Jessabelle

Returning to her childhood home in Louisiana to recuperate from a horrific car accident (which left her unborn child and fiancé dead) Jessabelle(Sarah Snook)comes face to face with a long-tormented spirit that has been seeking her return—and has no intention of letting her escape.The action of "Jessabelle" takes place in backwoods bayou of Louisiana.The film was directed by Kevin Greutert of "Saw VI" and "Saw 3D" fame.The storyline is quite interesting and captivating and the voodoo imagery is quite spooky.Unfortunately long black haired female spirits in the vein of "Ringu" are too routine to be seriously scary.I must say that I quite enjoyed final twist,though.6 bayou ghosts out of 10.

After watching the trailer for this film, I must say I had really high hopes. As a devout Horror fan with a declared preference towards ghost stories and hauntings, I had looked forward to seeing another usual film of the genre, mediocre yet frightening and fun to watch.

While Jessabelle is light-years away from competing with the sub- genres best like The Grudge or Dead Silence, it completes the task it unofficially took upon itself, as it obviously had no intentions of being profound or in any way great. Sarah Snook, while definitely not painful to look at to say the least, is far more than your usual Horror Eye-Candy made famous in classic Slashers. Trust me, this professional knows a hell of a lot more than screaming convincingly and looking fine in a bathing suite. This was my first encounter with her, and I must say she just might be the best thing about Jessabelle. Apparently she's been making quite a name for herself since 2012, and I can definitely see why. Even though her character is stuck in a wheel-chair, the empathy towards its desperation and helplessness is greatly created by Snook's acting skills.

As for the story, it suffers from one of the known banes of Horror - a mediocre plot twist leading to an anticlimactic ending, after a finely made build-up. At least there is a plot twist, true, as Horror films are highly upgraded by these in my opinion, but the one in Jessabelle simply feels unfulfilled. I find it difficult putting my finger on what should have been better about it, I just know it didn't create the sensation we expect from such twists. I believe that was the main reason for the ending being slightly wanting.

All in all, I found Jessabelle to be quite average, meaning anyone who doesn't expect to have their mind blown and being swept off their feet by a masterpiece could enjoy it quite a bit, as I did. Snook's acting and the sufficiently smart plot make it even slightly above average. As always, I would recommend that you ignore my humble opinion, watch it and judge for yourselves. If you ask me - as far as this one is concerned, it's definitely worth it.

I found out about this movie through IMDb and decided to give it a spin. It had a lot more than I was initially expecting. It has got a couple of clichés that we have seen before, but besides that the movie definitely creeped me out. The house and it's setting give of a chilly vibe and works as a set. The movie creates a creepy atmosphere and doesn't rely on jump scares. The lead gives of a decent to good performance and is convincing in her role. Jessabelle is not really predictable, but when the ending explains how everything fits together there is a part of you that did know deep inside this was how it was gonna turn out. It doesn't disappoint in the end and it's surely is a movie that's worth the watch. Be sure to watch it alone in the dark so the atmosphere can creep you out at it's fullest.

Jessabelle "Jessie" Laurent (Sarah Snook) is pregnant and accepts to move to the house of her boyfriend to raise a family of their own. However they have a car accident where her boyfriend and her baby die. Jessie is seriously wounded and trapped to a wheelchair, and the direction of the hospital asks her to contact her estranged father to help her. Leon Laurent (David Andrews) brings his daughter to his house in Louisiana and lodges her in her mother's room. Jessie snoops around the room and finds a videotape where her mother Kate Laurent (Joelle Carter) is pregnant and reads tarot cards to her. She tells that Jessie would never left Louisiana; she is attracted by water; and another woman wants her out of the house. However Leon arrives and destroys the tape. On the next morning, Jessie watches another videotape when her father is out of the house, and her mother talks about the man that had taught her to read cards, Moses (Vaughn Wilson}. Jessie is haunted by the ghost of a woman and her father discovers the two other videotapes she has hidden. When he tries to destroy them, something happens to him and he is burnt to death trapped in a shed. During the funeral, Jessie meets her high-school friend Preston Sanders (Mark Webber), who is unhappily married. Preston decides to help Jessie after watching the videotapes. Who might be haunting Jessie?

"Jessabelle" is a creepy and melancholic ghost story, with an original story of haunted house and a well-written screenplay. The plot is developed in a slow pace and the conclusion is totally unexpected. The gorgeous Sarah Snook has a great performance and the supporting cast is also excellent. The IMDb User Rating is totally underrated. My vote is seven.

Title (Brazil): "Jessabelle: O Passado Nunca Morre" ("Jessabelle: The Past Never Dies")

Note: On 05 august 2016, I saw this film again.

Returning to her childhood home to recuperate from a horrific car accident, Jessabelle after finding some VHS tapes made by her deceased mother comes face to face with a mysterious spirit seeking vengeance.

Director Kevin Greutert offers an interesting deep south Louisiana chiller, in the vein of Angel Heart and the Skeleton Key to name a few. The slow burning mystery's special effects are excellently executed and there are plenty of jump scares. Notable are Mark Webber and Sarah Snook as Jessabelle. Chris Ellis gives a strong cameo as Sheriff Pruitt and David Andrews (Terminator 3: Rise of the Machines) gives a solid performance as Jessabelle's Dad Leon.

Even with some surprise deaths those familiar with the genre will have guessed writer Ben Garant's twist by the third act. But the novel idea of a mother making video tapes for her unborn child Jessabelle, then Jessabelle now a grown up watching them with her mother (who has since passed away) giving her daughter information via the tapes is a creepy and emotional idea.

With an abrupt tagged on closing the meat of Jessabelle has been seen before and it loses its originality and scare factor by the ends reveal. That said, Greutert's film is great looking with an eerie atmosphere that is lacking in so many horrors of late.