La Danse de la réalité

Jodorowsky is back in full swing and has certainly learned from his previous films. It is on par with the weirdness of holy mountain and has a somewhat coherent narrative at the same time without the pacing ever slowing down and managing to keep it to 2 hours long.

He creates a metaphorical world where we follow a young Jodrowsky and his father full of bright colours and some very quirky characters. There are his signature marks of male and female nudity bizarre imagery and amputees. I can't help but feel the film was more about his father growing up than about Jodrowsky as his father changes from the macho- Stalin worshipping God denying homophobic hypocrite to a broken god fearing hero of the people. Along with that we some real nice cinematography and is overall a great film it is not by any means for the casual movie goer as they would be repulsed by some of what goes on in this film.

The film sets up a style of the director himself literally embracing his younger self and talking to the camera and his younger self in the midst of things going on. Add to this his comical intense cruel-to-be- kind, father and his mother who sings all her dialog and you have a unique narrative that is funny strange and compelling for the first third of the film. But then the story shifts to only the dad's story taking care of a horse and this section bogs down, as other sections tend to whenever the older and younger self aren't part of the action at all. And mom's singing gets a little tiresome as well though her singing voice is very good. Music in the film is uniformly fine. Then you get into some graphic nudity, urination and torture scenes, all of which seem to go on forever, and I fell out of love with it.

But it's almost redeemed by a final section where finally the older and younger director/character return for a farewell scene involving a dock and a boat. If this does turn out to be his last film it's one of the great film exits in history.

So it's too bad the script loses focus right in the middle and that the whole thing feels way too long. Might be a film that plays better if you don't watch it all in one sitting.

Visuals are typically vivid but now have a video quality that the HD "photography" that is distracting at first when comparing the richer film colors of his earlier work.

A worthy film that unfortunately can't sustain a strong first third.

If you're familiar with Jodorowsky's films ('The Holy Mountain' / 'El Topo') you are already aware that your chances of fully understanding the menagerie he presents is futile; whole books can and have been written in an effort to deconstruct his symbolism and celebrate his imagery. It's very easy to focus on the humor and find distraction in the surrealism of his films – that was always the initial draw for me - but his ambitions are of substance with meanings often relevant only to the director himself. The seed of this film is an autobiographical story of Jodorowsky's early childhood in the isolated coastal city of Topopilla, Chile where he experienced alienation as a displaced Ukrainian Jew. Jodorowsky insists that reality is a subjective concept and he immediately describes his setting as a circus with an overbearing father who dresses as Stalin and a mother whose lines are entirely delivered in operatic sing-song.

The film is as much about his father's journey through life as it is his own and the performances are so passionate and over-the-top that, along with his vivid pallet of colors, there is a 'cartoon' quality to the experience. All whimsy aside, this is one of his most cohesive narratives and he refers to 'The Dance of Reality' (his first film in 23 years) as a therapeutic endeavor – or 'psychomagic' – intended to heal residual, family-related psychological distress. Films made for an audience of one will always be a challenge but it's an absolute privilege to be allowed a peek into the mind of such a unique artist.

I could pretty much say that for every other film from Alejandro Jodorowsky. Lucky enough I was able to familiarize myself with his previous films; 'El Topo' and 'The Holy Mountain' a month ago, before hearing his latest 'The Dance of Reality' will play at the Melbourne Internation Film Festival; direct from its Cannes premiere.

I can't really recommend this to you if you aren't very familiar with Jodorowsky's other films. He always if not Often plays on Allegories; El Topo appears as an allegorical Western playing on a very mystic and strange backdrop full of religious ideals and encounters, while also exploring how much of this comes from human deeds on a spiritual journey to enlightenment. I'd gladly revisit that film again and consider it his "Masterpiece". 'The Holy Mountain' on the other hand has just as much of a cult following as 'El Topo' does, Instead That film focuses on spiritual conflict and pilgrimage to attain a spiritual level greater than man above the solar system's landscape. Both films have even been noted to be part of the ever wondrous hippie generation. Jodorowsky truly is an icon for what he achieved expressing within his films; very Avent-Garde spiritual understanding within our mind's visions giving greater tones to such surrealist imagery of psychedelia. Sure enough his films aren't for everyone and must be approached with a curious and Adult mind to fully understand.

'The Dance of Reality' marks Jodorowsky's first film in almost 23 years. Its an autobiographical film based upon the Jodorowsky's memoir of he name. The Film focuses on his upbringing in Chile, Young Alejandro (Jeremías Herskovits) is a curious boy trying to understand the values of life and childhood. His Father Jaime (Brontis Jodorowsky) is very strict, arrogant and abusive due to his obsession with communism and Stalin, he teaches the young Alejandro the meaning of manhood growing up and the lessons in life. His Mother; Sara (Pamela Flores, all her dialogue is sung) is more gracious and loving towards both Alejandro and Jaime.

The plot seems to focus on both father and son character development. Alajandro is growing up to becoming a fine young lad with good moral values taught by both his parents. Jaime on the Other hand thinks he can do anything within his power and might but eventually ends losing is all not learning his lesson from such reckless deeds, eventually trying get out the hard way. The 84 year old 'Jodorowsky' himself, serves as the film's narrator or spiritual guidance to his younger self.

In some way 'Dance of Reality' explores Jodorowsky's allegory of life and childhood as well as his old man's mistakes. You could say most of these themes have already been explored when looking back at 'El Topo', Although that film was more a metaphor for Jodorowsky's upbringing.

'Dance of Reality' directly takes Jodorowsky's native Chile setting and brings it up close examining his childhood and early spiritual understanding as well as what type of person his father was.

This film mainly has many of the similar motifs and symbolism found within Jodorowsky's other films (e.g. limbless or missing limbed humans and visible genitalia, Why? Cause he can!). Psychedelia and surreal imagery play a significant parts within the films substance. The narrative is easy to understand from a direct perspective rather than an exercise on the weird and wonderful. The film for one is fascinating, very engaging and self centered. The character development of Alajandro and Jaime is so drawn in; its hard to distinguish the line of fantasy and reality. Supporting and minor characters also play memorable roles in this film. I guess it was worth the wait for Jodorowsky's first release in years.

I can see this film being praised and divided by critics and audiences alike. Jodorowsky shows things within his films that even the most repentant or squeamish mind may find uncomfortable to watch. If given the right audience were to view this film they won't be disappointed. This film is Unlike anything I've ever seen; it has left me Awe Struck, amazed disturbed at the same time. One Thing for certain is Alejandro Jodorowsky is like no other film maker thats ever lived

Jodorowsky's works have been a part of my life since I first started venturing into the grown up section of my local public library (here in Denmark) in the early 1980s and discovered the "Incal" comics he was doing with Moebius at that time.

I gotta admit I'm not always convinced. "The Incal" is a wonderful comics classic, but some of his later (serialised) books seem to fizzle out to nothing after they've taken years to complete. They've given me quite a bit of frustration - and the reviewers in the comics press often seem equally frustrated.

I bought his return to movie making "Santa Sangre" when it was first released on VHS back around 1990. And I love this movie! It's in my opinion completely coherent and satisfying, and I've seen it many times.

The long awaited DVD box-set of his older 1970s work was a bit of a disappointment. Some good scenes in the movies, but also a lot of semi- amateurish wannabe-spiritual 1970s-style hippie-rambling. The best part of the box was the very enjoyable documentary "La constellation Jodorowsky", which you might be able to find on you-tube with a bit of luck.

But as for his new movie: It's good. VERY good. Possibly even better than "Santa Sangre". In some ways it seems like a remake of "El Topo", except without the western-trappings and based more closely on his own childhood. The main character (Jodorowsky's father) undergoes much the same transformation as El Topo, but the narrative is much more coherent and gripping. I was lucky enough to attend a screening with Jodo's son (who played El Topo's son, and plays Jodo's father in this movie), and while I was mesmerized by the movie even before listening to Brontis Jodorowsky - who is a funny, cool and sensible down-to-earth guy - the information he gave me made me appreciate it even more.

Basically the first part of the movie is a magical realist version of Jodo's childhood. But then the 'psycho magic' therapy that Jodo practices (in his second career as a kind of Tarot-card - or whatever - therapist) starts to play a part, and the movie becomes a kind of exorcism of the hard asshole'ish macho-part of his dictatorial father - the movie gives the father-character the journey of learning he never had in real life, making him a better wiser man that real-life Jodorowsky is able to make (symbolic) peace with. Anyway, this may sound like a lot of nonsense, but it made a lot of sense when Brontis Jodorowsky talked about it, and it makes for a compelling movie, even without the background information. It's as good as any Fellini-meets-Latin- American-Magical-Realism-movie could ever hope to be.

Basically I'm just happy that Jodo has now made two movies and one graphic novel ("The Incal") that I'm able to embrace and enjoy 100%.