Mister Babadook

A single mother (Essie Davis), plagued by the violent death of her husband, battles with her son (Noah Wiseman)'s fear of a monster lurking in the house, but soon discovers a sinister presence all around her.

Some people find this film terrifying, some just find it eerie. If nothing else, it stands out as original. Writer-director Jennifer Kent hits a home run, taking what she learned from her very unusual film school (watching Lars von Trier) and incorporating it here. But it is so much more than good direction and excellent framing.

This is a film that could fail if the elements were off. If the creature effects were cheesy, it would not be as scary. If the mother was not as convincing, it would not be so emotional. And Noah Wiseman? Wow. Few child actors are able to perform on this level. The last one with this much talent that comes to mind is Chloe Moretz. Give this kid more roles, and give them to him now.

I really enjoyed this film, its dark and unnerving without resorting to loud bangs or "found footage" style filming to get its scares.

Low budget and well shot, the film leans on the power of suggestion and tone to create a film which has a sense of unease throughout, tonally like the Exorcist, where there is this underlying feeling of dread and helplessness

The scares are not spoon fed, so this won't be for everyone, if your brand of horror is purely just modern films like Insidious or the recent Annabelle - then this might not be for you.

One of my favourite films of the year.

While "The Babadook" may display some of the hallmarks of the traditional horror film, there's a lot more going on here than meets the eye. Far from the typical Hollywood bloodfest so brilliantly satired in "Cabin in the Woods," this film's characters are layered, its plot is mercurial, its actions are metaphorical, and its conclusions are ambiguous. All this is likely to disappoint those filmgoers who need to be spoonfed a formula. But if you're a film lover, Do. Not. Miss. This.

Director Jennifer Kent understands what most horror filmmakers fail to grasp: that our biggest fear isn't of crazy killers or monsters or ghosts, but of ourselves—what lives inside us, the emotions we have to live with, the illusory veil of self-control.

The plot revolves around a mum, her troubled son and the book he pulls off the shelf one night. But you already know too much. This is one film where knowing less going into it will really pay dividends. Really, don't even watch the trailer.

Just know that the storytelling and craft are flawless. Essie Davis delivers one of the most challenging performances put to screen with total commitment and credibility. Kent's storytelling is utterly absorbing and she so delicately treads the line between what's real and what's not that you can never be sure of yourself.

What you make of "The Babadook" will depend on who you are. You might take it at face value, as a creepy monster flick with all the constant threat and looming dread and shocking moments. You might take it as an attempt to capture the authentic experience of mental illness. You might take it as a symbolic story using a metaphor for grief and loss. The best films make you feel something and allow you the room to make sense of it yourself.

Personally, I thought about this film for days after seeing it, both because of its ambiguity and because of the themes it explores, namely mental illness and domestic violence. Yes, it's scary. But it's also touching and heartbreaking. While "The Babadook" belongs alongside other great psychological horror films, like "The Innocents" and "The Haunting" (1963), to classify it purely as "horror" really belittles its accomplishment as a film that challenges us to examine and discuss issues we are very uncomfortable tackling in reality.

Why are so many of the reviews here giving this a 9 or 10 taking the time to insult everyone who feels otherwise? I get it with movies based on superheroes or popular book series -- they have rabid fans who lash out. But why this? It's just a horror movie. And, honestly, an overrated one. I'm not saying its bad. It's actually a good watch. But the praise is pretty over the top. It's a well-crafted movie of its type but not an instant classic or any of that hyperbole. One thing I was very happy about was that it actually did follow through with the advertised premise. As I was watching it, about midway through I became concerned this was not going to be a movie about a supernatural creature but rather a message movie about mental illness and child abuse. Thankfully the movie dispels that in the last twenty or so minutes.

It's a pretty good (but not great) movie with a couple of nice scares and shocks. However, I didn't find it to be as groundbreaking or unique as many other reviewers. Sometimes I think horror fans are dying of thirst so every little drop of water is oversold as being on par with "fill in the blank with a classic horror film." It's not all that. It's just not. And the mom and kid got on my nerves big time before the first hour was up. This is a movie with a lot of scenes of people being assholes. A lot of yelling, etc. If you're like me that stuff drains you after awhile. I had a headache by the end. Speaking of the end, I'm unsure how I feel about it. Kudos for not tying it all up too neatly but I didn't quite get what the hell Babadook was and, more importantly, why is it eating worms? I kinda like the weirdness of that. Hope they don't ruin it by doing a sequel. Who are we kidding, of course they will.

The Babadook surprised me on two counts.

First, as someone who doesn't often get the warm fuzzies at spooky films, this did. It's a well acted, believable account of a mum and child being haunted by a seemingly malevolent 'thing'. Effective jumps and creeping tension are handled well.

But I was surprised again by the end, as I came away seeing it as an allegory for deep grief and a way through it. I found it quite moving, the mum finding a place for that darkness, finally taking control of it.