way, he captures one of the thieves' brother, and the duo form an uneasy bond during the dangerous journey.
- Awards
- 3 wins & 19 nominations total
Frank C. Sun
- Acrobat 1
- (as Chen 'Frank' Sun)
Featured reviews
THE ROVER is a quirky and interesting little Australian movie detailing the collapse of society after a major economic collapse (thus making it an extremely timely movie in these financially-wary years). That it manages to successfully depict a post-apocalyptic world of sorts on what is obviously a limited budget is testament to the skill of the director and his crew, particularly the location manager and set designer.
This is a slow and sombre production with shades of SNOWTOWN and THE ROAD, although unlike MACBETH, which I watched the day before, it's never boring or dull. The story is sparse and drawn out, as this is a real slow burner of a movie, and yet at the same time it keeps you gripped to the screen. It helps that the ever-underrated Guy Pearce is cast in the lead role and gives a typically engrossing portrayal of a flawed man with a single-minded purpose.
There are some brief action sequences in this film and even something approaching a car chase, but it's not really an action movie. It's more of a suspense thriller with the tension gradually building as things approach a devastating climax. And, it surprises me to admit it, by far the best thing in the film is the acting of the young lead, Robert Pattinson. This guy is completely unrecognisable as the guy who played Edward Cullen in the TWILIGHT series. He's quite brilliant, giving a wonderfully mannered and sympathetic performance of a simple man who ends up being used and abused by everyone around him, and his performance comes out of nowhere. It's as though Pattinson was bored with the plastic TWILIGHT films and wanted to do something the polar opposite in order to prove his worth as an actor. Well, he successfully does that, and then some; his performance is outstanding, and made the film for me.
This is a slow and sombre production with shades of SNOWTOWN and THE ROAD, although unlike MACBETH, which I watched the day before, it's never boring or dull. The story is sparse and drawn out, as this is a real slow burner of a movie, and yet at the same time it keeps you gripped to the screen. It helps that the ever-underrated Guy Pearce is cast in the lead role and gives a typically engrossing portrayal of a flawed man with a single-minded purpose.
There are some brief action sequences in this film and even something approaching a car chase, but it's not really an action movie. It's more of a suspense thriller with the tension gradually building as things approach a devastating climax. And, it surprises me to admit it, by far the best thing in the film is the acting of the young lead, Robert Pattinson. This guy is completely unrecognisable as the guy who played Edward Cullen in the TWILIGHT series. He's quite brilliant, giving a wonderfully mannered and sympathetic performance of a simple man who ends up being used and abused by everyone around him, and his performance comes out of nowhere. It's as though Pattinson was bored with the plastic TWILIGHT films and wanted to do something the polar opposite in order to prove his worth as an actor. Well, he successfully does that, and then some; his performance is outstanding, and made the film for me.
The world is reeling from an economic melt down. Society hangs on precariously in a state of lawlessness. Following a botched bank robbery a man's car is stolen. This is his story of getting his car back.
The main character is hardened, non communicative and solely dedicated to the task of getting his car back. What follows is a violent road movie with one of the most unlikable, grumpiest heroes of all time.
Despite being a total douche I did start to warm to the character. This is a clear indication of how well made the movie is. Guy Pierce is great, which is just as well as he is tasked with shouldering most of the load.
The world is grubby, squalid and dangerous. Yet it has an element of realism about it. The police desperately try to keep order in a world where most people have all but given up.
An enjoyable watch with a beautifully bitter ending.
The main character is hardened, non communicative and solely dedicated to the task of getting his car back. What follows is a violent road movie with one of the most unlikable, grumpiest heroes of all time.
Despite being a total douche I did start to warm to the character. This is a clear indication of how well made the movie is. Guy Pierce is great, which is just as well as he is tasked with shouldering most of the load.
The world is grubby, squalid and dangerous. Yet it has an element of realism about it. The police desperately try to keep order in a world where most people have all but given up.
An enjoyable watch with a beautifully bitter ending.
This film tells the story of a desperate and lonely man whose car is stolen. He goes to extreme lengths to recover his car, killing many people along the way.
"The Rover" is compared to "The Road", which I really enjoyed. "The Rover" tries to create the desolation and desperation in "The Road", but it doesn't quite work. Where the story is going is not clear in the film, and hence it looks as if Guy Pearce's character is a mad man going on a killing spree because someone has done him a little wrong. The pacing is super slow, and therefore it doesn't captivate my interest. Do the characters really need two minutes to walk from a car to a house? That is really dragging screen time unnecessarily.
The only redeeming feature is the performance of Robert Pattison. I thought he was just a pretty face that made it big because of a wildly popular series of films. In here, he gives a memorable as a mentally challenged young man. If only the rest of the film is as good as his performance!
"The Rover" is compared to "The Road", which I really enjoyed. "The Rover" tries to create the desolation and desperation in "The Road", but it doesn't quite work. Where the story is going is not clear in the film, and hence it looks as if Guy Pearce's character is a mad man going on a killing spree because someone has done him a little wrong. The pacing is super slow, and therefore it doesn't captivate my interest. Do the characters really need two minutes to walk from a car to a house? That is really dragging screen time unnecessarily.
The only redeeming feature is the performance of Robert Pattison. I thought he was just a pretty face that made it big because of a wildly popular series of films. In here, he gives a memorable as a mentally challenged young man. If only the rest of the film is as good as his performance!
The Rover is an anti-blockbuster mainly because of its rhythm : it is very slow, therefore preventing many people to stick to it while watching it.
What you get here is not some amusement but rather gives material to think. We're not escaping from existence, like with e.g. Gravity, Hunger Games or whatever acclaimed propaganda. And it is quite disturbing as the more we go on watching the movie, the more we confront with some reflections about our time : there's no more gods, no more laws and we're getting increasingly isolated. Just the gruesome reality. People are striving to survive and protect what is theirs (always material things), though remains some hints of optimism - and Pattinson is playing quite well on this regard.
What you get here is not some amusement but rather gives material to think. We're not escaping from existence, like with e.g. Gravity, Hunger Games or whatever acclaimed propaganda. And it is quite disturbing as the more we go on watching the movie, the more we confront with some reflections about our time : there's no more gods, no more laws and we're getting increasingly isolated. Just the gruesome reality. People are striving to survive and protect what is theirs (always material things), though remains some hints of optimism - and Pattinson is playing quite well on this regard.
What a bleak future this film portrays.
Felt like an apocalyptic Western meets old school Road Warrior. Filmed in the Australian desert, I think they could have financed this film from loose change at starring actors Guy Pearce and Robert Pattinson's houses.
Without a doubt the best performance from Robert Pattinson I've seen. Granted, I've not seen too many Pattinson films but he does a really good job of playing the half wit brother of one of the dudes jacked Guy's car.
Mysterious drifter shows up at the filthiest, dingiest outback pub in Australia just for a glass of water. Three shot up dudes in a truck crash outside the pub, steal his car and he will stop and nothing, nothing to get it back.
It's a wonderfully dreary world in which this film is set. Everyone is so dirty. They should get an Oscar for make up when all the actors did was not shower for what looks about three months.
Lots of long shots, tension filled chords supply the majority of the soundtrack.
I really dug it. Most folks are gonna hate it. Very gritty. Very dirty. Very violent. Very non-Hollywood.
It's a nice piece of cinema. And there's a midget.
Felt like an apocalyptic Western meets old school Road Warrior. Filmed in the Australian desert, I think they could have financed this film from loose change at starring actors Guy Pearce and Robert Pattinson's houses.
Without a doubt the best performance from Robert Pattinson I've seen. Granted, I've not seen too many Pattinson films but he does a really good job of playing the half wit brother of one of the dudes jacked Guy's car.
Mysterious drifter shows up at the filthiest, dingiest outback pub in Australia just for a glass of water. Three shot up dudes in a truck crash outside the pub, steal his car and he will stop and nothing, nothing to get it back.
It's a wonderfully dreary world in which this film is set. Everyone is so dirty. They should get an Oscar for make up when all the actors did was not shower for what looks about three months.
Lots of long shots, tension filled chords supply the majority of the soundtrack.
I really dug it. Most folks are gonna hate it. Very gritty. Very dirty. Very violent. Very non-Hollywood.
It's a nice piece of cinema. And there's a midget.
Did you know
- TriviaRobert Pattinson stated, that after the Twilight series ended he knew he had to play these kind of roles to avoid getting typecast, and that he wanted the role so much, that in the days leading up to the audition, he even dreamt of his character Rey. When he was at David Michôd house for the audition, he couldn't start to actually play the character for 45 minutes because he had so much anxiety.
- GoofsAll entries contain spoilers
- ConnectionsFeatured in Something Elemental: Making the Rover (2014)
- SoundtracksMeak Mer Nov Odor Meanchhey
Written by Mala Pei/ Sam Sakhan
Performed by Savy Heng and James Cecil
Licensed courtesy of Cambodian Dept. of Copyright & Related Rights
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- El Cazador
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $12,000,000 (estimated)
- Gross US & Canada
- $1,114,423
- Opening weekend US & Canada
- $69,302
- Jun 15, 2014
- Gross worldwide
- $2,510,007
- Runtime
- 1h 43m(103 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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