La Belle et la Bête

This is an almost perfect version of this well known story but my problem is that we do not feel the growing love of Belle for the beast too much. She's seeing in dreams who was the beast before, so we understand she can fall in love for who he was, but not too much for who he really is. If that makes sens. But all in all it's a very well made movie for all the family. The tone is a bit dark for little kids but always beautiful, as it's usually the case with Gans's movies. The use of CGI is obvious on the creatures, but it's done with good taste, IMO. It's a shame gans does not make more movies, I love his style. It's just that, after all this time waiting for a new movie of him, I wanted a little more substance.

I don't want to get you bored with long texts. My personal opinion is that 2 very good actors (Bella and Cassel) are wasted in a film with slow and uninteresting plot.

The same thing goes for the director. The special effects are great, the backgrounds and the places are awesome but it's just that.

PS. I saw it with French audio + subtitles so I may have missed a lot of important details. Sorry about that.

Beauty and the Beast is another proof that French cinematography is on par with current Hollywood blockbusters in terms of CGI and outperforms them in storytelling. It might be wrong to generalize like this, but the previous sentence can't be negated in any serious discussion.

Beauty and the Beast is, hopefully, a fairy tale known to everyone. Discussing the script or actors' performance would be beyond the point. The story is retold in a visually perfect manner. Actually, this is in line with movies in which a superhero does the same thing one more time, but with a different lead actor and targeting the audience that was too young to witness the previous installment.

The best thing about this movie is the atmosphere. It is indeed a fairy tale, with some passion and some action, but it never becomes sleazy or boring.

I enjoyed this French version of "Beauty and The Beast" for the most part. The cinematography and character designs are beautiful. I liked the fantasy atmosphere and sense of exploration in the first half of the film. I also liked the mystery of the Beast's origin.

I appreciate the fact that it is more accurate to the fairy tale than previous adaptations. That being said, the second half deviates from the original story in a few respects and I found it sluggish in some parts. I found the final action sequence a bit too fantastical and left unexplained except via Deus Ex Machina. However, it certainly looks impressive.

Ultimately, the film isn't perfect. The story has been done many times before and this rendition is sluggish at times. Never-the-less, I recommend watching the film for its stunning beauty alone.

La Belle et la Bete has all the whimsical magic and fantasy of a captivating fairy tale but with the humanity of a feature adaptation.

There is just something about these fables that have the ability to touch the audience's heart. La Belle et la Bete (Beauty and the Beast) brings the French fairy tale to life in an equally as wondrous but more realistic manner than the Disney classic.

American audiences will recognize the story without confusion as only minor changes are made with Christophe Gans's adaptation. A once prestigious and wealthy sea merchant (André Dussollier) is left disgraced and penniless when his three cargo ships go missing. With everything confiscated by the banks to compensate for his debts, the newly destitute family retreats to the provincial countryside. The merchant and father becomes lost when returning from a trip to the city. Seeking refuge, he finds shelter in a mysterious but magical castle. Overstepping the castle's generosity, the father must trade une vie pour une rose, a life for a rose.

The French film La Belle et la Bete is what I had so desperately desired but failed to receive from Disney's Maleficent. Though it does not attempt to reinvent the tale from an alternative perspective, La Belle et la Bete does give audiences a refreshingly real story rather than a romanticized but far fetched fable.

In every scene and with every single frame, director Christophe Gans captures the magical and otherworldly awe inherent in a fairy tale. The castle's fortress is a maze of crumbling corridors and overgrown staircases that we explore with Belle during the day. From the set design and landscapes to the opulent costumes and cinematography, La Belle et la Bete transports its audiences to a magnificent and enchanting fantasy land.

In almost all regards, La Belle et la Bete is an overwhelming success but there are weaknesses in the narrative and film. The CGI is vastly inferior to the rest of the environment of the film and is a distraction. The writers and director do not take the added time to truly cultivate a love story between Belle (Léa Seydoux) and la Bete (Vincent Cassel). For a film that claims its genre to be romance, this is rather a large component and therefore complaint. Further the introduction of the Gaston character and eventual climax at the castle feels rushed and slightly out of place.

La Belle et la Bete is a spectacular cinematic experience that should be voraciously devoured by lovers of the fantastical, especially children. (Though there is nudity, it is minimal, tasteful, unavoidable and completely nonsexual.)

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