Teddy Bears

Teddy Bears is a thoughtful film that takes you on an emotional ride that balances humor, sorrow, love and friendship perfectly.

One reason this film works so well is because unlike so many other movies, there are no useless moments. There is no filler, no fluff. The moments are all needed to give a poignant story its well deserved voice. This is all thanks to the excellent story telling of the writer, Thomas Beatty, who also co-directed with Rebecca Fishman. In short, this is their baby and it is beautiful.

The second reason is the cast. Gillian Jacobs, Zachary Knighton, David Krumholtz, Melanie Lynskey, Ahna O'Reilly and Jason Ritter make the main ensemble. They fit perfectly together. You don't doubt that they are old friends who care and love each other and would do just about anything to help one another. It also doesn't hurt that the supporting cast includes powerhouse Ned Beatty, Dale Dickey and French Stewart.

There is only one drawback about this film. It needs to get wide distribution so I can see it again. This is one film that is well worth your time and it will be one that you will want to watch again and again. It also leaves you reflecting the "what if's" of your friends, family and loves, which in the end is what all great movies do.

This film is a horrific example of rape culture.

The primary focus is on the emotions and reactions of the male characters, and whether they should "allow" their friend to have sex with their girlfriends, with much less focus on whether the women themselves would actually want to sleep with the creep. The clear implication is that the female characters' decisions are secondary, if they are to have any say in the matter at all.

The fact that this is described as a "comedy" albeit a slightly dark one, is the only laughable thing about it. There's nothing funny about watching a group of over-privileged white men arguing about who should be allowed to have sex with their female property.

Awful.

OK, the three adjectives above are the first three that come to mind when thinking about describing this film. Another one is "surprising" because I was expecting a comedy. Optimum on Demand describes it as a dark comedy and lists it under comedy in its genre lists. Actually, this is not only surprising, it's horrifying, to think that anyone would categorize this film as a comedy. At least IMDb adds "drama" to it. Granted it has its comedic moments, that one might think of as "droll" or "dark humor" but overall it's a film that takes on some heavy issues, and its main character is going through some deep stuff with intense feelings, including pain and suffering. The people out there who may think how he responds to his dilemmas as humorous, well, I hope I never meet them, because I know I will hate them. Anyway, I did not hate this movie. In fact, by the end I liked it much more than I thought I would. And, I think it's worth a second viewing because it's the kind of film in which one might miss stuff the first go around.

Why are these Individuals of the same species friends ? Showing that they are caring Individuals for the pat on the back or the hug of warm moistness against hard trembling loins that require some kind of fulfillment as caring Ego's? This has to be produced by a pimp or a porn producer, or perhaps those In power, or are the all the same ?Children watch this SHITE and base what life Is about by It!, It's a commentary on the State, Progress and Evolution of our Kind !......You need to flock? Beat off, or visit a Professional Poor Soul !This Isn't a comedy or drama!, It's a farce!, And we're all the king of France! The Comedy of life Is Hilarious!, THIS IS DRECK !

Despite its high-concept, almost absurdist premise, The Big Ask is grounded in a very real set of emotions. A man dealing with extreme grief finds himself in need of a tremendous (and unreasonable) outpouring of love. His loved ones are eager to help but feel frustrated and exhausted by just how needy he can be. Anyone who has experienced loss or tried to love someone through loss has dealt with some form of these issues.

The directors elicit commanding performances from their stellar ensemble cast. The film looks great and most of all the script is authentic, funny, and really quite moving. A fine, fine film.