The crew of a colony ship, bound for a remote planet, discover an uncharted paradise with a threat beyond their imagination, and must attempt a harrowing escape.The crew of a colony ship, bound for a remote planet, discover an uncharted paradise with a threat beyond their imagination, and must attempt a harrowing escape.The crew of a colony ship, bound for a remote planet, discover an uncharted paradise with a threat beyond their imagination, and must attempt a harrowing escape.
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Featured reviews
'Alien' is still to this day a tense, shocking suspenseful and frightening masterpiece, one of my favourites of the genre. The bigger and bolder 'Aliens' is one of those rare sequels that is every bit as good as its predecessor. Both are two of my favourite films and the character of Ripley is one of the most iconic female characters in film. 'Alien 3' and 'Resurrection' had their issues but to me weren't that bad, while 'Prometheus' had some fine elements while also some major flaws.
My thoughts on 'Alien: Covenant' is fairly similar to my ones on 'Prometheus'. Not as bad as led to believe (having read reviews that were mostly mixed to negative), but could have been much better considering the brilliance of 'Alien' and 'Aliens'. With a good cast, and with the involvement of a hit and miss but talented (especially visually) director Ridley Scott, 'Alien: Covenant' could and should have been far better. Some undeniable strengths here, at the same 'Alien: Covenant' also commits the same faults as 'Prometheus', and makes even more of the mistake of having little point to it other than providing a few necessary answers to loose ends from 'Prometheus'.
Lets start with 'Alien: Covenant's' strengths. Even when the writing and story weren't up to snuff, Scott's films always looked visually beautiful. 'Alien: Covenant' is not an exception. The settings look tremendous, of sheer beauty and with a real eeriness, the cinematography complements it perfectly and is often powerfully arresting and most of the special effects (apart from the disappointingly cheap-looking ones for the xenomorph) are a feast for the eye. Scott's direction has moments where it is superb, if more in the visuals and spectacle than the narrative.
Jed Kurzel's music score is hauntingly unsettling and recalls one fondly of the music in the original film by Jerry Goldsmith. There are a few scary moments (though this doesn't come consistently) and credit is due for providing much needed answers to questions that were on people's lips after watching 'Prometheus'.
Of a pretty good cast, considering what they had to work with, Michael Fassbender's commandingly and intensely acted dual role is the standout. Katherine Waterston brings steel and vulnerability, yet another performance demonstrating why she is one to watch, and surprisingly Danny McBride succeeds in trying to fully form his character rather than be annoying or looking stoned. Billy Crudup also tries his best with little to do.
However, genuine tension and suspense is replaced by monster/alien action and attempts at character motivations. Sadly too much of the monster/alien action is not that exciting and only sporadically scary, cheapened by at times excessive and gratuitous gore (by far the goriest and bloodiest of the 'Alien' franchise and the approach felt a little out of place). On top of that the characters (in a film where there is too many of them in the first place) are very thinly sketched rather than fully formed and of the lot only Tennessee, Walter and David properly raise above forgettable, David especially being pretty splendidly drawn actually. The constant frustrating decision making from most of the characters also prevents one from properly connecting to them.
Script is also often very weak, even more rambling and cliché ridden than that of 'Prometheus', with philosophising and thrown in references to the likes of Wagner and Michaelangelo that gives a sense that the film wasn't sure of its identity. The story suffers from dull pacing and from being over-stuffed of too many ideas not done enough with. By the time the big reveal came it leaves one with a so what feel, due to it being so obvious too early on, and there is far too much of a you have seen it all before vibe.
In conclusion, tries hard and there's no doubting that a lot of work went into the visual aesthetics and the acting but 'Alien: Covenant' should have been much more. Certainly not awful but a disappointment. 5/10 Bethany Cox
My thoughts on 'Alien: Covenant' is fairly similar to my ones on 'Prometheus'. Not as bad as led to believe (having read reviews that were mostly mixed to negative), but could have been much better considering the brilliance of 'Alien' and 'Aliens'. With a good cast, and with the involvement of a hit and miss but talented (especially visually) director Ridley Scott, 'Alien: Covenant' could and should have been far better. Some undeniable strengths here, at the same 'Alien: Covenant' also commits the same faults as 'Prometheus', and makes even more of the mistake of having little point to it other than providing a few necessary answers to loose ends from 'Prometheus'.
Lets start with 'Alien: Covenant's' strengths. Even when the writing and story weren't up to snuff, Scott's films always looked visually beautiful. 'Alien: Covenant' is not an exception. The settings look tremendous, of sheer beauty and with a real eeriness, the cinematography complements it perfectly and is often powerfully arresting and most of the special effects (apart from the disappointingly cheap-looking ones for the xenomorph) are a feast for the eye. Scott's direction has moments where it is superb, if more in the visuals and spectacle than the narrative.
Jed Kurzel's music score is hauntingly unsettling and recalls one fondly of the music in the original film by Jerry Goldsmith. There are a few scary moments (though this doesn't come consistently) and credit is due for providing much needed answers to questions that were on people's lips after watching 'Prometheus'.
Of a pretty good cast, considering what they had to work with, Michael Fassbender's commandingly and intensely acted dual role is the standout. Katherine Waterston brings steel and vulnerability, yet another performance demonstrating why she is one to watch, and surprisingly Danny McBride succeeds in trying to fully form his character rather than be annoying or looking stoned. Billy Crudup also tries his best with little to do.
However, genuine tension and suspense is replaced by monster/alien action and attempts at character motivations. Sadly too much of the monster/alien action is not that exciting and only sporadically scary, cheapened by at times excessive and gratuitous gore (by far the goriest and bloodiest of the 'Alien' franchise and the approach felt a little out of place). On top of that the characters (in a film where there is too many of them in the first place) are very thinly sketched rather than fully formed and of the lot only Tennessee, Walter and David properly raise above forgettable, David especially being pretty splendidly drawn actually. The constant frustrating decision making from most of the characters also prevents one from properly connecting to them.
Script is also often very weak, even more rambling and cliché ridden than that of 'Prometheus', with philosophising and thrown in references to the likes of Wagner and Michaelangelo that gives a sense that the film wasn't sure of its identity. The story suffers from dull pacing and from being over-stuffed of too many ideas not done enough with. By the time the big reveal came it leaves one with a so what feel, due to it being so obvious too early on, and there is far too much of a you have seen it all before vibe.
In conclusion, tries hard and there's no doubting that a lot of work went into the visual aesthetics and the acting but 'Alien: Covenant' should have been much more. Certainly not awful but a disappointment. 5/10 Bethany Cox
I don't know if I'm the only person to say this, but I think a horror movie works better if we see some intelligence in the script and in the characters' attitudes, and if the main antagonist is mysterious and able to surprise us. I liked "Prometheus", a film better than expected, albeit with a confusing script. This film establishes a clearer, more palpable link between that film and the "Alien" franchise. The script accompanies the "Covenant", a colony ship filled with people in hypersleep. The ship receives a mysterious signal from a planet that, by all indications, has excellent conditions for life, but quickly realizes that it has stumbled on a place where it should never have landed. After seeing the film, I had the feeling that we were looking at a very solid work that only lost when compared to the original franchise. Perhaps the best way to be fair is really to avoid this comparative exercise, which is seductive and almost impossible not to do.
Shall we start with the good things? Very good! The film is a sight for sore eyes, especially for sci-fi fans and for those who like very visual films with high doses of special effects, CGI or extraordinarily detailed scenarios. There is no doubt that the budget had a generous slice set aside for computer technicians, art and costume designers and cinematography, and this investment has paid off handsomely. Everything is accompanied by an excellent soundtrack and good sound effects. And of course, there are lots of tense scenes. It is one of those films where the tension is permanent, but which never really scares us.
Sadly, that's basically all this movie has to offer us. Fans of the Alien franchise will ensure that the film clarifies several gray points in the narrative of other films, such as "Prometheus", and I agree with this argument, but this does not seem to me to be something that we should overestimate, because it really was the least that could be done. Demanded from this film! At the script level, it is frankly disappointing: in addition to being lazy, making the most of what was done for the other films with which it is linked, it adds few new things. Yes, it creates some new creatures, "cousins" of the original xenomorph, but that's all. The human or semi-human characters are silly, devoid of development and seem to be waiting to be killed.
The film starts out great, but becomes slow and tiresome as it becomes predictable. I have a high regard for Ridley Scott's work, I think he's a very skilled and credited director, but it's hard not to acknowledge that he failed here. The director was dazzled by the amount of CGI potential and neglected the narrative, editing and direction of the actors. Among the actors, Michael Fassbender stands out the most. The actor has given us one of his best works so far. Katherine Waterston also did a very good job. The rest of the cast doesn't have the time or material to do anything special.
Shall we start with the good things? Very good! The film is a sight for sore eyes, especially for sci-fi fans and for those who like very visual films with high doses of special effects, CGI or extraordinarily detailed scenarios. There is no doubt that the budget had a generous slice set aside for computer technicians, art and costume designers and cinematography, and this investment has paid off handsomely. Everything is accompanied by an excellent soundtrack and good sound effects. And of course, there are lots of tense scenes. It is one of those films where the tension is permanent, but which never really scares us.
Sadly, that's basically all this movie has to offer us. Fans of the Alien franchise will ensure that the film clarifies several gray points in the narrative of other films, such as "Prometheus", and I agree with this argument, but this does not seem to me to be something that we should overestimate, because it really was the least that could be done. Demanded from this film! At the script level, it is frankly disappointing: in addition to being lazy, making the most of what was done for the other films with which it is linked, it adds few new things. Yes, it creates some new creatures, "cousins" of the original xenomorph, but that's all. The human or semi-human characters are silly, devoid of development and seem to be waiting to be killed.
The film starts out great, but becomes slow and tiresome as it becomes predictable. I have a high regard for Ridley Scott's work, I think he's a very skilled and credited director, but it's hard not to acknowledge that he failed here. The director was dazzled by the amount of CGI potential and neglected the narrative, editing and direction of the actors. Among the actors, Michael Fassbender stands out the most. The actor has given us one of his best works so far. Katherine Waterston also did a very good job. The rest of the cast doesn't have the time or material to do anything special.
In the first 20 minutes I was so happy with Covenant. It felt sharp, atmospheric, there are interesting character situations, emotive moments and infinitely better writing than we had in Prometheus. As it progresses, this feeling continues - thankfully, a solid sci-fi film that got it right.
Then Ridley starts to indulge in his convoluted ideas about creation and destruction. Its like switching from 1977 George Lucas to 1999 Lucas. You can almost hear Ridley at a writing meeting saying "this'll be cool, and this, and this, and then this" and the writer saying "uh, is this for the same film or later in the series?" "Yeah just cram it all in, make it happen".
You end up with three different films - a first act like a modern Alien which I loved, a middle act of Prometheus style philosophizing that feels like more Westworld, then a last act of two shoe-horned in action scenes homaging Aliens and Alien 3 respectively. Except there is no satisfaction at all, because the aliens are rushed, a bit silly, often awkwardly CGI looking, and not even convincing as threats because we don't care about any of it.
By the end I just have no idea what to think. I just think it would have worked much better if the ideas were done justice in their own film, rather than ham-fistedly trying to ram them into an Alien film to try and please fans and make box-office.
Then Ridley starts to indulge in his convoluted ideas about creation and destruction. Its like switching from 1977 George Lucas to 1999 Lucas. You can almost hear Ridley at a writing meeting saying "this'll be cool, and this, and this, and then this" and the writer saying "uh, is this for the same film or later in the series?" "Yeah just cram it all in, make it happen".
You end up with three different films - a first act like a modern Alien which I loved, a middle act of Prometheus style philosophizing that feels like more Westworld, then a last act of two shoe-horned in action scenes homaging Aliens and Alien 3 respectively. Except there is no satisfaction at all, because the aliens are rushed, a bit silly, often awkwardly CGI looking, and not even convincing as threats because we don't care about any of it.
By the end I just have no idea what to think. I just think it would have worked much better if the ideas were done justice in their own film, rather than ham-fistedly trying to ram them into an Alien film to try and please fans and make box-office.
"Alien: Covenant" is a sci-fi action film technically perfect, with great special effects and landscapes. Unfortunately the story is terrible with the most unprepared (or stupid) crew ever seen. How could practically all the crew including the captain and the second in command land in an unknown planet without a better analyze of the soil and the atmosphere? They have a skilled android that should go alone and report whether the place is dangerous or not. One of the groups have a sick crew-member and his partner brings him bleeding to the only means of transportation they have to return to the spacecraft. The pilot risks the lives they are transporting and their colonization mission to try to rescue a few survivors. In addition, the performances are soulless and not engaging and the viewer does not care to the characters. My vote is five.
Title (Brazil): "Alien: Covenant"
Title (Brazil): "Alien: Covenant"
Alien Covenant expands on the strong concept introduced in Prometheus with a worthwhile follow up to the fate of certain characters.
For me the best moments all revolve around the characters played by Fassbender and how it links to the xenomorphs. His acting is excellent and makes the synthetic characters memorable. It helps he has the best material written for any character in the film. He is supported very well by all other cast members especially Katherine Waterston and Billy Cudrup.
Generally the plot feels like a retread of the 1979 movie. I prefer these characters to those in Prometheus (particularly the stupid scientists), but it is a shame it follows the original blueprint so closely. That being said, there are some tremendous moments of horror suspense.
The alien effects are some of the most gruesome in the franchise. For me it strays over the top for the sake of shock value. The filmmakers use modern CGI to full effect which is impressive, but I am more of a traditionalist when it comes to cinema and prefer it when the xenomorph relies on models, men in suits, animatronics, cinematography and great editing.
As you would expect from Ridley Scott the visuals are consistently excellent. I love the cinematography, the use of Milford Sound, and the art design.
For me the best moments all revolve around the characters played by Fassbender and how it links to the xenomorphs. His acting is excellent and makes the synthetic characters memorable. It helps he has the best material written for any character in the film. He is supported very well by all other cast members especially Katherine Waterston and Billy Cudrup.
Generally the plot feels like a retread of the 1979 movie. I prefer these characters to those in Prometheus (particularly the stupid scientists), but it is a shame it follows the original blueprint so closely. That being said, there are some tremendous moments of horror suspense.
The alien effects are some of the most gruesome in the franchise. For me it strays over the top for the sake of shock value. The filmmakers use modern CGI to full effect which is impressive, but I am more of a traditionalist when it comes to cinema and prefer it when the xenomorph relies on models, men in suits, animatronics, cinematography and great editing.
As you would expect from Ridley Scott the visuals are consistently excellent. I love the cinematography, the use of Milford Sound, and the art design.
All 'Alien' Movies Ranked by IMDb Rating
All 'Alien' Movies Ranked by IMDb Rating
See how the Alien franchise films rank, according to IMDb user ratings.
Did you know
- TriviaOn November 27, 2015, Sir Ridley Scott announced that this film would be the second (following Prometheus (2012)) in a new Alien trilogy that will take place closer to, and lead up to, the original Alien, le 8ème passager (1979) film. He later suggested that there may even be a fourth prequel film. However, the future of the series became uncertain after the purchase of 20th Century Fox by Disney in December 2017. The next film, tentatively titled 'Alien: Awakening', was set to enter preproduction that same month, but according to some sources, the project was shelved indefinitely. The commercial underperformance of Alien: Covenant as well as its lukewarm reception by critics and fans were named as reasons, although no official statements were made by Disney. In early 2019, however, the script called Alien: Awakening was actively being written, and Untitled Alien Prequel was officially in production as of 2022.
- GoofsDuring the opening act, the Covenant is damaged by a shockwave after Mother detects a "neutrino storm". Neutrinos are nearly massless particles which so rarely interact with other material that they commonly pass though the entire Earth without ever causing a reaction. They could not damage the ship as portrayed in the film. However, the ship wasn't damaged by a neutrino storm at all, but by (as the crew puts it) a "highly charged shockwave from a stellar ignition" (e.g. a supernova) and/or a "spontaneous stellar flare". A neutrino burst is merely something that occurs during a stellar ignition event but is not the cause of the event or any resulting shockwaves from it.
- Crazy creditsThe 20th Century Fox logo is in a shade of dark blue-gray.
- Alternate versionsChinese version was heavily edited to get an approval from film censor's office. Beside violent scenes, almost any scene with an Alien was cut/shortened so you can barely see the creatures. The kiss between David and Walter was removed as well.
- ConnectionsEdited into Alien: Covenant - Advent (2017)
- SoundtracksTheme from Alien
Composed by Jerry Goldsmith
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Prometheus 2
- Filming locations
- Milford Sound, Fiordland National Park, Southland, New Zealand(spacecraft landing site)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $97,000,000 (estimated)
- Gross US & Canada
- $74,262,031
- Opening weekend US & Canada
- $36,160,621
- May 21, 2017
- Gross worldwide
- $240,892,187
- Runtime
- 2h 2m(122 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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