Una

My wife and I watched this at home on DVD from our public library.

Many viewers will feel uncomfortable with the subject, a 3-month affair between an adult man and his neighbor, a 13-yr-old girl. However it is done with enough sensitivity that everything is merely suggested, along with dialog that explains what happened.

Set and filmed in England, essentially 15 years later, now 28-yr-old Una looks up the man she had been intimate with, he had served his time and had changed his name, was now married and had a good job as a supervisor. She is intrusive, she is demanding, she had cared for the man and never got over what she considered abandonment when they decided to travel to Europe together.

The story plays out to show how the bad decisions made those years earlier had wrecked the life of the young girl into her adulthood, and how now is came back to haunt him. This is fiction but these types of stories really happen, we learn about them on the news all too often.

Ruby Stokes is really good as the young Una while Rooney Mara shines as the adult Una. Ben Mendelsohn is also very effective as the man, Ray, who changed his name to Peter. No pun intended, I suppose.

After this film was screened at the Toronto Film Festival today, an audience member asked director Andrews about the skill of lead actor Mendelsohn in his portrayal of such a deceitful and manipulative character. The host repeated the question without the adjectives but fortunately the question was answered as it was asked. Mr. Andrews noted that many audience members didn't see the "Ray" character in that fashion at all.

Indeed this ambiguity and its affect on Una is at the heart of this film as well as the play Blackbird upon which it is based. I generally am not happy when plays are translated into films but I found this adaptation to be quite the exception. The camera was able to extend the scope of the play to include scenes from the crucial events which occurred 15 years before the main confrontation which occupies most of the film.

A brilliant first film from director Andrews which will hopefully reach the wide audience it deserves.

I have no idea how so many people thought this movie was deep or why it's so critically acclaimed .

Rooney Mara is stunning and has great screen presence , but there really is nothing more to this . It's slow , tedious to watch and the ending leaves you wanting to pull your hair out.

It seems like an attempt at justifying a child predators actions.

Half a century after the well-known Lolita of Vladimir Nabokov subtly transformed into a cinematographic masterpiece by Stanley Kubrick, Una (2016) presents the ravages of a few-months romance between a man in his forties and a 13-years-old girl. This analysis is essentially revealed through the eyes of this teenager who has become a woman particularly disturbed and confused by this past as short as devastating.

Ben Mendelsohn and Rooney Mara play excellently, with an out-of-the-ordinary decency and an exemplary sobriety. In addition, the director Benedict Andrews successfully and coldly describes the havoc of an unusual relationship that challenges morality despite a 'consent' from the teen.

This isn't a perfect film by any stretch. It seems to stall quite a bit in its middle act, sometimes feeling like all it's doing is biding time until the third act. Still, the wonderful performances at the core keep it interesting. Rooney Mara is fascinating at internal characters like this and it's no wonder that she is perfection here. We get to feel the longing, pain, and echo of her memories in her glances throughout the film. It's a performance that relies on someone who is naturally gifted in conveying emotions under the surface and Mara is up to the task. This is definitely a film that is to be recommended.