Une nuit au Vieux-Mexique

Robert Duvall is my favorite actor of all time but not even he could save this miserable script, poor directing and amateur cinematography. Other than Duvall, the other actors are worse than you would see in any high school play. The script is probably the worst I have ever seen produced. There are at least 30 scenes that were imitations from other, real films. Of course, they were very poorly executed. There were plot holes at every turn and others that just didn't make sense. I didn't bother to research but I cannot fathom how this train wreck got produced. I felt sorry for Duvall throughout the whole film. His performance was definitely not Oscar worthy and my mind drifted off, wondering if he has financial problems that would have led him to participate in this amateur endeavor. I have honestly seen much better productions from film schools.

The story begins with an old Texan having to leave the ranch he has lived in his whole life, at the same moment he is suddenly introduced to a grandson he has never met before. They go off on a jaunt to Mexico where they end up hooking up with another lost soul, a singing stripper. Complicating matters considerably is the fact that they have inadvertently come into possession of a bag containing $150,000 - some violent criminals pursue them for this.

The chief draw of A Night in Old Mexico is the presence of veteran actor Robert Duvall. He certainly shows here that he still remains a very capable actor. It's a pity then that this film doesn't have a stronger storyline for Duvall to work off. It's effectively an odd couple movie, with a crime strand underpinning it. The first part works to a certain extent – Duvall's acting is good and the dialogue is often well written – but the dynamics between the three characters often seem a little forced, in particular it's quite hard really believing in the motivations of the Latina stripper character. The crime story, while fairly generic, does offer some potential excitement but it doesn't necessarily play out in such a way as to actually provide too much. Perhaps this is a good thing in some respects as it means that the film is maybe taking a different course to what you might typically expect. Whatever the case, the criminals operate in the background of the story and bump one and other off and they never really seem to pose that much of a threat to our heroes, which does dissipate the potential tension this could have created.

The location used by the story was pretty interesting though. The story takes place during the Mexican Day of the Dead holiday celebration. The purpose of which is to gather people together to pray for and remember friends and family who have died. This of course parallels the storyline of the film itself really well. Not only this but the strange skull-like masks worn by the townspeople as part of this celebration make for a somewhat memorable backdrop to proceedings, giving the film a nice distinctive feeling in this area. It's the specifically Mexican flavours that for the most part offer the best things about this flick.

In true Hollywood form, viewers are supposed to not know that Joshua trees and mountains do not exist in south Texas but that those driving scenes were shot in the high desert of California. The film jumped from Texas to California and back in the same scene.

When Duvall tries to shoot himself the hammer is seen on half-cock where the cylinder can be spun (he actually spins it but does not full-cock it) but not shot from. But a split-second later he sends a bullet through the barn door.

The Mexico signs upon entering Mexico are hilarious. The first one says ESTADO DE Mexico (Mexico is in all caps on the sign too)(the state next to Mexico City) and the following one says MORELOS, which is also in central Mexico. Neither is on the border.

Lotsa laughs but gimme a break with insulting our knowledge of geography.

"I have never in my whole life seen someone like you." Red Bovie (Duvall) is a proud rancher who has just lost his farm, land, house and everything he owns. He has also just met Gally (Irvine) who claims to be his grandson. After being shown the trailer which will be his new home Red drives off with Gally and they head for Mexico. Along the way they pick up two hitchhikers which change the course of not only the night but their lives. The first thing I have to say about this movie is that Robert Duvall was the perfect choice. This is his Gran Torino in the way that this seemed like a movie where they turned on a camera and just filmed him being himself for a few days. He is the only real name in this but that does not diminish the movie at all. It started off a little slow but by the end I ended up liking it and was glad I stuck it out. There is drama, action and some comedy in this but the real reason to watch is Duvall. You really can't take your eyes off of him and his casting alone makes the movie better. Overall, a good movie that I did like but Robert Duvall is the reason to watch. I give this a B.

I doubt I've ever seen a Robert Duvall movie that was not worth watching and the same can be said of this one. Duvall plays a cranky old coot not ready to take up the rocking chair and I hope he isn't ready for a long time. A decent premise to the movie and several places that make you smile. If you like crotchety hard-headed old folks this is the movie for you. While in all respects a slow movie I didn't regret a minute. I wish IMDb didn't require ten lines for a review because I doubt I've had ten lines to say about any movie.But it's nice to be able to give one a good review, one that isn't cr*p found footage and one where the acting enabled the suspension of disbelief for a couple hours.