The Last Will and Testament of Rosalind Leigh

This, my fellow movie watchers, is where we catch a glimpse of true artistry. Most of us know that the reason that the horror genre gets such terrible ratings most the time is because we've all seen the same crap over and over again. And it gets old after a while. We can thank directors like Alfred Hitchcock for making practically every original thought for horror films. But dare I say it, I should emphasize the "practically." This movie, was awesome. It didn't try to pull every popular string to draw the mainstream audience in (that is addicted to seeing the same trash show up over and over again and call it "scary") and it didn't seek to simply get views and something to watch once to say you did to all your friends. This film actually requires the audience to work. I know, daunting task right? Almost a horror in itself. But come on, aren't we a little tired of just having most if not all the answers come to us, with very few questions asked? This film shot down the traditional and gave us a little originality, something that is VERY hard to find. Give it a watch and see for yourself. SPOILER ALERT: Yes, the ending is abrupt. Yes, it may leave you wanting more. But isn't that an amazing feeling? Tell me another recent film ESPECIALLY in the horror category that actually left you wanting a sequel? I can't name one. I doubt I could even name one if I gave it some thought, which I won't bother to do because like my belief in God I have faith that the horror movies I've seen lately excluding Rosalind Leigh seriously suck and aren't worth remembering. Trust me, I am hard on movies.

If you like both a film that asks you questions and is deeply metaphorically and religiously compelling, watch this movie.

This movie has a very low rating, one that it does NOT deserve. As this movie is more of a suspense building religious horror film designed for people who are interested in watching an intelligent "Hitchcock style" film that will grind on your nerves and make you look twice in the shadows. I am afraid that many viewers were expecting a slasher style blood and guts jump-scare movie. Not so with this one. Ghosts, demons and dark iconology scare the viewer into a dark place. This is a good film, one that achieves its goal of installing terror and making you think about it afterwards. Bravo to the director on creating something unique in a genre overrun with splatter fest and cheap gore.

Watch this one if you have a keen intelligence and want something different.

let's face it, the majority of horror movies out there just aren't that scary. so, if you're a horror fan - ask yourself this question:

When was the last time I watched a horror movie that ACTUALLY gave me the chills?

if you came up with a movie or two that truly got under your skin at one point or another during the film(s), you know that those involved with those movies are true horror fans. The Last Will and Testament of Rosalind Leigh is also one of those types of horror movies.

for his first go at a full length, Rodrigo Gudiño let everyone know that he's here for one reason only: to strike genuine fear via filmmaking. granted, the premise is something you've seen a million times. without saying too much, the premise is the straight forward 'Alone In the House' approach. which usually is an indicator that the movie you are about to see is something you'll forget about five minutes afterwards because you've seen it a million times.

if you can appreciate the technical side of filmmaking, then you can appreciate the way The Last Testament was made. speaking honestly, i can say that about five minutes in i already judged this movie with a "Yep. Here we go. AGAIN..." attitude. i imagined a bunch of first year film students critiquing every shot and pointing out technical 'mistakes' with such aspects like lighting, camera work, acting, this, that, and whatever else they bore each other with.

but there's something to keep in mind: Gudiño focuses on the story. he puts all his eggs into the first step in filmmaking - writing a good story FIRST, then move along to the other stuff. which doesn't always apply to horror movies (although, sometimes that's not a bad thing.) this story is the most important part. so if the snarky film students point out every little rookie mistake with the filmmaking process of a rookie first film, so be it. in ten years, the jokes on them. in ten years they'll realize Gudiño's first attempt was only his warm up. his foot in the door. while they're sitting around forcing out critiques and secretly wishing they were in Gudiño's director chair.

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Bottom line - deeply atmospheriс, very touching, mystic and dramatic movie with a horror flavor. Close by the aftertaste to Insidious and Sinister, little below on the horror scale, and a bit up on intellectual. Don't expect massive effects, it is definitely not about it.

I loved this slow pace, rich decorations, brave camera angles and the sound work. Finally not only boom-sound effects! Just a subtle squeaking wood under one's feet in an old empty house - that's a kind of scare I was looking for. The art of attention to details is here again.

I can agree that The Last Will and Testament of Rosalind Leigh didn't untap all the potential it has uncovered. Surely not because of lacking substance.

I rather believe that the author wanted to say way more than runtime allowed to - on religion, obsessions, mother-son relationship, on religion and loneliness.. Or may be he left the space for our imagination by intent. Whatever the reason the more interesting it will be to see next works from Rodrigo Gudino I'm definitely subscribing to.

I don't know what other users expected or wanted to see...But I actually liked this one.

Gudiño's first shot at not shorts. He quite nailed it! Gudiño takes us into the very self of his characters; we get to know them, to feel what they felt.

Guy enters mother's home in hopes of selling, because she has passed away; guy starts to feel, hear, see things...It looks like the very same formula, but, Gudiño takes it one step up, if not a couple more.

Innovation finally arrives in this genre. A great start to build a pretty good future for Gudiño.