Le Hobbit : La Bataille des Cinq Armées

The Battle of the Five Armies title is a great exaggeration of what an army entails. The movie is about more or less a skirmish with some rather imaginative weaponry. The plot goes sideways and after two three hours long previous films we get a two hours and a half mess that is half completely over the top battle scenes and the other half people talking out of their asses. It is pure chaos, where orcs are either mighty unbeatable beasts bred for war or cardboard armor wearing morons easily defeated by fishermen's wives and children, as the action demands. Things start to remind of Pirates of the Caribbean, and not only because it's the same actor doing kind of the same stuff.

There is even a prolonged ending with Bilbo Baggings returning to the Shire, almost as if wanting to undo the good idea in the Lord of the Rings movies in which they removed the boring book ending with Saruman taking refuge in the Shire, and that portrays hobbits as petty bureaucratic creatures, rather than kind and resilient and courageous as declared everywhere else in the films. If I enjoyed the first two movies and wanted to see how it will all end, the third was a ridiculous failure, trying to do too much with too little: making a country brawl look like an epic battle, keeping the lighter more children oriented tone while killing characters and trying to express deeper heroic emotions, trying to somehow raise on the same level three organized military groups and a bunch of fishermen and animals and tying up lose ends that were there only to make this a trilogy rather than a pair of decent movies.

It is now when all the jokes about the eagles made in good fun in the first two movies (and in Lord of the Rings as well) turn smirky, when the only logic to the plot and action seems to be the panic of production companies trying to achieve their financial goals rather than tell a good story. It is here where the disappointment that everyone talks about when referring to The Hobbit movies raises its ugly head and grows on the small mistakes of the previous two movies. So in order to enjoy the trilogy, one must somehow detach themselves from the ending and see it as an imperfect finish to an otherwise fun movie, maybe imagine their own.

I should have loved this film. One of the aspects I love most about Return of the King, my favourite of Jackson's adaptations and one of my favourite films of all time, is the sprawling, mass fantasy battle scenes and The Battle of Five Armies is pretty much one elongated battle scene. However, there's something that's not quite right.

It's not the lack of emotion, characterization or plot. Indeed, there are plenty of those, there is just something I just can't put my finger on that stops the film from being truly epic. Perhaps it is because, for me at least, this film will always live in King's shadow but, really, where I think the film falls down, is that the battles simply aren't done well enough. The context is not explained very well, the actual engagements not that exciting too much repetition and, most crucially, too much cutting away from one place to another. This cutting worked fine, well, even, in Two Towers between the crucible of Helm's Deep and the quiet conversation of the Entmoot, but, here, there are just too many places that the actions flits between. I appreciate this is a battle of five armies, and that there are plenty of characters, but, sadly, the action did seem to be all over the place. And the repetition I mentioned earlier: a huge portion of the film seemed to be entirely composed of either someone running to warn others, a main character leading the charge into battle, and several one-on-one battles. The latter may be entertaining, sure, but there is a line which is stepped over in this film.

The ending, too, seemed like it was rushed by the filmmakers, especially when we consider that we don't actually find out what happens to the Arkenstone in the end. Many people criticised Return of the King's dragged out ending, but that was full of emotion and was a fitting, yet sad, farewell. Here, where not only does Bilbo say farewell to Gandalf and the Dwarfs, but where we say an almost certain farewell to Middle Earth, the end is far too brief and unlikely to instil emotion. Though, it is, to be fair, nicely linked into Fellowship.

Ultimately though, the film has plenty of positives. Despite being full of battle sequences, Jackson fits in plenty of emotional scenes and develops many of the characters fantastically. In particular, Armitage's Thorin is different and darker, yet changes a great deal throughout the film - all in all, a fantastic performance. There's plenty of typical Jackson humour, some brilliant cameos and some great nods to the Lord of the Rings films and some elements of the film's production, which die-hard fans will no doubt pick up on with a smile. It's also important to realise that, whilst it's easy to criticise the long battle sequences, they are entertaining, and keep the pace of the film up throughout.

So, whilst it is easy to concentrate on the negatives and, in particular, the lack of a Grey Havens-esque adieu to Middle Earth, The Battle of Five Armies is still a great film and a fitting end to what has been a true achievement: a series of beautiful film adaptations that many will be sad to see end.

• Ed

So I went to The Hobbit marathon. Yes, my fangirling has reached the level where I'm willing to sit in a theater for nine hours straight.

First of all, seeing the first two movies on the big screen again (and for the last time) was a wonderful experience. Seeing all three on the big screen in one night? Very cool. And getting to watch the character transformations and story lines in a row, fantastic. The effects, casting, acting, setting, action... everything was good.

Martin Freeman should win some major awards for his acting... actually everyone should. They're all incredible. I must say, I cried for most of the last fifteen or so minutes. If you've read the book etc., you know why. If not, please go so you can cry too.

The action and battle scenes are captivating, intense, and extremely fun to watch. We get more info about Sauron, which makes me very happy. We also get more Legolas and Tauriel, and let's be honest, who doesn't want more Elvish epicness?

There were a few moments I could have done without, and a few moments where the CGI seemed off, but other than that, I honestly couldn't ask for a better movie. I feel like braiding my hair and learning to wield a sword now.

People complain about these movies so much, but honestly, this is as good as it gets when it comes to book adaptations.

9/10

Once again, thank you Peter Jackson. Agorel vae. Galu.

I really enjoyed the first two. I don't buy into the criticism that a 300 page book couldn't be made into a full blown trilogy. That said, I found the last episode way too full of battle scenes and gratuitous violence, big armies banging into each other, terrible orcs riding wolves, and the ultimate confrontation. In the process, all the charm that had been built up in the first two movies seemed to be dropped for a bunch of special effects. It starts well with the appearance of Smaug who fulfills his promise of destroying the town. But after that its a hodge-podge of romance and revenge and ultimately death. As this one ended, I literally felt, "Oh, is that the end?" Having read "The Hobbit" a couple of times, I knew what was going to happen, but it didn't quite work the way I thought it would. There was just something empty. Don't get me wrong, I could revel in the effort, but I can't say that this will stay with me for a long time.

What a difference an Extended Edition makes. For the first part we got some jolly embellishment. For The Desolation of Smaug we got bags more depth and character. For The Battle of the Five Armies, it may - I hope - be transformative. Because right now this feels like An Unfinished Journey.

It's as if, after all the complaints about splitting a pamphlet of a novel into three parts, Peter Jackson is playing a joke on us: This is what you get when you ask for Middle-earth-lite. Characters we've come to love or loathe arc into nothing; others (e.g. Beorn and Radagast) are given literally seconds of screen time; and for the first time in this prequel trilogy, a whole chapter (The Return Journey) is pretty much elided entirely.

I'd like to be clear on my admiration for what Peter Jackson has done with The Hobbit so far. For all The Lord of the Rings' mythic grandeur and complex world-building, there's a warm geniality and brisk impetus to these lovingly crafted films. And those qualities are married to a thematic depth missing from its bedtime story source. Home and borders are themes that have run through this trilogy, from Bilbo's (Martin Freeman) heartfelt declaration of solidarity at the end of An Unexpected Journey, to Kili's (Aidan Turner) fevered speech to Tauriel (Evangeline Lilly) as she heals his wounds in Desolation, when they realise reconciliation is possible. Heck, I even like the addition of Tauriel - though her unsatisfying conclusion is perhaps typical of a final chapter that too often fails to tie up its loose ends.

The movie kicks off from precisely where the second ended, with the dread dragon Smaug (Benedict Cumberbatch) descending upon Laketown. The citizens flee but nothing can stop the cataclysm - until a certain someone finds an ingenious way to pierce the beast. Then there's nemesis #2: Sauron (also Cumberbatch). We get to see some familiar faces face-off with this faceless monstrosity.

The story then enters its most intriguing phase: a kind of psychodrama involving Thorin (Richard Armitage) and his sickening relationship with gold and power. It's the one time we really glimpse that signature Jackson oddness, in a wonderful hallucinatory sequence where Thorin imagines he's sinking in a lake of gold.

The narrative follows the book fairly closely. This was, after all, the stage of the story where Professor Tolkien finally foregrounded politics and ethics and the machinations of characters ahead of adventure. The film is at its most successful in the quieter moments, as Thranduil (a subtle Lee Pace) ponders the duty of the elves; as Bard (a brooding Luke Evans) comes to the gate of the mountain to plead for peace; and as Thorin struggles with his "dragon-sickness" (i.e. greed), while Bilbo wrestles with the dilemma of what to do with a certain stolen gemstone.

Thorin was presented at first as this trilogy's Aragorn. But over time we've learned of the dangerous pride that ruined his grandfather. Thorin's hubris and arrogance is in stark contrast to Bilbo's very relatable and achievable traits of decency and humility. The gulf between them is intriguing and wisely plundered for drama. Armitage and Bilbo provide the best performances of the film - mostly internal; mostly in the eyes - and their farewell is one of the more moving moments in a trilogy that has largely prioritised humour over pathos.

The battle itself is undoubtedly impressive - great roaring hordes punctuated with spectacular giants - but in a sense it compounds the problem of the relatively truncated runtime. What was already the shortest Middle-earth film is rendered artificially even shorter by the fact that there's 45 minutes of virtually wordless fighting. By now we should all be braced for Super Legolas and his physics-defying fighting style. That reaches new heights here; as he sprints up a crumbling bridge like he's on the wrong escalator, it's like some sort of visual satire on the weightlessness of CGI.

With its last bastion and swarming armies, the titular battle resembles The Return of the King's Pelennor finale - yet that movie took breath between its showdowns. Galadriel vs. Sauron; Legolas vs. Bolg; Thorin vs. Azog... it's like we're watching someone finish off a video game but we're powerless to stop them skipping the tension- or character-building cutscenes. Moreover, the dubious editing decisions create some strange and jolting juxtapositions and tonal lurches, and negate the sense of time passing or of great distances being crossed.

The result is a film that really earns its status of "theatrical cut", insofar as it resembles many a boisterous blockbuster. This is fairly damning criticism for a Middle-earth movie, usually so luxurious and layered in its sense of a unique world. There's plenty of meat here - but where are the bones that hold it all together? 11 months away, perhaps.